Sanlé Sory (1943–2023) - Le baiser

02
days
05
hours
47
minutes
25
seconds
Current bid
€ 25
Reserve price not met
Kai Brückner
Expert
Selected by Kai Brückner

Over 35 years' experience; former gallery owner and Museum Folkwang curator.

Estimate  € 800 - € 1,000
GB
€25

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Description from the seller

Stamped and signed.

Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrives in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produces illustrations for record sleeves.
He opens his Volta Photo studio in 1962, as his country gains independence. He buys a Rolleiflex 6×6, and begins by taking identity photographs and photographs of road accidents for the local police.
Rapidly, he rises to notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Haute-Volta, and where young Africans “hungry for modernity” came “to have their portraits taken.”
Realized between 1960 and 1985, his photographic work “testifies to the happiness of a freedom regained and to a social and cultural effervescence unique of its kind.”

Exhibitions
2015: African Folk Art?, Regional Fund for Contemporary Art of Bordeaux.
2015: Meeting African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.

Seller's Story

Association for the Promotion of Contemporary Art
Translated by Google Translate

Stamped and signed.

Sory Sanlé is a Burkinabé photographer, born in 1943 in Nianiagara in the Republic of Upper Volta.
Ibrahima Sanlé Sory arrives in Bobo-Dioulasso in 1957. Having become a journalist and photographer, he also produces illustrations for record sleeves.
He opens his Volta Photo studio in 1962, as his country gains independence. He buys a Rolleiflex 6×6, and begins by taking identity photographs and photographs of road accidents for the local police.
Rapidly, he rises to notoriety in Bobo-Dioulasso, which was then the cultural and economic capital of the former Haute-Volta, and where young Africans “hungry for modernity” came “to have their portraits taken.”
Realized between 1960 and 1985, his photographic work “testifies to the happiness of a freedom regained and to a social and cultural effervescence unique of its kind.”

Exhibitions
2015: African Folk Art?, Regional Fund for Contemporary Art of Bordeaux.
2015: Meeting African Photography, Mérignac Media Library.
2018: Retrospective, Art Institute of Chicago.
2020: Tête à Têtes - West African Portraiture from Independence into the 21st Century, David Hill Gallery, London.
2020: Bobo Yéyé, Sanlé Sory, Galerie du Château d’Eau, Toulouse.
Photograph accompanied by a certificate of authenticity (Galerie Art-Z, Paris), signed by the photographer.

Seller's Story

Association for the Promotion of Contemporary Art
Translated by Google Translate

Details

Artist
Sanlé Sory (1943–2023)
Sold by
Gallery
Title of artwork
Le baiser
Condition
Fine
Technique
Gelatin-silver print
Height
40 cm
Width
30 cm
Signature
Stamped
Genre
Portrait
FranceVerified
862
Objects sold
100%
protop

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