Marcus de Vestele (1941-2024) - Composition Cobra figurative





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Marcus de Vestele (1941–2024) created an original 1975 aquarelle on paper titled Composition Cobra figurative, measuring 50 × 37 cm, signed at the bottom right, depicting a Cobra-inspired figurative composition in blue with white and black on a yellow ground, in good condition and sold unframed.
Description from the seller
Marcus de Vestele (1941-2024) Belgian School
Figurative Cobra Composition
Watercolor and ink on paper, 1975
Signed and dated bottom right: Marcus 75
Dimensions: 50 × 37 cm
Sold unframed
Condition: Good overall. Two small creases at the corners with no severity (visible in the photos).
A few tiny marks and irregularities typical of workshop watercolors.
Provenance: Artist Marcus de Vestele's Studio.
Figurative Cobra composition by Marcus de Vestele, dated 1975.
On a luminous yellow background framed by a vibrant red, four stylized and expressive figures come alive with great energy. The shapes in intense blue, highlighted with white and black, stand out with force and spontaneity. The gesture is free, rapid, and full of primitive vitality, perfectly capturing the spirit of the Cobra movement.
Biography
Marcus de Vestele (1941-2024) is a major Belgian artist, best known as a marble sculptor (notably in Carrara and with Bardiglio marble). Parallel to his sculptural practice, he developed throughout his life a substantial pictorial production, long kept confidential and today highly sought after by collectors.
Strongly influenced by the Cobra movement (Karel Appel, Asger Jorn, Pierre Alechinsky, Corneille, Constant…), Marcus de Vestele draws inspiration from it to create abstract-figurative compositions of great expressive power.
His watercolors and paper paintings from the 1970s are characterized by spontaneous line, vivid and saturated colors, simplified anthropomorphic figures, and a communicative joie de peindre (joy of painting).
His pictorial works combine the rigor and mastery of the sculptor with the lyrical and gestural explosion inherent to Cobra.
Directly from the artist's studio, this paper-based production represents an essential and singular facet of his œuvre, occupying a distinctive place in Belgian art of the second half of the 20th century.
Seller's Story
Marcus de Vestele (1941-2024) Belgian School
Figurative Cobra Composition
Watercolor and ink on paper, 1975
Signed and dated bottom right: Marcus 75
Dimensions: 50 × 37 cm
Sold unframed
Condition: Good overall. Two small creases at the corners with no severity (visible in the photos).
A few tiny marks and irregularities typical of workshop watercolors.
Provenance: Artist Marcus de Vestele's Studio.
Figurative Cobra composition by Marcus de Vestele, dated 1975.
On a luminous yellow background framed by a vibrant red, four stylized and expressive figures come alive with great energy. The shapes in intense blue, highlighted with white and black, stand out with force and spontaneity. The gesture is free, rapid, and full of primitive vitality, perfectly capturing the spirit of the Cobra movement.
Biography
Marcus de Vestele (1941-2024) is a major Belgian artist, best known as a marble sculptor (notably in Carrara and with Bardiglio marble). Parallel to his sculptural practice, he developed throughout his life a substantial pictorial production, long kept confidential and today highly sought after by collectors.
Strongly influenced by the Cobra movement (Karel Appel, Asger Jorn, Pierre Alechinsky, Corneille, Constant…), Marcus de Vestele draws inspiration from it to create abstract-figurative compositions of great expressive power.
His watercolors and paper paintings from the 1970s are characterized by spontaneous line, vivid and saturated colors, simplified anthropomorphic figures, and a communicative joie de peindre (joy of painting).
His pictorial works combine the rigor and mastery of the sculptor with the lyrical and gestural explosion inherent to Cobra.
Directly from the artist's studio, this paper-based production represents an essential and singular facet of his œuvre, occupying a distinctive place in Belgian art of the second half of the 20th century.

