Francien Krieg - Between rounds






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Between Rounds, an original oil painting on panel (50 × 30 cm), signed, created in 2026 in the Netherlands, depicting a portrait.
Description from the seller
Between Rounds
30 x 50 cm / oil on panel
To the future owner,
Against the dark background, a warm orange-red undertone remains visible in many places. Scratches, open spots and short brushstrokes ensure that the black is not closed off, but keeps moving. At the bottom the palette shifts to cool blue and turquoise, with again small orange accents shining through the surface.
The figure is painted softer and lighter than its surroundings. The skin consists of muted pink, green and gray layers; the boxing gloves are more densely built up in lilac, violet and white. It is especially there that the paint catches the light. The dark background, the body and the gloves each have a different paint density, making the work feel much more tactile up close.
Hang the painting in a place where some side light can fall across the surface. Then the scratches become visible in the dark and the thicker touches on the gloves. A calm, light wall enhances the silhouette; on a darker wall the image becomes more intimate and it seems the boy comes forward from the space.
He is not in an attacking stance. His gloves are lowered, his body unprotected, and his gaze meets that of the viewer. Between Rounds, to me, is about the moment when strength no longer has to be performance—the quiet between what someone has already endured and what may still lie ahead.
I enjoy painting portraits of young men and adolescents because there is something special to be seen in that stage of life: a vulnerability that the world has not yet hardened. Their faces and bodies carry an uncertainty within them – they are not fully formed yet, but full of promise and possibilities. For me it is precisely that in-between moment: no longer a child, not yet a man. In that transition lies a beauty I want to capture, the openness of what can still become and the fragile realization that this stage lasts only briefly.
All series – from self-portraits and aging bodies to young male boxers, women at sunset and intimate scenes with cats – can be found on my website, where you can also read more about my background and motivations:
www.francienkrieg.com
I work exclusively with high-quality materials: professionally prepared linen or smooth panels, and oil paints of top quality, rich in pigment. Each work is made with care and dedication – meant to endure for a long time, not only in material but also in meaning."}
Seller's Story
Between Rounds
30 x 50 cm / oil on panel
To the future owner,
Against the dark background, a warm orange-red undertone remains visible in many places. Scratches, open spots and short brushstrokes ensure that the black is not closed off, but keeps moving. At the bottom the palette shifts to cool blue and turquoise, with again small orange accents shining through the surface.
The figure is painted softer and lighter than its surroundings. The skin consists of muted pink, green and gray layers; the boxing gloves are more densely built up in lilac, violet and white. It is especially there that the paint catches the light. The dark background, the body and the gloves each have a different paint density, making the work feel much more tactile up close.
Hang the painting in a place where some side light can fall across the surface. Then the scratches become visible in the dark and the thicker touches on the gloves. A calm, light wall enhances the silhouette; on a darker wall the image becomes more intimate and it seems the boy comes forward from the space.
He is not in an attacking stance. His gloves are lowered, his body unprotected, and his gaze meets that of the viewer. Between Rounds, to me, is about the moment when strength no longer has to be performance—the quiet between what someone has already endured and what may still lie ahead.
I enjoy painting portraits of young men and adolescents because there is something special to be seen in that stage of life: a vulnerability that the world has not yet hardened. Their faces and bodies carry an uncertainty within them – they are not fully formed yet, but full of promise and possibilities. For me it is precisely that in-between moment: no longer a child, not yet a man. In that transition lies a beauty I want to capture, the openness of what can still become and the fragile realization that this stage lasts only briefly.
All series – from self-portraits and aging bodies to young male boxers, women at sunset and intimate scenes with cats – can be found on my website, where you can also read more about my background and motivations:
www.francienkrieg.com
I work exclusively with high-quality materials: professionally prepared linen or smooth panels, and oil paints of top quality, rich in pigment. Each work is made with care and dedication – meant to endure for a long time, not only in material but also in meaning."}
