Andreu Masó (1948) - Sinfonía floral

Pictura Subastas presents this magnificent work of art belonging to Andreu Masó, depicting a woman elegantly dressed and viewed from behind, wrapped in a black shawl with a red rose, as a symbol of beauty, mystery and serene introspection. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 55x62.5x5 cm.
· Dimensions without frame: 38x46 cm.
· Oil on canvas hand-signed by the artist at the bottom left.
· The piece is in good conservation condition, it shows a small imperceptible hole in the central part of the work.
· The artwork is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in a mockup is indicative; there may be differences with the actual item in color, scale and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

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This painting presents an exuberant bouquet of flowers arranged in a jar, accompanied by a wooden chair and wrapped in a domestic, light-filled, colorful and vibrant atmosphere. The composition transforms a everyday corner into a celebration of natural beauty, placing the floral ensemble in a dominant foreground. The flowers expand freely toward the top and sides, while the jar rests on a pinkish fabric whose folds add movement to the lower area. Behind the bouquet, the intense reddish backrest of the chair introduces a warm, familiar presence that frames the scene and balances the cool tones of the background.

The bouquet constitutes the true visual heart of the work. It is formed by numerous open flowers that seem to belong to the same family, though each presents its own personality thanks to the diversity of colors, sizes and orientations. Some are shown fully frontal, revealing their dark centers and petal coronas; others appear slightly inclined or seen in profile, as if seeking different directions of light. This variety avoids any sense of rigidity and makes the whole look freshly picked, spontaneous and still full of life.

In the upper area stands a large white flower crowning the bouquet and immediately drawing the eye. Its broad petals open around a dark center surrounded by pinkish, purplish and greenish hues. The clarity of this flower contrasts with the turquoise background and with the more intense colors around it, turning it into one of the principal luminous focal points of the composition. Its elevated position gives it a certain majesty, as if presiding over the rest of the ensemble.

To the left appear several flowers in lilac, mauve and pink tones. One near the upper edge has a deep blue heart that intensifies the delicacy of its violet petals. Below unfolds another pink flower, opened toward the viewer, whose dark center adds depth. The succession of these rounded shapes creates a downward movement that guides the eye from the top to the lower flowers, establishing a soft and continuous visual rhythm.

Among the lighter tones emerge reddish, garnet and burgundy flowers that bring strength and drama. One of the most striking ones is near the upper center, partially hidden by the large white flower, while another occupies a central position and presents an intense combination of red, wine and white. These warm tones act as small accents that awaken the composition and dialogue with the color of the chair. Their presence prevents the floral range from feeling excessively sweet and adds emotional depth to the set.

On the right side stands a beautiful dark fuchsia flower, surrounded by pink and garnet petals. Its light center, speckled with violets and blues, creates a strong contrast with the intensity of the outer corona. This flower is oriented directly toward the viewer and seems to act as a second focal point, facing the large white flower at the top. Both establish a balance between clarity and darkness, delicacy and energy.

The blue and violet flowers are distributed across different areas of the bouquet and bring freshness to the whole. Some show shades close to indigo and ultramarine blue, while others soften through lavender, light blues and mauves. Their dark centers create small points of concentration and reinforce the sense of depth. These flowers introduce chromatic continuity with the background, although their more defined outlines keep them clearly separated from the surrounding space.

At the bottom, several white and bluish flowers group to illuminate the center of the composition. Their petals overlap and blend with the leaves, creating an area especially abundant and luminous. Some contain light green, violet and bluish shadows, while their yellowish centers provide small warm sparkles. The tight arrangement of these flowers conveys a sense of fullness, as if the bouquet were overflowing the capacity of the jar.

The green stems weave in multiple directions and form the internal structure of the bouquet. Some rise almost vertically, others lean to the sides and several form diagonals that link one flower to another. Their flexible appearance adds naturalness and suggests the weight of the corollas, which forces some stems to bend gently. Between them appear small elongated leaves, as well as more compact vegetation filling the intermediate spaces.

The leaves show a wide variety of greens, from light and yellowish tones to deep emerald and blue-green colors. This diversity makes the foliage more than just a backdrop. In certain spots, the leaves seem to catch light and acquire bright reflections; in others, they darken to merge with the shadows of the bouquet. Thanks to these changes, the vegetation adds volume, density and a sense of unruly growth.

On the far right, a mass of larger, darker leaves extends beyond the floral core. These shapes balance the spread of the flowers toward the left and visually widen the composition. Their deep, bluish greens contrast with the luminosity of the white petals and the light blue background. Some leaves seem to point outward from the scene, suggesting that the bouquet continues beyond what the eye can grasp.

