Maitre Ermengaud - Breviario d'amore Graffiti - 2000





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Description from the seller
medieval
The Breviary of Love is a poem of 34,597 verses composed by the Franciscan monk Matfre Ermengaud in Provençal language (Southern France) between 1288 and 1292.
The treatise was written to offer history a very important encyclopedia of faith, morality, and the science of the time.
Love as the engine of the Universe
As the title of the work indicates, the central point around which the treatise develops is Love.
The author Matfre describes all manifestations of the Universe as expressions of God’s Love: from this perspective, conjugal love is defended as one of the best expressions of divine love.
Throughout the work there is a deep Franciscans spirituality.
The rich decoration of the manuscript
In the illustration of this splendid manuscript kept in Saint Petersburg appear all the decorative elements used in the Middle Ages: miniatures, decorated initials, vignettes.
The small gold initials (374 in total) appear on a delicate pinkish and blue background with a white stroke, the medium ones (482) are often accompanied by a red rubric, while the 262 large illuminated initials are placed at the beginning of the chapters or accompany the full-page miniatures.
The predominance of gold
The full-page miniatures are in total 200, all strictly in gold, to which are added 15 half-page miniatures and 3 one-third-page miniatures. Among the various colors, gold, blue, and pink stand out.
medieval
The Breviary of Love is a poem of 34,597 verses composed by the Franciscan monk Matfre Ermengaud in Provençal language (Southern France) between 1288 and 1292.
The treatise was written to offer history a very important encyclopedia of faith, morality, and the science of the time.
Love as the engine of the Universe
As the title of the work indicates, the central point around which the treatise develops is Love.
The author Matfre describes all manifestations of the Universe as expressions of God’s Love: from this perspective, conjugal love is defended as one of the best expressions of divine love.
Throughout the work there is a deep Franciscans spirituality.
The rich decoration of the manuscript
In the illustration of this splendid manuscript kept in Saint Petersburg appear all the decorative elements used in the Middle Ages: miniatures, decorated initials, vignettes.
The small gold initials (374 in total) appear on a delicate pinkish and blue background with a white stroke, the medium ones (482) are often accompanied by a red rubric, while the 262 large illuminated initials are placed at the beginning of the chapters or accompany the full-page miniatures.
The predominance of gold
The full-page miniatures are in total 200, all strictly in gold, to which are added 15 half-page miniatures and 3 one-third-page miniatures. Among the various colors, gold, blue, and pink stand out.

