Francesc Vidal (1950) - Rojo sobre la tierra





€80 | ||
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€75 | ||
€70 | ||
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Francesc Vidal (born 1950) presents Rojo sobre la tierra, an oil on panel landscape signed by hand, original edition, created in 2000–2010, framed and in good condition, measuring 22×27 cm unframed with a 43.5×48.5×5 cm frame, signed F. Vidal, Spain, sold by Galería.
Description from the seller
Pictura Galeria presents this magnificent work of art belonging to Francesc Vidal, depicting a lush field of reddish flowers opening onto green meadows and distant blue-tinted mountains beneath a cloudy sky, evoking vitality, freedom, and natural serenity. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Frame dimensions: 43.5x48.5x5 cm.
· Artwork dimensions: 22x27 cm.
· Oil on panel signed by hand by the artist in the lower right corner, F. Vidal.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the included photographs are an integral part of the lot description.
The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
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This painting presents an open and deeply evocative landscape in which the intensity of the foreground contrasts with the serenity of the fields, the mountains, and the sky that extend into the distance. The composition leads the eye from a vibrant band of reddish vegetation to a horizon covered by large blue-tinged elevations, creating a scene full of depth, color, and sensitivity. Nature appears interpreted as a living, changing space, capable of conveying energy, calm, and a delicate sense of mystery.
The foreground constitutes the most intense area of the composition. A large expanse of flowers or wild vegetation occupies the entire lower part, displaying a rich combination of reds, maroons, magentas, violets, and oranges. These warm colors form a dense, exuberant surface that immediately attracts the eye and conveys the impression of a field in full bloom.
Within this broad reddish band, small color variations provide rhythm and visual richness. Bright oranges emerge among the darker tones as flashes of light, while purples and burgundies add depth. The vegetation is not presented uniformly, but through irregular zones suggesting flowers, leaves, and entwined plants, creating a sense of natural abundance.
At the lower edge, deep greens and dark shadows function as a solid base for the landscape. These tones balance the vibrancy of the reds and reinforce the impression of proximity. The alternation between warm and dark colors makes the field seem to have relief, as if the flowers rose slightly over one another under a soft light.
After this chromatic explosion, a narrow strip of purplish and pinkish tones extends. This area acts as a transition between the intense foreground and the green fields in the distance. Its horizontal course provides stability to the composition and suggests a path, a stretch of land, or a new plot covered by different vegetation.
The central landscape is formed by wide green fields organized into different plots and levels. Light greens, yellowish, bluish, and dark greens alternate to represent the variety of the terrain. Some areas appear freshly cultivated, while others show more abundant vegetation, offering a beautiful image of fertility and rural harmony.
The lines across these fields suggest roads, natural boundaries, rows of crops, or gentle undulations of the land. Their direction leads the gaze toward the center and allows perceiving the breadth of the valley. These divisions are not rigid but integrate organically into the landscape, like marks slowly created by human labor and the passage of time.
Small trees and shrubs appear distributed through the central area. Their dark silhouettes stand out against the bright greens and provide scale references that help understand the extent of the territory. Some cluster into small masses, while others remain isolated among the fields, adding variety and naturalness to the scene.
On the left side rises a group of larger trees occupying a prominent position. Their rounded crowns display very dark greens, browns, and small yellow reflections. The vegetation is especially dense in this area, forming a compact mass that frames the landscape and creates a strong contrast with the clarity of the valley.
The main tree stands tall with a powerful presence, becoming one of the reference points of the composition. Its broad volume and illuminated upper part suggest that light gently reaches the exposed leaves. The yellow and greenish tones in the crown add vitality and help differentiate its shapes against the bluish background.
Around it appear other, shorter trees that complete this botanical grouping. The overlap of their silhouettes produces depth and creates the impression of a small forest at the edge of the fields. This dark area acts as a visual counterweight to the open space on the right and conveys a pleasant sense of shelter.
Towards the horizon, the fields meet a narrow blue strip that could evoke a distant stretch of water, atmospheric mist, or the continuation of the valley under the shadow of the mountains. This blue presence introduces a cool note among the greens of the land and the large forms in the background, visually expanding the distance.
At the far right, small white touches on this blue strip are discernible. Their irregular shape may recall foam, low clouds, or distant bright reflections. Although they occupy a small surface, they draw the eye for their clarity and provide a delicate light point at the meeting of territory and mountains.
The background is dominated by a succession of mountain elevations represented through blues, grays, and violets. The different layers softly overlap, becoming less defined as they recede. This gradation creates a convincing sense of depth and makes the landscape seem to continue far beyond visible limits.
The mountains present broad, irregular profiles, partially blurred by the atmosphere. Some summits are barely distinguishable, as if wrapped in fog or a gentle dampness. This indeterminacy gives the background a silent, contemplative character, establishing a very attractive contrast with the chromatic intensity of the foreground.
The sky occupies an important part of the scene and unfolds with light tones, mainly whites, grays, pinks, and bluish hues. The clouds seem to spread in large layers, partially covering the mountains and softening the light. There is no direct or intense illumination, but a diffused clarity that envelops the landscape and unifies its different elements.
