Bryn Donkersloot - Human Sporex, Ulsan, 2022






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
Artist: Bryn Donkersloot (b. 1988, Perth, Australia)
Title: Human Sporex, Ulsan, 2022, from the Ranges series
Date of capture: 2022
Date of printing: 2023
Process: Gelatin-silver print
Dimensions: 19.2 x 23 cm
Edition: 3/100
Signature: Signed, titled, dated and numbered by the artist in pencil on verso
Provenance: The artist's studio; private collection, Bavaria, Germany
Condition: Very fine
About the artist
Bryn Donkersloot (b. 1988, Perth, Australia) is an artist working with photography, based in Munich. His practice developed outside formal art education through sustained engagement with conceptual and typological photography, grounded in a methodical attention to form and place.
The Ranges series examines the multi-storey golf driving ranges of Japanese and South Korean cities, tracking how dense urban environments accommodate recreation under severe constraints on space and land. Built as a typological survey, individual sites are read together as a single body of evidence. His work treats landscapes as records of accumulated time, carrying the traces of the communities who used a place before he arrives.
Artist: Bryn Donkersloot (b. 1988, Perth, Australia)
Title: Human Sporex, Ulsan, 2022, from the Ranges series
Date of capture: 2022
Date of printing: 2023
Process: Gelatin-silver print
Dimensions: 19.2 x 23 cm
Edition: 3/100
Signature: Signed, titled, dated and numbered by the artist in pencil on verso
Provenance: The artist's studio; private collection, Bavaria, Germany
Condition: Very fine
About the artist
Bryn Donkersloot (b. 1988, Perth, Australia) is an artist working with photography, based in Munich. His practice developed outside formal art education through sustained engagement with conceptual and typological photography, grounded in a methodical attention to form and place.
The Ranges series examines the multi-storey golf driving ranges of Japanese and South Korean cities, tracking how dense urban environments accommodate recreation under severe constraints on space and land. Built as a typological survey, individual sites are read together as a single body of evidence. His work treats landscapes as records of accumulated time, carrying the traces of the communities who used a place before he arrives.
