Francesc Vidal (1950) - Primavera junto al campanario

Pictura Galeria presents this magnificent artwork belonging to Francesc Vidal, depicting a luminous rural village at the foot of violet mountains, viewed through a lush meadow of multicolored flowers that evokes spring, serenity and harmony with nature. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Frame dimensions: 43.5x48.5x5 cm.
· Artwork dimensions: 22x27 cm.
· Oil on panel, hand-signed by the artist in the lower right corner, F. Vidal.
· The piece is in good condition.
· The work is sold with a beautiful frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

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This painting presents an extraordinarily luminous rural landscape, featuring a vast field of flowers that leads the eye toward a small village at the foot of the mountains. The scene conveys an immediate sense of spring, freshness and well-being, as if nature had reached its moment of maximum splendor. The abundance of colors, the breadth of the terrain and the delicate presence of the buildings turn the composition into a celebration of country life and the serene beauty of Mediterranean landscapes.

The foreground is occupied by a huge flowering meadow that spans from one edge of the image to the other. On a base of vivid greens appear innumerable flowers in white, pink, violet, yellow, reddish and orange. The vegetation forms an exuberant and changing surface, full of small color variations that invite a slow, lingering look.

The flowers are not evenly distributed but grouped into irregular bands and patches that add naturalism to the landscape. In some areas pink and purple tones prevail; in others whites concentrate as delicate points of light. The yellows and oranges appear among the vegetation like warm flashes, reinforcing the sense of a field full of life under soft illumination.

In the lower part, greens are especially intense and combine with small dark areas suggesting the depth of the grass. This alternation allows imagining different heights among the plants, as if some flowers rose above others. The richness of the foreground creates a sense of closeness and makes the viewer feel placed in the middle of the meadow.

As the gaze progresses toward the center, the vegetation organizes into broad horizontal bands. A long pink and lilac zone crosses the landscape and creates a delicate transition between the nearest flowers and the trees surrounding the village. This color band provides continuity and visually leads toward the white buildings in the background.

On the left side, clusters of reddish and orange flowers stand out, whose warm colors introduce variety within the dominance of greens and pinks. These deeper tones balance the clarity of the white flowers and provide a pleasant visual rhythm. The field seems to change appearance with every step, offering a succession of small natural patches covered by different flora.

Behind the meadow rises a darker strip of vegetation, composed of bushes and trees with dense canopies. Their deep greens form a natural barrier that separates the open field from the inhabited core. This shadowed area is fundamental for the light-colored houses to stand out more intensely and to create a convincing sense of distance.

Among the trees appears a set of white buildings with simple shapes and compact volumes. Their bright facades cluster irregularly, as is common in villages that have grown slowly around a church or a small square. The dark windows and warm roofs add enough detail to bring the place to life without detracting from the landscape.

The roofs show reddish, pinkish, orange and purplish nuances that harmonize with the flowers in the foreground. This chromatic relationship visually connects the village with the surrounding nature, making the buildings seem organically integrated into the territory. Nothing seems alien to the landscape: the houses, the trees, the mountains and the fields form part of a single tranquil atmosphere.

In the center of the urban core rises a tower that serves as the main architectural reference. Its vertical silhouette rises above the roofs and gently breaks the scene’s dominant horizontality. The dark openings at its top identify it as the bell tower of a church, a symbol of gathering, permanence and collective memory.

The tower gives identity to the village and helps imagine the daily life of its inhabitants. One can think of the sound of bells spreading over the fields, of small paths connecting the houses, or of a hidden square among the buildings. Although no human figures appear, the presence of the village introduces a narrative dimension and suggests a community in harmony with its surroundings.

To the right of the tower stand several tall, slender trees, lit by lively yellow-green hues. Their vertical crowns seem to receive a more intense light than the rest of the vegetation and offer an elegant counterpoint to the architecture. These trees guide the eye toward the sky and reinforce the sense of depth between the blooming field and the horizon.

