Marcel Mendez - Fragmented Face #83 -XL- ( No reserve )





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Marcel Mendez, Fragmented Face #83 -XL- (No reserve), original acrylic on canvas from 2026, a neocubist portrait in the cubist style, 100 cm high by 70 cm wide, hand-signed, in excellent condition, from Spain and sold directly by the artist as part of the Las 1000 Caras series.
Description from the seller
Title: Fragmented Face #83
Series: The 1000 Faces
Technique: Acrylic on canvas
This work presents a refined neocubist-inspired female portrait in which geometry, chromatic balance, and formal fragmentation converge in a composition of great visual elegance. The figure occupies the central axis of the canvas and is structured by a perfectly defined vertical division that contrasts two chromatic identities without losing the unity of the whole.
The left hemisphere of the face is depicted in a delicate lilac tone, accompanied by an almond-shaped eye with an intense blue iris that conveys serenity and depth. By contrast, the right side adopts a warm cream hue, where a second brown-eyed iris introduces a subtle expressive variation that brings naturalness and balance. The lips, in a deep red perfectly centered, function as a focal point and reinforce the portrait’s symmetric harmony.
The hair is developed through two differentiated formal solutions that enrich the composition. On the left, a sculptural, gathered form integrates with the geometric structure of the face, while on the right a long black wavy mane adds fluidity and dynamism. A circular red earring with a yellow support adds a small ornamental accent that dialogues chromatically with the rest of the work.
Behind the figure emerges a wide yellow arch that envelops the head like a geometric halo, becoming one of the most distinctive elements of the composition. This arch overlays a background divided into large fields of ultramarine blue, warm white, petrol green, and intense red, organized by clean, flat color planes that enhance the hard-edged language and the structural clarity of the painting.
The lower part of the portrait continues the geometric fragmentation with clothing built from diagonal planes, rectangles, and curved shapes in tones of red, blue, yellow, petrol green, black, cream, and lilac. A large central curved element in yellow, blue, and white acts as the compositional axis, visually connecting the face with the rest of the structure. Fine black lines delineate each color plane with precision, reinforcing the formal cleanliness and contemporary character of the work.
The result is a sophisticated painting that fuses the classic portrait with geometric abstraction and Synthetic Cubism. The richness of its composition, the harmony between warm and cool colors, and the strength of its forms make this piece a work with strong visual presence, ideal for collectors seeking a contemporary, elegant proposal that is easily recognizable within an artist’s collection.
The canvas is carefully rolled and securely packed in a sturdy tube for shipping.
The images you are viewing now are examples of how the artwork may look when framed and hung on a wall.
⸻
Unique work
Technique: Acrylic on canvas
Year: 2026
Art Series:
The 1000 Faces is an evolving artistic project conceived as a collection in motion, valued both for its conceptual significance and its projection in the contemporary art market. The series proposes the creation of 1000 original, unique, numbered works, linked to the same recognizable visual language, making the whole a solid and collectible body of work.
My artistic practice centers on reinterpretation of the portrait through a geometric and contemporary approach. Each face is built through color planes, defined lines, and fragmented structures that generate balanced yet dynamically altered compositions. This tension between order and rupture gives each piece its own identity while maintaining coherence within the series.
The use of color is intentional and strategic: contrasts between warm and cool tones that provide visual impact and immediate appeal, qualities especially valued on platforms like Catawiki, where first impressions are key. The clean, modern, and highly recognizable compositions facilitate their integration into different spaces, both private and professional.
From a collector’s perspective, The 1000 Faces presents itself as a progressive acquisition opportunity. Each work is numbered, reinforcing its limited character within the global project and adding long-term value. As the series grows, so does its relevance and coherence as a whole, increasing interest for collectors.
This project offers not only visually striking pieces but also a clear and consistent narrative: an exploration of contemporary identity through repetition, variation, and formal synthesis. In the context of online sales, these qualities allow positioning each work not only as a decorative piece but as part of an artistic project with vision, continuity, and potential for appreciation.