At the top, delicate pinkish hues add warmth to the sky. This color dialogues with the reds and magentas of the flowering field, establishing a chromatic connection between the closest earth and the atmosphere. Thanks to this relationship, the composition maintains notable harmony despite the contrast between the different zones.
The distribution of colors is particularly expressive. Warm tones concentrate in the foreground, greens dominate the middle zone, and blues are reserved for the horizon, the mountains, and the sky. This chromatic progression guides the eye toward the distance and reinforces the sense of a spacious, breathable space.
The composition is organized by large horizontal bands that succeed from the bottom area up to the sky. However, the vertical presence of the trees breaks this structure and prevents the scene from feeling static. Their silhouette acts as a link between the land and the clouds, adding balance and a pronounced sense of depth.
Despite the absence of human figures, the landscape shows discreet signs of coexistence with the territory. The orderly plots, possible paths, and the arrangement of the fields suggest a well-cared-for rural environment. This indirect presence invites one to imagine small hidden houses, paths through the vegetation, or people traversing the valley out of sight.
The scene seems to capture a moment of calm before or after rain. Low clouds, the apparent moisture of the mountains, and the vivid vegetation convey a fresh atmosphere. The reddish field takes on a special prominence under this light, as if preserving all its splendor even under a covered sky.
The work can also be interpreted as a celebration of the contrasts present in nature. The energy of red coexists with the serenity of blue; the density of the forest faces the openness of the fields; and the closeness of the flowers contrasts with the almost intangible distance of the mountains. These oppositions enrich the image and generate a balanced visual experience.
The foreground field adds a very powerful emotional dimension. Its reds and violets can evoke passion, vitality, and fullness, while the blue-tinged mountains suggest quiet, distance, and contemplation. Between these two spaces stretches the green valley, acting as a serene transition and representing the balance between intensity and calm.
Gazing at the landscape awakens a pleasant sense of freedom. The horizon is broad and there are no visible buildings, allowing one to imagine a secluded setting, protected from noise and daily movement. It is a scene that invites breathing, walking among the fields, and pausing before the simple beauty of nature.
Because of its chromatic richness and enveloping atmosphere, the work has a notable decorative capacity. The reddish tones would add character and warmth to a space, while the greens and blues would introduce balance and serenity. The combination of visual impact and landscape depth allows the image to stand out without losing its welcoming and contemplative quality.
Overall, the work offers an intense, luminous, and deeply evocative view of a rural landscape dominated by an exuberant field of reddish flowers, extensive green meadows, and blue-tinted mountains under a cloudy sky. The succession of colors guides the eye from the vitality of the foreground to the quiet of the horizon, while the large trees provide structure, depth, and shelter. The result is a celebration of nature in which energy, fertility, and serenity coexist within a delicate and slightly mysterious atmosphere.
Pictura Galeria presents this magnificent work of art belonging to Francesc Vidal, depicting a lush field of reddish flowers opening onto green meadows and distant blue-tinted mountains beneath a cloudy sky, evoking vitality, freedom, and natural serenity. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Frame dimensions: 43.5x48.5x5 cm.
· Artwork dimensions: 22x27 cm.
· Oil on panel signed by hand by the artist in the lower right corner, F. Vidal.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the included photographs are an integral part of the lot description.
The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting presents an open and deeply evocative landscape in which the intensity of the foreground contrasts with the serenity of the fields, the mountains, and the sky that extend into the distance. The composition leads the eye from a vibrant band of reddish vegetation to a horizon covered by large blue-tinged elevations, creating a scene full of depth, color, and sensitivity. Nature appears interpreted as a living, changing space, capable of conveying energy, calm, and a delicate sense of mystery.
The foreground constitutes the most intense area of the composition. A large expanse of flowers or wild vegetation occupies the entire lower part, displaying a rich combination of reds, maroons, magentas, violets, and oranges. These warm colors form a dense, exuberant surface that immediately attracts the eye and conveys the impression of a field in full bloom.
Within this broad reddish band, small color variations provide rhythm and visual richness. Bright oranges emerge among the darker tones as flashes of light, while purples and burgundies add depth. The vegetation is not presented uniformly, but through irregular zones suggesting flowers, leaves, and entwined plants, creating a sense of natural abundance.
At the lower edge, deep greens and dark shadows function as a solid base for the landscape. These tones balance the vibrancy of the reds and reinforce the impression of proximity. The alternation between warm and dark colors makes the field seem to have relief, as if the flowers rose slightly over one another under a soft light.
After this chromatic explosion, a narrow strip of purplish and pinkish tones extends. This area acts as a transition between the intense foreground and the green fields in the distance. Its horizontal course provides stability to the composition and suggests a path, a stretch of land, or a new plot covered by different vegetation.
The central landscape is formed by wide green fields organized into different plots and levels. Light greens, yellowish, bluish, and dark greens alternate to represent the variety of the terrain. Some areas appear freshly cultivated, while others show more abundant vegetation, offering a beautiful image of fertility and rural harmony.
