Francisca Salvat Homs (1946) - El ramo

Pictura Subastas presents this magnificent artwork belonging to Salvat Homs, depicting an exuberant bouquet of multicolored flowers arranged in an elegant blue jug, like a vibrant celebration of nature’s beauty, abundance, and vitality. The painting stands out for its excellent technique and the high pictorial quality it transmits.

· Dimensions of the work: 53x46x2 cm.
· Oil on canvas hand-signed by the artist at the bottom right.
· The piece is in good conservation condition, showing multiple paint losses in the area of the flowers.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in a guideline mockup; there may be differences from the actual article in color, scale, and details.

The painting will be professionally packed by an IVEX expert, using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be via Correos or GLS with tracking. International shipping available.

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This painting presents an exuberant bouquet of multicolored flowers arranged in an elegant blue jug, creating an image of extraordinary vitality, abundance, and visual richness. The composition is dominated by a large floral mass that expands to all edges and nearly fills the space, as if the flowers had grown freely until they overflowed the container. The scene conveys an immediate sense of joy and energy, yet also preserves the intimacy of a domestic arrangement viewed up close. Each flower seems to possess its own character and color, though all participate in a common harmony that turns the bouquet into a passionate celebration of nature.

The jug is positioned in the lower center and acts as the firm anchor of the entire composition. Its rounded, voluminous body features an intense deep blue color, enriched by reflections in white, violet, turquoise, and electric blue tones. Its broad handle curves elegantly to the right, reinforcing the sense of volume. The darkness of the vessel contrasts with the luminosity of many flowers, allowing the bouquet to rise visually with even greater intensity.

The surface of the jug appears to capture small glints from the surroundings. Some areas show clear reflections that trace its curved shape, while others remain immersed in deep blues and violets. This alternation between light and shadow gives the vessel a solid, ornamental presence. Although it occupies a substantial part of the foreground, the jug does not compete with the flowers; instead, it acts as a chromatic base that unites and balances the extraordinary variety of the bouquet.

In the center of the arrangement stands a large cluster of light-colored flowers, formed by whites, pale greens, bluish grays, mauves, and delicate pink tones. This luminous mass seems to expand like a soft cloud amid the more intense colors. Its shapes overlap and are slightly hazy with one another, creating a transition zone between the reddish flowers at the top and the deep tones of the container. The clarity of this central core provides air and rest to the eye within a composition marked by abundance.

To the left of center appears a large flower in burgundy and reddish tones, whose broad, open petals form one of the main focal points. Its deep color combines with crimson, burgundy, pink, and white nuances, creating a powerful and almost majestic presence. Nearby you can observe other reddish flowers of varying sizes, some fully open and others partially hidden. This overlapping generates a sense of depth and makes the bouquet look much denser than it might appear at first glance.

In the lower right zone gathers another significant group of red, burgundy, and pink flowers. Their petals intertwine with small white, orange, and violet notes, forming a warm mass that balances the large flower on the opposite side. Dark centers and small greenish shadows emerge among them, accentuating their volume. The intensity of these colors conveys passion and strength, making this area of the bouquet one of the most expressive and vibrant in the work.

Yellow and orange flowers provide luminosity and dynamism to numerous points of the composition. Some appear at the upper edges, while others arise among the reddish flowers or lean toward the sides. At the top stands a large yellow flower mixed with orange, reddish, and white tones, whose presence seems to crown the bouquet. Its warm color immediately attracts the eye and establishes a connection with the yellow flowers located in the lower left area and at the far right.

Around these large flowers are small white and yellow flowers that recall wild daisies. Their simple appearance introduces a note of delicacy within the exuberance overall. Some lean toward the viewer, clearly showing their golden centers, while others appear in profile or partially hidden among leaves and petals. These small flowers ease the density of the large volumes and convey a sense of spontaneity, as if the bouquet had been gathered directly from a garden.

The flower at the upper right, with light petals and a warm center, opens widely over the set. Its star-like shape and luminosity make it another standout point within the bouquet. The white, cream, pink, and pale yellow tones of its petals contrast with the dark background and with the orange flowers surrounding it. Its presence introduces elegance and balance to a zone dominated by warm colors and densely interwoven shapes.

The vegetation appears among the flowers through green stems, dark leaves, and small bluish or turquoise shapes. Although in many places it is hidden by the abundance of petals, its presence is essential to unite the different areas of the bouquet. Some stems rise vertically, others tilt toward the edges, and several disappear within the floral mass. This variety of directions breaks any rigidity and conveys the impression of a natural, free, slightly disorderly arrangement.