The 1000 Faces is designed to be collectible, to evolve, and to solidify itself as a recognizable series within accessible contemporary art.
Title: Fragmented Face #83
Series: The 1000 Faces
Technique: Acrylic on canvas
This work presents a refined neocubist-inspired female portrait in which geometry, chromatic balance, and formal fragmentation converge in a composition of great visual elegance. The figure occupies the central axis of the canvas and is structured by a perfectly defined vertical division that contrasts two chromatic identities without losing the unity of the whole.
The left hemisphere of the face is depicted in a delicate lilac tone, accompanied by an almond-shaped eye with an intense blue iris that conveys serenity and depth. By contrast, the right side adopts a warm cream hue, where a second brown-eyed iris introduces a subtle expressive variation that brings naturalness and balance. The lips, in a deep red perfectly centered, function as a focal point and reinforce the portrait’s symmetric harmony.
The hair is developed through two differentiated formal solutions that enrich the composition. On the left, a sculptural, gathered form integrates with the geometric structure of the face, while on the right a long black wavy mane adds fluidity and dynamism. A circular red earring with a yellow support adds a small ornamental accent that dialogues chromatically with the rest of the work.
Behind the figure emerges a wide yellow arch that envelops the head like a geometric halo, becoming one of the most distinctive elements of the composition. This arch overlays a background divided into large fields of ultramarine blue, warm white, petrol green, and intense red, organized by clean, flat color planes that enhance the hard-edged language and the structural clarity of the painting.
The lower part of the portrait continues the geometric fragmentation with clothing built from diagonal planes, rectangles, and curved shapes in tones of red, blue, yellow, petrol green, black, cream, and lilac. A large central curved element in yellow, blue, and white acts as the compositional axis, visually connecting the face with the rest of the structure. Fine black lines delineate each color plane with precision, reinforcing the formal cleanliness and contemporary character of the work.
The result is a sophisticated painting that fuses the classic portrait with geometric abstraction and Synthetic Cubism. The richness of its composition, the harmony between warm and cool colors, and the strength of its forms make this piece a work with strong visual presence, ideal for collectors seeking a contemporary, elegant proposal that is easily recognizable within an artist’s collection.
The canvas is carefully rolled and securely packed in a sturdy tube for shipping.
The images you are viewing now are examples of how the artwork may look when framed and hung on a wall.
⸻
Unique work
Technique: Acrylic on canvas
Year: 2026
Art Series:
The 1000 Faces is an evolving artistic project conceived as a collection in motion, valued both for its conceptual significance and its projection in the contemporary art market. The series proposes the creation of 1000 original, unique, numbered works, linked to the same recognizable visual language, making the whole a solid and collectible body of work.
My artistic practice centers on reinterpretation of the portrait through a geometric and contemporary approach. Each face is built through color planes, defined lines, and fragmented structures that generate balanced yet dynamically altered compositions. This tension between order and rupture gives each piece its own identity while maintaining coherence within the series.
The use of color is intentional and strategic: contrasts between warm and cool tones that provide visual impact and immediate appeal, qualities especially valued on platforms like Catawiki, where first impressions are key. The clean, modern, and highly recognizable compositions facilitate their integration into different spaces, both private and professional.
From a collector’s perspective, The 1000 Faces presents itself as a progressive acquisition opportunity. Each work is numbered, reinforcing its limited character within the global project and adding long-term value. As the series grows, so does its relevance and coherence as a whole, increasing interest for collectors.
This project offers not only visually striking pieces but also a clear and consistent narrative: an exploration of contemporary identity through repetition, variation, and formal synthesis. In the context of online sales, these qualities allow positioning each work not only as a decorative piece but as part of an artistic project with vision, continuity, and potential for appreciation.
The 1000 Faces is designed to be collectible, to evolve, and to solidify itself as a recognizable series within accessible contemporary art.

