Mark Rothko (after) - Maroon on Blue - Offset lithography - VG licensed print - 2004





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Description from the seller
Offset Lithograph after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” a work created by Rothko in 1957,
Printed on thick Fine Art 200g card stock
Published by VG Bild-Kunst, Bonn in 2004.
Authorized print with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large Format.
- Sheet dimensions: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or displayed, always kept in a professional art folder, and is therefore in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be tracked with a tracking number.
The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, alongside Pollock, was one of the leading figures of American abstraction. With his painting he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many he accomplished it.
Markus Rothkovitz was born in Russia. From a clearly Jewish family, he emigrated to Oregon in 1910, probably fleeing anti-Semitism which drove many minds to escape.
He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated expressionist figuration and soaked up the spirit of the vanguards he saw in exhibitions organized by MoMA.
After the war he began to investigate color field painting, gradually abandoning all figurative reference, and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko’s paintings, enormous, show wide rectangular fields of color with undefined boundaries between them. The colors are blurred, floating suspended on the canvas, stimulating quite interesting mystical sensations.
From there, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes were notable. But in the late 1960s, amidst a depressive crisis, and after painting his series of works with black acrylic, he ultimately committed suicide.
Seller's Story
Offset Lithograph after Mark Rothko (*)
Reproduction of the work “Maroon on Blue” a work created by Rothko in 1957,
Printed on thick Fine Art 200g card stock
Published by VG Bild-Kunst, Bonn in 2004.
Authorized print with copyright by Kate Rothko-Prizel & Christopher Rothko.
Large Format.
- Sheet dimensions: 80 x 60 cm
- Year: 2004
- Condition: Excellent (this work has never been framed or displayed, always kept in a professional art folder, and is therefore in perfect condition).
- Provenance: Private collection.
The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be tracked with a tracking number.
The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.
(*) Mark Rothko, alongside Pollock, was one of the leading figures of American abstraction. With his painting he aimed to achieve an ambitious utopia: to express the most basic universal emotions. And for many he accomplished it.
Markus Rothkovitz was born in Russia. From a clearly Jewish family, he emigrated to Oregon in 1910, probably fleeing anti-Semitism which drove many minds to escape.
He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated expressionist figuration and soaked up the spirit of the vanguards he saw in exhibitions organized by MoMA.
After the war he began to investigate color field painting, gradually abandoning all figurative reference, and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting ever since.
Rothko’s paintings, enormous, show wide rectangular fields of color with undefined boundaries between them. The colors are blurred, floating suspended on the canvas, stimulating quite interesting mystical sensations.
From there, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes were notable. But in the late 1960s, amidst a depressive crisis, and after painting his series of works with black acrylic, he ultimately committed suicide.
