Ben Dauchez - Bauhaus Maroc #1 Bleu

#exclusivedfta
This Work of Art is eligible for the tax exemption program

-Serie Bauhaus Maroc #1 Bleu
-Fine Art Print 50x50
-Certificate of Authenticity
Fusion of two worlds: The multi-exposure allows overlaying these two universes — that of the formal rigor of Bauhaus and the sensory and historical richness of Morocco. Perhaps the clean lines of Bauhaus intertwine with Moroccan architectural motifs, such as arches, mosaics, and wall textures in rammed earth or stone. This fusion creates a kind of visual dialogue between modernity and tradition.

Conceptual approach: The use of multi-exposure can also symbolize the idea of interaction between the past and the present, between modern and traditional architecture. Morocco, rich in cultural symbols, could be seen here as a testing ground to transpose Western Bauhaus concepts into a more oriental, even Mediterranean, context.

Play of light and color: The contrast between the sharp shadows of Bauhaus and the warm, diffused colors typical of Morocco (ochres, reds, blues, and oranges) could be emphasized. This could offer a poetic dimension where each superimposed image evokes a sense of movement, transformation, and immersion in a hybrid space between the East and the West.

The impact of multi-exposure:

Temporalities and spatialities
: By overlaying several moments or spaces, the multi-exposure technique could also suggest a temporal experience, as if one were traveling through different eras or different perceptions of Morocco. This play on time and space echoes notions of fluidity and transition in Bauhaus culture, while drawing on the multiple layers of meaning and history that Morocco embodies.

Cultural and aesthetic duality: Finally, this work could express a reflection on the relationships between Western and Eastern cultures, between European functionalism of Bauhaus and the sensuality of Moroccan forms. Multi-exposure can create an atmosphere where the two worlds are not opposed but interconnected in a single artistic vision.

Passionate about photography from a young age, Ben DAUCHEZ began in the district studios of La Rochelle. There he acquired the full range of classical photographic technique, from shooting to retouching through the darkroom. At 22, freshly graduated, he moved to Paris to perfect his training by becoming a plate assistant for the Daguerre studios, Le Petit Oiseau va sortir, and Studio Zéro. He had the chance to collaborate with and assist some of the most talented photographers: Bettina RHEIMS, Patrick DEMARCHELIER, Terry RICHARDSON, Ellen VON UNWERTH, Marcus MAM... Some decisive encounters gave birth to beautiful projects and long collaborations, notably with André RAU, Bettina RHEIMS (the sultry INRI exhibition and its eponymous book at Editions Albin Michel) and Peter BEARD (Pirelli calendar 2009 in Botswana).
His photos have been published, among others, by Condé Nast Editions (French and international), Première, WallPaper, ID, Madame Figaro, Lifestyles, Dandy Magazine... His world also interests brands with very different identity codes for whom he has signed institutional and/or advertising campaigns such as Dior (beauty), L'Oréal, Peugeot, Philip Morris or Burger King (advertising awarded at Dubai Lynx).

Ben DAUCHEZ has also produced numerous portraits of celebrities (IGGY POP, Woody ALLEN, Grace JONES, Jean DUJARDIN, Gilles LELLOUCHE, Olivier MARCHAL, Carole BOUQUET, Charlotte GAINSBOURG, ...) in beauty, world travelers (Olivier DASSAULT, Jacques SEGUELA...) and travelers...
This photographic path has since allowed him to freely immortalize the human beauty, aesthetics and spiritual essence of each personality.