Tijs Dragtsma (1992) - Crushed by Quiet

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Tijs Dragtsma (1992) signs Crushed by Quiet, a 2026 original mixed‑media work on acrylic glass in black and white, 51 × 51 cm, sold with frame and offered direct from the artist in the Netherlands.

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Description from the seller

HOLIDAY SHIPPING*

Silence is not empty. It has mass. It settles into the body without warning and stays, pressing down on everything that tries to move or speak or breathe. Crushed by Quiet renders that invisible weight through a single motionless form, suspended in deep blackness, carrying what no word can hold.

No paint. No print. No ink. The figure emerges through controlled scratches in acrylic glass, each mark catching light at its own angle, slowly pulling presence out of what has been removed rather than added. The image was not placed here. It was revealed.

From a distance, the work reads as monumental. One still body against an abyss, the silence so thick it feels structural. Step closer, and that stillness resolves into a field of controlled surface damage, each mark responding to light differently, shifting the image between clarity and near absence as you move. The figure appears and retreats. It breathes without breathing.

That quality belongs to the subject. Silence like this is not calm. It is not chosen. It is the kind that accumulates without event, without witness, without release. The figure does not struggle. It simply holds. The tension lives not in what happens, but in what does not.

This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print.

A visual language where damage is not destruction, but structure.

"What weighs most is often what makes no sound at all."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into thousands of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light is what gives this work its life. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens, recedes, almost disappears into the darkness from which it came. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it retreats, leaving only a whisper of form. It is within that movement, between visibility and disappearance, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.

HOLIDAY SHIPPING*

Silence is not empty. It has mass. It settles into the body without warning and stays, pressing down on everything that tries to move or speak or breathe. Crushed by Quiet renders that invisible weight through a single motionless form, suspended in deep blackness, carrying what no word can hold.

No paint. No print. No ink. The figure emerges through controlled scratches in acrylic glass, each mark catching light at its own angle, slowly pulling presence out of what has been removed rather than added. The image was not placed here. It was revealed.

From a distance, the work reads as monumental. One still body against an abyss, the silence so thick it feels structural. Step closer, and that stillness resolves into a field of controlled surface damage, each mark responding to light differently, shifting the image between clarity and near absence as you move. The figure appears and retreats. It breathes without breathing.

That quality belongs to the subject. Silence like this is not calm. It is not chosen. It is the kind that accumulates without event, without witness, without release. The figure does not struggle. It simply holds. The tension lives not in what happens, but in what does not.

This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print.

A visual language where damage is not destruction, but structure.

"What weighs most is often what makes no sound at all."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into thousands of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light is what gives this work its life. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens, recedes, almost disappears into the darkness from which it came. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it retreats, leaving only a whisper of form. It is within that movement, between visibility and disappearance, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.

Details

Artist
Tijs Dragtsma (1992)
Sold with frame
Yes
Sold by
Direct from the artist
Edition
Original
Title of artwork
Crushed by Quiet
Technique
Mixed media
Signature
Signed
Country of origin
Netherlands
Year
2026
Condition
Excellent condition
Colour
Black, White
Height
51 cm
Width
51 cm
Style
Contemporary
Period
2020+
The NetherlandsVerified
159
Objects sold
100%
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