Ramona Zordini - Study number 5 (Cyanotype)






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
Studio for Cyanotype, double exposure, coffee-toned and printed on 300 g cotton paper
21 × 15 cm, unique copy.
Ramona Zordini is a visual artist and photographer with over twenty years of research and professional practice. Her body of work is distinguished by a deep exploration of alternative printing techniques, specializing in cyanotypes in all their experimental variants: from natural botanical tonings to tricolor layering, up to the three-dimensional interaction with paper and sculpture.
As a teacher and trainer, she teaches alternative photography and its methodologies in prestigious artistic institutions and notable academic settings, conveying an artisanal and conceptual approach to photographic matter.
Her exhibition career boasts an international presence, with shows held in museums and galleries in Italy and abroad. Among the reference museum venues are the 516 Arts Contemporary Art Museum in Albuquerque, New Mexico; the Santa Giulia Museum in Brescia; the Museo agli Eremitani in Padova; and the MACS (Museo Arte Contemporanea Sicilia) in Catania, in addition to participations and programs in international contemporary art spaces and museums (including the United States and Spain).
At the core of the artist's poetics lies reflection on the filter — understood as the emotional and cognitive diaphragm through which we perceive reality. The filter is not a simple visual barrier, but a permeable membrane that retains memory, alters light, and transforms lived experience. In her work, the layering of pigments and the decompositions of the image become tools to interrogate what is obscured or revealed by time and perception, preventing experience from imploding and allowing the matter itself to hold its imprints.
Studio for Cyanotype, double exposure, coffee-toned and printed on 300 g cotton paper
21 × 15 cm, unique copy.
Ramona Zordini is a visual artist and photographer with over twenty years of research and professional practice. Her body of work is distinguished by a deep exploration of alternative printing techniques, specializing in cyanotypes in all their experimental variants: from natural botanical tonings to tricolor layering, up to the three-dimensional interaction with paper and sculpture.
As a teacher and trainer, she teaches alternative photography and its methodologies in prestigious artistic institutions and notable academic settings, conveying an artisanal and conceptual approach to photographic matter.
Her exhibition career boasts an international presence, with shows held in museums and galleries in Italy and abroad. Among the reference museum venues are the 516 Arts Contemporary Art Museum in Albuquerque, New Mexico; the Santa Giulia Museum in Brescia; the Museo agli Eremitani in Padova; and the MACS (Museo Arte Contemporanea Sicilia) in Catania, in addition to participations and programs in international contemporary art spaces and museums (including the United States and Spain).
At the core of the artist's poetics lies reflection on the filter — understood as the emotional and cognitive diaphragm through which we perceive reality. The filter is not a simple visual barrier, but a permeable membrane that retains memory, alters light, and transforms lived experience. In her work, the layering of pigments and the decompositions of the image become tools to interrogate what is obscured or revealed by time and perception, preventing experience from imploding and allowing the matter itself to hold its imprints.
