Massimiliano Mandas - senaz titolo 60x60





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Original artwork by Massimiliano Mandas, titled Senza Titolo 60x60, acrylic on canvas (60 x 60 cm) with multicolour, blue and gold tones, signed on the back center of the frame, dating to 2026, in excellent condition and sold directly by the artist from Italy.
Description from the seller
SENZA TITOLO 60CMX60CM ACRILICO SU TELA
"I've turned something on.
It advances.
It makes no noise.
It keeps pace
while it consumes me,
slowly,
like what I neglect.
Even in my sea
I get lost.
And perhaps
it's there
that I stay.
SIGNATURE ON THE BACK AT THE CENTER OF THE FRAME
ONE ORIGINAL PIECE
PRIVATE COLLECTION
Massimiliano Mandas (Cagliari, Sardinia) is a visual artist whose research develops between painting, drawing and writing. Trained at the Academy of Fine Arts, for years he has combined artistic activity with experience in the theatre world, a path that has sharpened his sensitivity to stage, light, narrative rhythm and image construction.
His exhibition activity extends from Sardinia to the international context, with exhibitions that have also reached Cannes, outlining a path in constant evolution and an increasingly recognizable research.
Mandas’ work arises from the observation of what usually remains on the margins of the gaze: insects, reptiles, fish, ancestral symbols and archetypal figures become tools to reflect on the human condition. Far from naturalistic representation, these subjects assume an almost sacred dimension, transforming into metaphors of resilience, time and memory. As also emerges from the project L’Eredità del Minimo, the artist restores dignity to the detail and invites the observer to recognize value in the ordinary, where life continues to manifest with silent intensity.
His painting is characterized by meticulous technique, built through a dense weave of signs and dots that generates vibrant and deep surfaces. Alongside this formal research runs an articulated symbolic language, in which circles, triangles, numbers and references to Nuragic and Mediterranean culture dialogue with existential reflection. Works such as those dedicated to the Mother Goddess transform Sardinian archaeological heritage into a contemporary narrative, capable of speaking about identity, spirituality and belonging.
Mandas’ artistic production is also traversed by a strong literary component. Poetic texts and reflections accompany the works, broadening their meaning and building a coherent narrative universe, in which image and word complement each other. Each work thus becomes a stage of an inner journey that invites the audience not only to observe, but to linger, question themselves and recognize themselves.
Massimiliano Mandas’ research stands out for the ability to fuse technical rigor, symbolic depth and emotional authenticity. It is an artistic practice that, starting from the humblest and quietest reality, leads toward universal themes: time, transformation, memory and man’s relationship with his origins. A personal poetics that makes his work of particular interest to collectors and galleries attentive to contemporary research grounded in a solid narrative and conceptual identity."
SENZA TITOLO 60CMX60CM ACRILICO SU TELA
"I've turned something on.
It advances.
It makes no noise.
It keeps pace
while it consumes me,
slowly,
like what I neglect.
Even in my sea
I get lost.
And perhaps
it's there
that I stay.
SIGNATURE ON THE BACK AT THE CENTER OF THE FRAME
ONE ORIGINAL PIECE
PRIVATE COLLECTION
Massimiliano Mandas (Cagliari, Sardinia) is a visual artist whose research develops between painting, drawing and writing. Trained at the Academy of Fine Arts, for years he has combined artistic activity with experience in the theatre world, a path that has sharpened his sensitivity to stage, light, narrative rhythm and image construction.
His exhibition activity extends from Sardinia to the international context, with exhibitions that have also reached Cannes, outlining a path in constant evolution and an increasingly recognizable research.
Mandas’ work arises from the observation of what usually remains on the margins of the gaze: insects, reptiles, fish, ancestral symbols and archetypal figures become tools to reflect on the human condition. Far from naturalistic representation, these subjects assume an almost sacred dimension, transforming into metaphors of resilience, time and memory. As also emerges from the project L’Eredità del Minimo, the artist restores dignity to the detail and invites the observer to recognize value in the ordinary, where life continues to manifest with silent intensity.
His painting is characterized by meticulous technique, built through a dense weave of signs and dots that generates vibrant and deep surfaces. Alongside this formal research runs an articulated symbolic language, in which circles, triangles, numbers and references to Nuragic and Mediterranean culture dialogue with existential reflection. Works such as those dedicated to the Mother Goddess transform Sardinian archaeological heritage into a contemporary narrative, capable of speaking about identity, spirituality and belonging.
Mandas’ artistic production is also traversed by a strong literary component. Poetic texts and reflections accompany the works, broadening their meaning and building a coherent narrative universe, in which image and word complement each other. Each work thus becomes a stage of an inner journey that invites the audience not only to observe, but to linger, question themselves and recognize themselves.
Massimiliano Mandas’ research stands out for the ability to fuse technical rigor, symbolic depth and emotional authenticity. It is an artistic practice that, starting from the humblest and quietest reality, leads toward universal themes: time, transformation, memory and man’s relationship with his origins. A personal poetics that makes his work of particular interest to collectors and galleries attentive to contemporary research grounded in a solid narrative and conceptual identity."

