European School (XX) - Bull Under the Sun
09
days
14
hours
46
minutes
00
seconds
Starting bid
€ 1
No reserve price
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Selected by Caroline Bokobza
Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.
Estimate € 300 - € 400
No bids placed
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Bull Under the Sun, an oil on cardboard work from 1980–1990 by European School (XX), Spain, sold with frame.
AI-assisted summary
Description from the seller
EUROPEAN SCHOOL
SECOND HALF OF THE 20th CENTURY
BULL UNDER THE SUN
Oil on cardboard
Anonymous work, no visible signature
Dimensions of the work: 22 × 27 cm
Total dimensions with frame: 52 × 59 cm
IMPORTANT INFORMATION FOR THE BUYER
The artwork will be prepared at our logistics center using professional, tailor-made packaging, employing multiple layers of protection and materials suitable to preserve both the painting and its wide framed presentation.
Shipping will be insured, trackable, and typically within three business days after payment confirmation.
The frame is offered as a courtesy and is not the main element of the sale. Any signs of age, wear or use should be assessed from the photographs, which are an essential part of the description.
1. IDENTIFICATION OF THE WORK
1.1. Authorship and chronology
Anonymous work belonging to the European school.
Probably created during the second half of the 20th century, according to stylistic and material assessment.
No signature or visible execution date is observed.
1.2. Title and theme
Bull under the sun.
Descriptive title proposed based on the depiction.
The composition shows a monumental bull in profile, isolated on a background of intensely yellow, crossed by horizontal violet stripes. Above the animal there is a white disk that can be interpreted as a solar representation.
1.3. Technique, support and dimensions
Oil on cardboard, according to the information provided and the visual examination of the work.
Paint dimensions: 22 × 27 cm.
Total dimensions with frame: 52 × 59 cm.
The work is presented within an elaborate framed composition, with a pink-toned mat, white, black and gold edges, four ornamental rosette features, and a wide exterior decorative moulding.
2. ARTISTIC DESCRIPTION
2.1. Composition
The bull almost covers the entire painting surface and becomes the absolute center of the image.
Its body is constructed from a large compact form, outlined in white and reddish. The pronounced horizontality of the animal dialogues with the background stripes, while the horns introduce an ascending movement that balances the composition.
The dark shadow beneath its legs reinforces its physical presence and visually anchors it to the ground.
2.2. Drawing and painting execution
The figure has been interpreted through a synthetic drawing and deliberately non-naturalistic.
The artist simplifies the anatomy into broad chromatic planes, curved contours and small graphic resources. The surface of the body incorporates brushstrokes, dots, and textures that avoid a uniform application of color and add visual richness.
The execution has a direct, spontaneous and expressive character, close to modern illustration and to certain primitivist-inspired languages.
2.3. Color and atmosphere
The painting stands out for its strongly intense palette: yellows, pinks, reds, violets, whites and acid greens.
The contrast between the yellow background and the pinkish bull anatomy creates a luminous and energetic image. The violet bands and the dark shadow introduce stability and depth within a predominantly flat composition.
The result combines strength, irony and a marked decorative sensibility.
3. HISTORICAL AND ARTISTIC CONTEXT
3.1. The bull as an artistic motif
The figure of the bull has a long tradition within European and Mediterranean art, linked to ideas of strength, fertility, nature, sacrifice and popular culture.
During the 20th century, many artists reinterpreted this motif through modern languages, moving away from naturalistic description to turn the animal into a symbolic and autonomous form.
3.2. Stylistic affinities
Anatomical simplification, the use of defined profiles and the application of intense colors relate the work to certain Expressionist, Fauvist and Neo-figurative currents of the 20th century.
There are also affinities with folk art and with a primitivist-inspired aesthetic, especially in the frontal construction of the animal and in the decorative treatment of the surface.
These references are indicated only as stylistic context and do not imply attribution to a specific artist or movement.
3.3. Curatorial appraisal
The work stands out for the clarity of its image, the efficacy of its chromatic construction and the personality of its presentation.
The small format of the painting deliberately contrasts with the grandeur and ornamental complexity of the frame, creating a singular and visually striking ensemble.