The dark background is built from deep greens, blues, grays, violets, and blacks, forming an enveloping atmosphere that enhances the foreground colors. It is not presented as a completely uniform surface, but as a space full of variations, shadows, and small areas of clarity. In certain points it seems to suggest leaves, corners of a room, or barely distinguishable vegetation, though its vagueness keeps all attention on the bouquet. This darkness provides depth and makes the flowers appear to advance toward the viewer.

In the upper left, green and blue tones create a triangular structure that could recall a fold, a shadow, or a partially hidden architectural form. This element introduces a slight sense of mystery and expands the space beyond the bouquet. However, its outlines remain deliberately integrated into the background, avoiding distraction. The composition thus preserves an intimate character, as if the flowers had been placed in a quiet corner and contemplated under changing light.

The table on which the jug rests appears in the lower part as a sequence of browns, ochres, muted greens, yellows, and violets. Its surface is partly covered by shadows and reflections from the vessel. The diagonal lines that originate from the lower edges seem to guide the eye toward the jug, reinforcing its central position. This earthy space provides stability to the scene and contrasts with the intensity of the blues and the expansive character of the bouquet.

The composition is organized around an interesting contrast between concentration and overflow. The jug gathers the stems at a relatively narrow point, but the flowers open immediately outward to the sides and upward, forming a large irregular crown. Some are cut by the edges, suggesting the bouquet continues beyond what is visible. This arrangement heightens the sense of abundance and makes nature seem incapable of being contained within the image’s limits.

The chromatic range is one of the most captivating aspects of the work. Bright yellows contrast with deep violets and blues, while the reds, burgundies, and oranges find balance in whites, pale greens, and grays. The colors do not appear isolated, but are visually blended through small correspondences that traverse the entire composition. A blue reflection can be found among the reddish petals, just as a yellow note may emerge within a white or orange flower.

Light is distributed fragmentarily over the bouquet. Some petals seem to receive direct clarity and stand out with intensity, while others remain partially hidden beneath nearby flowers. This alternation creates numerous planes and prevents the ensemble from being perceived as a flat mass. The eye can move from the nearest flowers to the small forms hidden in the background, continually discovering new nuances, centers, petals, and leaves.

The extraordinary proximity of the bouquet intensifies the visual experience. There is no great distance between the viewer and the flowers; on the contrary, it seems they approach, invade the space, and offer all their color richness. This proximity allows imagining the aroma, freshness, and variety of the whole. The work does not simply show flowers placed in a jug, but transmits the physical and emotional sensation of encountering an explosion of nature.

Despite the diversity of shapes and colors, the image retains notable unity. The light-colored flowers at the center act as a bridge between the yellow tones upstairs, the side reds, and the deep blue of the container. The small white flowers repeat in different zones and create a luminous rhythm, while greenish tones connect the background to the interior of the bouquet. Thanks to these relationships, the exuberance never becomes disorder, but a carefully balanced abundance.

The scene also has a symbolic dimension related to transient beauty. The flowers appear at a moment of fullness, open and full of color, but their nature inevitably recalls the passage of time. The bouquet can be interpreted as a celebration of life, renewal, and those moments of beauty that must be contemplated before they disappear. The jug, firm and dark, seems to preserve for a moment this luminous explosion, offering a delicate balance between permanence and fugacity.

Furthermore, the painting conveys a deeply emotional atmosphere. The reds and burgundies evoke intensity and passion; the yellows bring joy and optimism; the whites suggest serenity; and the deep blues of the jug introduce calm and elegance. This combination makes the scene feel simultaneously festive and intimate. The bouquet seems to have been gathered not only to decorate a room but also to celebrate a memory, express affection, or illuminate a special moment.

Overall, the work represents a magnificent bouquet of multicolored flowers overflowing an elegant blue jug and filling the scene with life, color, and emotion. The large red, burgundy, yellow, orange, and white flowers blend with delicate daisies, green leaves, and blue reflections, forming an exuberant composition where every corner offers a new detail. The dark background enhances the petals’ luminosity, while the solid presence of the container provides balance and depth. Thus the image becomes an intense celebration of nature, ephemeral beauty, and the capacity of flowers to transform an ordinary space into a universe full of joy, energy, and sensitivity.