Roy Lichtenstein - Kiss V - offset lithography - licensed print 2004





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Description from the seller
Offset lithograph by Roy Lichtenstein (*)
Reproduction of the work “Kiss V”, created by Roy Lichtenstein in 1964.
Luxury edition on coated graphic paper (250 g/m²)
Print authorized by the Estate of Roy Lichtenstein.
- Sheet dimensions: 28 x 36 cm
- Image dimensions: 20 x 20 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and is therefore offered in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be trackable with a tracking number.
In addition, the shipment will include transportation insurance for the final value of the artwork with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) The painter and sculptor who plundered the comic to turn it into museum material.
Roy Lichtenstein was one of the key figures of American pop, and as such he drew inspiration for his work from popular art: advertising, magazines, comics…; as well as from the history of traditional art: Art Deco, Cubism, Abstract Expressionism (which he embraced at the start of his career)…
Lichtenstein's work is characterized by irony (something pop artists boasted about, sometimes disguised as snobbery or superficiality…), the use of Ben-Day dots (used in graphic arts) and industrial colors, the language of comics (onomatopoeia, panels, narrative) and masterful line control.
Lichtenstein began in the fashionable Abstract Expressionism, but soon joined the rest of the pop guerrilla to rebel against abstraction and to employ figurative imagery. Moreover, the more popular and mechanical the figurative, the better.
Of course, in 1958 there was nothing more popular and mechanical than a comic, so Lichtenstein decided to create mass-produced commercial images.
That is… what looks like machine-made is reproduced by hand.
These images were faithful portraits of a consumer society and mass culture, which may be a critique of the contemporary world, an idealization, or a satire of Western capitalist society.
That ambiguity between critique and admiration, between mockery and respect, is typical of pop art, which cynically plays at a masquerade.
A New Yorker by birth, Lichtenstein lived in this city, the capital of everything that pop represents, and in it he would die at 73, celebrated as an artist who sold paintings for more than 40 million euros.
Seller's Story
Offset lithograph by Roy Lichtenstein (*)
Reproduction of the work “Kiss V”, created by Roy Lichtenstein in 1964.
Luxury edition on coated graphic paper (250 g/m²)
Print authorized by the Estate of Roy Lichtenstein.
- Sheet dimensions: 28 x 36 cm
- Image dimensions: 20 x 20 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and is therefore offered in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be trackable with a tracking number.
In addition, the shipment will include transportation insurance for the final value of the artwork with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) The painter and sculptor who plundered the comic to turn it into museum material.
Roy Lichtenstein was one of the key figures of American pop, and as such he drew inspiration for his work from popular art: advertising, magazines, comics…; as well as from the history of traditional art: Art Deco, Cubism, Abstract Expressionism (which he embraced at the start of his career)…
Lichtenstein's work is characterized by irony (something pop artists boasted about, sometimes disguised as snobbery or superficiality…), the use of Ben-Day dots (used in graphic arts) and industrial colors, the language of comics (onomatopoeia, panels, narrative) and masterful line control.
Lichtenstein began in the fashionable Abstract Expressionism, but soon joined the rest of the pop guerrilla to rebel against abstraction and to employ figurative imagery. Moreover, the more popular and mechanical the figurative, the better.
Of course, in 1958 there was nothing more popular and mechanical than a comic, so Lichtenstein decided to create mass-produced commercial images.
That is… what looks like machine-made is reproduced by hand.
These images were faithful portraits of a consumer society and mass culture, which may be a critique of the contemporary world, an idealization, or a satire of Western capitalist society.
That ambiguity between critique and admiration, between mockery and respect, is typical of pop art, which cynically plays at a masquerade.
A New Yorker by birth, Lichtenstein lived in this city, the capital of everything that pop represents, and in it he would die at 73, celebrated as an artist who sold paintings for more than 40 million euros.