Cataloging proposed based on visual, stylistic and material analysis of the work, without a definitive attribution to a particular author.
4. SIGNATURE AND AUTHORSHIP
4.1. Signature
No signature, initials, date or identifying inscription visible on the painted surface.
The reverse presents small labels and commercial or inventory notes, without data that would allow definitive identification of the author.
4.2. Considerations on authorship
In the absence of a signature, documentation, certificate or verifiable provenance, it is not rigorous to link the painting to a specific artist.
For this reason, the work is prudently cataloged as anonymous European school, probably executed during the second half of the 20th century.
4.3. Cataloguing criteria
The cataloging is based on analysis of technique, support, composition, palette and visible stylistic language.
No attribution is formulated or suggested beyond the prudent classification indicated.
5. CONDITION, WARRANTY AND TRANSPARENCY
5.1. Condition of the painting
The work presents a general state of conservation in line with its age and nature.
Small surface irregularities, occasional abrasions, light marks and variations typical of execution and the passage of time are observed.
The composition correctly preserves its chromatic intensity and can be viewed without significant impediments.
5.2. Support and examination
The painting is mounted within its framed presentation.
Assessment has been made by visual inspection and photographic documentation, without fully removing the work or carrying out laboratory analyses.
The existence of minor interventions or ancient retouchings not perceptible in the photographs cannot be ruled out.
5.3. Frame condition
The frame shows small signs of use, nicks and occasional wear compatible with its decorative nature and age.
It is included free of charge as a courtesy and does not constitute a substantial part of the value attributed to the painting. Its possible imperfections are considered visible and described in the images.
5.4. Visual documentation
The buyer will receive exactly the work depicted in the photographs.
The images show its color, texture, presentation, reverse and general state. There may be slight color variations depending on screen or lighting conditions.
The photographs are an integral and fundamental part of the description. It is recommended to examine them carefully before bidding.
6. PRESENTATION, SHIPPING AND COLLECTOR'S OPPORTUNITY
6.1. Artistic and decorative interest
A work particularly attractive for collectors of European figurative art, Expressionist painting, bullfighting representations, and compositions with strong chromatic character.
Its direct image and its singular frame give it a highly decorative presence, suitable for contemporary, eclectic or popular-art-inspired interiors.
6.2. Gallery selection
The piece is part of a selection made with respect for its history, its visual qualities and its ability to bring personality to a new space.
An art-lover proposal for art lovers, based on transparency, visual study and serious, responsible cataloging.
6.3. Packaging and transport
The work will be professionally tailored-packaged, using multiple layers of protection, perimeter reinforcements and a box adapted to the dimensions of the ensemble.
Shipping will be insured and trackable. Dispatch is usually made within three business days after payment confirmation.
Possible additional costs for islands, hard-to-reach territories, non-EU destinations or zones with special rates will be borne by the buyer when applicable.
Seller's Story
Barcelona Art Gallery
Barcelona Art Gallery is made up of several artistic spaces based in the Les Corts district, Barcelona, specializing in old master painting, modern painting, decorative art, and European patrimonial pieces.
We regularly collaborate with dealers, antique dealers, galleries, and private collectors from across Europe, which allows us to offer a continuous, curated, and varied selection of works for our international bidders and buyers.
Our catalog focuses mainly on high-era European painting from the 18th, 19th, and 20th centuries: oils, Spanish, Catalan, French, Italian, and Central European painting, as well as religious works, landscapes, portraits, genre scenes, academic painting, Impressionism, modern and decorative works.
In addition to our auction activity, we work and collaborate with interior designers, decorators, galleries, collectors, film and theater production professionals, creative studios, and cultural sector professionals seeking pieces with character for specific projects.
We are open to professional collaborations related to art, interior design, set design, collecting, decoration, audiovisual projects, commercial spaces, and the recovery of patrimonial pieces.
Each work is presented with a clear, prudent, and honest description, accompanied by detailed photographs that are an essential part of the lot information. We work with bespoke professional packaging, a specialized logistics center, and insured international shipping.
From Barcelona, we select works with history, presence, and a distinctive identity for collectors, interior designers, gallery owners, creative professionals, and art lovers from around the world.