The jar occupies the lower central area and acts as a stable base for all the exuberant flowers. Its rounded body combines bluish-gray, soft greens, purples and light reflections. The vessel has a simple, sturdy presence, capable of supporting the abundant bouquet without competing with it. Its surface seems to pick up the colors of the surroundings, especially the blues of the background, the greens of the leaves and the pinks of the fabric on which it rests.

The handle of the jar, visible on the right side, forms a pronounced curve that reinforces the roundness of the container. Its dark blue outline stands out against the lighter tones of the body, while a green band runs along part of its interior. This combination creates a small play of depth and directs the eye toward the base of the bouquet. The upper opening is almost hidden by the stems and leaves, intensifying the impression of abundance.

Under the jar lies a fabric in pale pink, salmon and mauve. Its wide folds open to both sides and occupy a good portion of the lower area. In some spots the fabric forms bright planes; in others, there are reddish, violet and bluish shadows that reveal its volume. This element adds softness and a sense of domestic intimacy, as well as creating a harmonious transition between the cool jar and the warm surface on which it rests.

In the lower right corner, the folds of the fabric take on greater intensity and combine with a zone of deep red. This chromatic fragment acts as an extension of the warm tones of the flowers and the chair. Its diagonal arrangement introduces dynamism and prevents the bottom from feeling static. At the same time, it helps guide the gaze back toward the center, closing the visual path around the jar.

The wooden chair behind the bouquet is an essential element for understanding the character of the scene. Its curved backrest is partially hidden by the flowers, but it retains a firm presence thanks to its reddish, orange and brown tones. The right vertical support rises along with the flowers and establishes a solid line that contrasts with the mobility of the stems. The chair evokes a lived-in, everyday interior, as if the bouquet had been casually placed in a corner of the house.

The warm color of the wood establishes a beautiful dialogue with the reds, pinks and garnets of the flowers. At the same time, it stands out with intensity against the blues and greens of the background. The chair is not just a spatial element; it acts as a partial frame for the bouquet and provides it with human scale. Its presence allows imagining a nearby table, a quiet room or a moment of rest in which the flowers accompany everyday life.

The background is organized with large fields of color in blue, turquoise, aqua and light blue. On the left appear lighter and greener zones, while the right side becomes more blue and deep. These transitions create a fresh and bright atmosphere, evocative of a room bathed in daylight. Although the space is not described with precision, the color changes suggest depth and allow the bouquet to stand out strongly.

In the upper left, soft yellow and green notes are perceived that seem to announce the entry of light. These warmer areas relieve the general coolness of the background and relate to the small yellowish nuances of some leaves and floral centers. On the far right, the blues intensify and gain density, offering a serene counterpoint to the multicolored richness of the bouquet. The background thus actively participates in the balance of the scene.

The lighting seems to diffuse in a broad, enveloping way. It does not come from a single clearly identifiable point, but caresses the petals, the vegetation, the jar and the fabric through numerous reflections. The white flowers particularly collect this clarity, while the violet and red petals retain deep shadows in their centers. The result is a sense of freshness, as if the flowers had just been placed and still kept the moisture and vitality of the garden.

The composition is built from the contrast between the organic expansion of the bouquet and the stable structure of the surrounding objects. The flowers and stems move in every direction, while the jar provides a closed form, the chair introduces vertical lines and the table establishes a horizontal base. This combination maintains balance without eliminating spontaneity. The whole seems carefully harmonized, yet preserves the impression of natural beauty that has emerged effortlessly.

The floral abundance can be interpreted as an exaltation of spring, renewal and the pleasure of contemplating the small wonders of nature. Each flower seems to be at a different moment of opening: some fully display their petals, others tilt and several remain partially hidden. This diversity suggests the passage of time and the ephemeral nature of beauty, though the overall atmosphere remains cheerful and vibrant.

There is also an emotional dimension linked to home and memory. The wooden chair, the simple jar and the stretched fabric evoke a close space, possibly associated with a family home or a calm moment of everyday life. The bouquet turns that ordinary setting into something extraordinary. The flowers seem to have been gathered to decorate, celebrate or remember, bringing a living presence to the interior that completely changes its atmosphere.

The chromatic intensity conveys optimism, energy and a serene joy. The blues and greens create freshness and calm; the whites bring luminosity; the violets introduce sensitivity; and the reds and pinks communicate warmth and vitality. No color dominates completely, as all participate in a dynamic harmony. This richness invites one to slowly tour every corner of the painting and discover new relationships between the flowers, the leaves and the objects.

Overall, the work represents a abundant bouquet of multicolored flowers arranged in a jar on pinkish fabric, with a warm wooden chair in the background and an enveloping blue-green atmosphere. The variety of white, violet, pink, blue and garnet petals, together with the movement of the stems and the richness of the foliage, turns the scene into a celebration of nature and everyday beauty. The painting transmits freshness, joy, intimacy and a delicate sense of plenitude, transforming a simple floral arrangement into a bright image full of life and emotion.