Beside them extends a mass of trees in yellow and bright green tones. This right-hand area constitutes one of the most radiant points of the composition and suggests warm light filtering through the leaves. The contrast with the dark trees in the center creates variety and evokes different plant species gathered around the village.

On the far left, the vegetation takes on much deeper greens. The trees form a dense mass that frames the houses and creates a strong contrast with their white walls. Near this assembly appears a small bush in light blue, whose delicate luminosity introduces a fresh and unexpected note within the shadier area.

Behind the village stretches a mountain range in blues and violets. Its irregular profile runs across much of the horizon and surrounds the scene with a calm and protective presence. The mountains are not abrupt or threatening, but appear to form a natural border that guards the valley and enhances its intimate character.

The different elevations overlay softly, creating a sense of atmospheric depth. The nearer reliefs show somewhat more intense violets, while those in the distance become lighter and gradually blend with the sky. This transition visually widens the landscape and allows imagining that the mountains continue far beyond what is depicted.

The sky occupies the upper zone through a delicate blend of whites, very light grays, bluish tones and subtle pinkish hints. Its brightness is diffuse and enveloping, with no harsh contrasts, which favors a tranquil atmosphere. The slight pink tones on the right dialogue with the flower field and add a spring-like warmth.

The composition is organized through a balanced sequence of planes: the lush meadow in the foreground, the dark band of vegetation, the white village, the violet mountains and finally the clear sky. Each of these zones leads to the next and helps create a scene of great breadth. The gaze naturally advances from the nearest flowers to the tower and, from there, toward the distant peaks.

One of the most attractive aspects of the work is the contrast between natural abundance and architectural serenity. The field appears free, spontaneous, and bursting with color, while the houses are orderly, silent and stable. This coexistence conveys the idea of a place where human life develops while respecting the pace of the landscape.

The absence of visible roads increases the sense of viewing a secluded and protected corner. The village seems to rise directly among the trees, beyond the vast meadow. This arrangement awakens a desire to cross the field, approach the houses and discover what lies behind their luminous façades.

The work possesses an upbeat yet deeply contemplative atmosphere. The intensity of the flowers conveys vitality and optimism, while the distance of the mountains and the village’s silence bring calm. Both sensations balance to create a welcoming image, capable of evoking memories of countryside walks, spring mornings and places kept in memory.

The tower can be interpreted as a symbol of permanence against the changing character of nature. The flowers appear in all their splendor, though their beauty belongs to a specific season; the bell tower, on the other hand, seems to have presided over the valley for generations. This relationship between the ephemeral and the durable gives the scene a delicate poetic dimension.

It also highlights the harmony between warm and cold colors. The pinks, yellows, reds and oranges add energy and closeness, while the greens, blues and violets introduce balance, freshness and distance. The white of the houses acts as a visual resting point and allows the village to shine amid the rich color palette.

The expansiveness of the field makes nature the true protagonist of the composition. The village occupies a relatively small area, as if recognizing the vastness of the territory in the face of human scale. This proportion reinforces the sense of freedom and allows the vegetation to unfold with all its decorative and emotional power.

The landscape invites imagining a quiet morning when the air still holds the freshness of the early hours. The flowers seem to extend to the village doors and the mountains remain wrapped in a soft light. Everything suggests a moment of absolute calm, prior to daily movement, in which nature and architecture share a single silence.

Because of its rich color and luminous character, the work possesses a remarkable capacity to transform a space. In a living room, a dining room or a resting area, it would bring joy, depth and a pleasant sense of openness. The meadow would provide vitality, while the village and the mountains would create a serene horizon toward which to direct the gaze.

Overall, the piece offers a bright and deeply evocative vision of a white village at the foot of violet mountains and surrounded by an extraordinary field of wildflowers. The church tower, the warm roofs, the green and yellowish trees and the vast multicolored meadow build a scene full of harmony, freshness and emotion. The landscape celebrates the arrival of spring and conveys the feeling of a rural refuge where time passes slowly, nature blooms freely and life remains united with the beauty of the surroundings.