Translated by Google TranslateEUROPEAN SCHOOL
SECOND HALF OF THE 20th CENTURY
BULL UNDER THE SUN
Oil on cardboard
Anonymous work, no visible signature
Dimensions of the work: 22 × 27 cm
Total dimensions with frame: 52 × 59 cm
IMPORTANT INFORMATION FOR THE BUYER
The artwork will be prepared at our logistics center using professional, tailor-made packaging, employing multiple layers of protection and materials suitable to preserve both the painting and its wide framed presentation.
Shipping will be insured, trackable, and typically within three business days after payment confirmation.
The frame is offered as a courtesy and is not the main element of the sale. Any signs of age, wear or use should be assessed from the photographs, which are an essential part of the description.
1. IDENTIFICATION OF THE WORK
1.1. Authorship and chronology
Anonymous work belonging to the European school.
Probably created during the second half of the 20th century, according to stylistic and material assessment.
No signature or visible execution date is observed.
1.2. Title and theme
Bull under the sun.
Descriptive title proposed based on the depiction.
The composition shows a monumental bull in profile, isolated on a background of intensely yellow, crossed by horizontal violet stripes. Above the animal there is a white disk that can be interpreted as a solar representation.
1.3. Technique, support and dimensions
Oil on cardboard, according to the information provided and the visual examination of the work.
Paint dimensions: 22 × 27 cm.
Total dimensions with frame: 52 × 59 cm.
The work is presented within an elaborate framed composition, with a pink-toned mat, white, black and gold edges, four ornamental rosette features, and a wide exterior decorative moulding.
2. ARTISTIC DESCRIPTION
2.1. Composition
The bull almost covers the entire painting surface and becomes the absolute center of the image.
Its body is constructed from a large compact form, outlined in white and reddish. The pronounced horizontality of the animal dialogues with the background stripes, while the horns introduce an ascending movement that balances the composition.
The dark shadow beneath its legs reinforces its physical presence and visually anchors it to the ground.
2.2. Drawing and painting execution
The figure has been interpreted through a synthetic drawing and deliberately non-naturalistic.
The artist simplifies the anatomy into broad chromatic planes, curved contours and small graphic resources. The surface of the body incorporates brushstrokes, dots, and textures that avoid a uniform application of color and add visual richness.
The execution has a direct, spontaneous and expressive character, close to modern illustration and to certain primitivist-inspired languages.
2.3. Color and atmosphere
The painting stands out for its strongly intense palette: yellows, pinks, reds, violets, whites and acid greens.
The contrast between the yellow background and the pinkish bull anatomy creates a luminous and energetic image. The violet bands and the dark shadow introduce stability and depth within a predominantly flat composition.
The result combines strength, irony and a marked decorative sensibility.
3. HISTORICAL AND ARTISTIC CONTEXT
3.1. The bull as an artistic motif
The figure of the bull has a long tradition within European and Mediterranean art, linked to ideas of strength, fertility, nature, sacrifice and popular culture.
During the 20th century, many artists reinterpreted this motif through modern languages, moving away from naturalistic description to turn the animal into a symbolic and autonomous form.
3.2. Stylistic affinities
Anatomical simplification, the use of defined profiles and the application of intense colors relate the work to certain Expressionist, Fauvist and Neo-figurative currents of the 20th century.
There are also affinities with folk art and with a primitivist-inspired aesthetic, especially in the frontal construction of the animal and in the decorative treatment of the surface.
These references are indicated only as stylistic context and do not imply attribution to a specific artist or movement.
3.3. Curatorial appraisal
The work stands out for the clarity of its image, the efficacy of its chromatic construction and the personality of its presentation.
The small format of the painting deliberately contrasts with the grandeur and ornamental complexity of the frame, creating a singular and visually striking ensemble.
Cataloging proposed based on visual, stylistic and material analysis of the work, without a definitive attribution to a particular author.
4. SIGNATURE AND AUTHORSHIP
4.1. Signature
No signature, initials, date or identifying inscription visible on the painted surface.
The reverse presents small labels and commercial or inventory notes, without data that would allow definitive identification of the author.
