Stefano Nurra - Persoective court





€59 | ||
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€54 | ||
€49 | ||
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Stefano Nurra presents Persoective court, an original 2026 acrylic painting on gesso, 40 cm high by 30 cm wide, signed by hand and sold directly from the artist.
Description from the seller
In this work, the artist returns to explore the theme of tennis, offering a powerful geometric and perspective reinterpretation of the playing field. The composition is framed by an opaque black background on which a large bright and substantial green rectangle stands, laid with a marked spatula technique that gives the painting a pronounced three-dimensionality, especially along the raised edges.
Unlike traditional frontal views, here the perspective of the field is distorted and tilted, creating a visual dynamic that immediately captures the observer. The white lines of the court, thin and precise, trace decisive diagonals that cross the green surface, breaking the classic symmetry to restore the sensation of speed and tension typical of a match.
The center of the canvas is dominated by a white horizontal band, dense and raised, laid with a thick impasto that simulates the net interposed between the two sides. This almost sculptural presence divides and at the same time unites the two halves of the court:
In the upper part: The microscopic figure of a tennis player dressed in yellow is seen while hitting the ball, projecting a sharp dark shadow on the synthetic turf.
In the lower part: The second tennis player responds, rendered in red tones, also immortalized in the midst of action with his own shadow projected on the surface.
The contrast between the violent materiality of the white "net," the graphic precision of the framing lines and the microscopic fragility of the two athletes turns the athletic challenge into a visual narrative made of distances, concentration and synchronization. It is a work of great tactile impact, where painting becomes living matter and the playing space is transformed into an architecture of pure emotions.
In this work, the artist returns to explore the theme of tennis, offering a powerful geometric and perspective reinterpretation of the playing field. The composition is framed by an opaque black background on which a large bright and substantial green rectangle stands, laid with a marked spatula technique that gives the painting a pronounced three-dimensionality, especially along the raised edges.
Unlike traditional frontal views, here the perspective of the field is distorted and tilted, creating a visual dynamic that immediately captures the observer. The white lines of the court, thin and precise, trace decisive diagonals that cross the green surface, breaking the classic symmetry to restore the sensation of speed and tension typical of a match.
The center of the canvas is dominated by a white horizontal band, dense and raised, laid with a thick impasto that simulates the net interposed between the two sides. This almost sculptural presence divides and at the same time unites the two halves of the court:
In the upper part: The microscopic figure of a tennis player dressed in yellow is seen while hitting the ball, projecting a sharp dark shadow on the synthetic turf.
In the lower part: The second tennis player responds, rendered in red tones, also immortalized in the midst of action with his own shadow projected on the surface.
The contrast between the violent materiality of the white "net," the graphic precision of the framing lines and the microscopic fragility of the two athletes turns the athletic challenge into a visual narrative made of distances, concentration and synchronization. It is a work of great tactile impact, where painting becomes living matter and the playing space is transformed into an architecture of pure emotions.