The lines across these fields suggest roads, natural boundaries, rows of crops, or gentle undulations of the land. Their direction leads the gaze toward the center and allows perceiving the breadth of the valley. These divisions are not rigid but integrate organically into the landscape, like marks slowly created by human labor and the passage of time.
Small trees and shrubs appear distributed through the central area. Their dark silhouettes stand out against the bright greens and provide scale references that help understand the extent of the territory. Some cluster into small masses, while others remain isolated among the fields, adding variety and naturalness to the scene.
On the left side rises a group of larger trees occupying a prominent position. Their rounded crowns display very dark greens, browns, and small yellow reflections. The vegetation is especially dense in this area, forming a compact mass that frames the landscape and creates a strong contrast with the clarity of the valley.
The main tree stands tall with a powerful presence, becoming one of the reference points of the composition. Its broad volume and illuminated upper part suggest that light gently reaches the exposed leaves. The yellow and greenish tones in the crown add vitality and help differentiate its shapes against the bluish background.
Around it appear other, shorter trees that complete this botanical grouping. The overlap of their silhouettes produces depth and creates the impression of a small forest at the edge of the fields. This dark area acts as a visual counterweight to the open space on the right and conveys a pleasant sense of shelter.
Towards the horizon, the fields meet a narrow blue strip that could evoke a distant stretch of water, atmospheric mist, or the continuation of the valley under the shadow of the mountains. This blue presence introduces a cool note among the greens of the land and the large forms in the background, visually expanding the distance.
At the far right, small white touches on this blue strip are discernible. Their irregular shape may recall foam, low clouds, or distant bright reflections. Although they occupy a small surface, they draw the eye for their clarity and provide a delicate light point at the meeting of territory and mountains.
The background is dominated by a succession of mountain elevations represented through blues, grays, and violets. The different layers softly overlap, becoming less defined as they recede. This gradation creates a convincing sense of depth and makes the landscape seem to continue far beyond visible limits.
The mountains present broad, irregular profiles, partially blurred by the atmosphere. Some summits are barely distinguishable, as if wrapped in fog or a gentle dampness. This indeterminacy gives the background a silent, contemplative character, establishing a very attractive contrast with the chromatic intensity of the foreground.
The sky occupies an important part of the scene and unfolds with light tones, mainly whites, grays, pinks, and bluish hues. The clouds seem to spread in large layers, partially covering the mountains and softening the light. There is no direct or intense illumination, but a diffused clarity that envelops the landscape and unifies its different elements.
At the top, delicate pinkish hues add warmth to the sky. This color dialogues with the reds and magentas of the flowering field, establishing a chromatic connection between the closest earth and the atmosphere. Thanks to this relationship, the composition maintains notable harmony despite the contrast between the different zones.
The distribution of colors is particularly expressive. Warm tones concentrate in the foreground, greens dominate the middle zone, and blues are reserved for the horizon, the mountains, and the sky. This chromatic progression guides the eye toward the distance and reinforces the sense of a spacious, breathable space.
The composition is organized by large horizontal bands that succeed from the bottom area up to the sky. However, the vertical presence of the trees breaks this structure and prevents the scene from feeling static. Their silhouette acts as a link between the land and the clouds, adding balance and a pronounced sense of depth.
Despite the absence of human figures, the landscape shows discreet signs of coexistence with the territory. The orderly plots, possible paths, and the arrangement of the fields suggest a well-cared-for rural environment. This indirect presence invites one to imagine small hidden houses, paths through the vegetation, or people traversing the valley out of sight.
The scene seems to capture a moment of calm before or after rain. Low clouds, the apparent moisture of the mountains, and the vivid vegetation convey a fresh atmosphere. The reddish field takes on a special prominence under this light, as if preserving all its splendor even under a covered sky.
The work can also be interpreted as a celebration of the contrasts present in nature. The energy of red coexists with the serenity of blue; the density of the forest faces the openness of the fields; and the closeness of the flowers contrasts with the almost intangible distance of the mountains. These oppositions enrich the image and generate a balanced visual experience.
The foreground field adds a very powerful emotional dimension. Its reds and violets can evoke passion, vitality, and fullness, while the blue-tinged mountains suggest quiet, distance, and contemplation. Between these two spaces stretches the green valley, acting as a serene transition and representing the balance between intensity and calm.
Gazing at the landscape awakens a pleasant sense of freedom. The horizon is broad and there are no visible buildings, allowing one to imagine a secluded setting, protected from noise and daily movement. It is a scene that invites breathing, walking among the fields, and pausing before the simple beauty of nature.
Because of its chromatic richness and enveloping atmosphere, the work has a notable decorative capacity. The reddish tones would add character and warmth to a space, while the greens and blues would introduce balance and serenity. The combination of visual impact and landscape depth allows the image to stand out without losing its welcoming and contemplative quality.
Overall, the work offers an intense, luminous, and deeply evocative view of a rural landscape dominated by an exuberant field of reddish flowers, extensive green meadows, and blue-tinted mountains under a cloudy sky. The succession of colors guides the eye from the vitality of the foreground to the quiet of the horizon, while the large trees provide structure, depth, and shelter. The result is a celebration of nature in which energy, fertility, and serenity coexist within a delicate and slightly mysterious atmosphere.