4.2. Considerations on authorship
In the absence of a signature, documentation, certificate or verifiable provenance, it is not rigorous to link the painting to a specific artist.
For this reason, the work is prudently cataloged as anonymous European school, probably executed during the second half of the 20th century.
4.3. Cataloguing criteria
The cataloging is based on analysis of technique, support, composition, palette and visible stylistic language.
No attribution is formulated or suggested beyond the prudent classification indicated.
5. CONDITION, WARRANTY AND TRANSPARENCY
5.1. Condition of the painting
The work presents a general state of conservation in line with its age and nature.
Small surface irregularities, occasional abrasions, light marks and variations typical of execution and the passage of time are observed.
The composition correctly preserves its chromatic intensity and can be viewed without significant impediments.
5.2. Support and examination
The painting is mounted within its framed presentation.
Assessment has been made by visual inspection and photographic documentation, without fully removing the work or carrying out laboratory analyses.
The existence of minor interventions or ancient retouchings not perceptible in the photographs cannot be ruled out.
5.3. Frame condition
The frame shows small signs of use, nicks and occasional wear compatible with its decorative nature and age.
It is included free of charge as a courtesy and does not constitute a substantial part of the value attributed to the painting. Its possible imperfections are considered visible and described in the images.
5.4. Visual documentation
The buyer will receive exactly the work depicted in the photographs.
The images show its color, texture, presentation, reverse and general state. There may be slight color variations depending on screen or lighting conditions.
The photographs are an integral and fundamental part of the description. It is recommended to examine them carefully before bidding.
6. PRESENTATION, SHIPPING AND COLLECTOR'S OPPORTUNITY
6.1. Artistic and decorative interest
A work particularly attractive for collectors of European figurative art, Expressionist painting, bullfighting representations, and compositions with strong chromatic character.
Its direct image and its singular frame give it a highly decorative presence, suitable for contemporary, eclectic or popular-art-inspired interiors.
6.2. Gallery selection
The piece is part of a selection made with respect for its history, its visual qualities and its ability to bring personality to a new space.
An art-lover proposal for art lovers, based on transparency, visual study and serious, responsible cataloging.
6.3. Packaging and transport
The work will be professionally tailored-packaged, using multiple layers of protection, perimeter reinforcements and a box adapted to the dimensions of the ensemble.
Shipping will be insured and trackable. Dispatch is usually made within three business days after payment confirmation.
Possible additional costs for islands, hard-to-reach territories, non-EU destinations or zones with special rates will be borne by the buyer when applicable.
Seller's Story
Barcelona Art Gallery
Barcelona Art Gallery is made up of several artistic spaces based in the Les Corts district, Barcelona, specializing in old master painting, modern painting, decorative art, and European patrimonial pieces.
We regularly collaborate with dealers, antique dealers, galleries, and private collectors from across Europe, which allows us to offer a continuous, curated, and varied selection of works for our international bidders and buyers.
Our catalog focuses mainly on high-era European painting from the 18th, 19th, and 20th centuries: oils, Spanish, Catalan, French, Italian, and Central European painting, as well as religious works, landscapes, portraits, genre scenes, academic painting, Impressionism, modern and decorative works.
In addition to our auction activity, we work and collaborate with interior designers, decorators, galleries, collectors, film and theater production professionals, creative studios, and cultural sector professionals seeking pieces with character for specific projects.
We are open to professional collaborations related to art, interior design, set design, collecting, decoration, audiovisual projects, commercial spaces, and the recovery of patrimonial pieces.
Each work is presented with a clear, prudent, and honest description, accompanied by detailed photographs that are an essential part of the lot information. We work with bespoke professional packaging, a specialized logistics center, and insured international shipping.
From Barcelona, we select works with history, presence, and a distinctive identity for collectors, interior designers, gallery owners, creative professionals, and art lovers from around the world.
Translated by Google TranslateDetails
Artist
European School (XX)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Bull Under the Sun
Technique
Oil painting
Signature
Not signed
Country of origin
Spain
Condition
Good condition
Height
52 cm
Width
59 cm
Weight
5 kg
Depiction/theme
Portrait
Style
Expressionism
Period
1980-1990
Sold by
