R. Serra - Buena Suerte - XL

Original work belonging to the series "Memoria del agua", a pictorial investigation that explores landscape through the relationship between memory and elements of nature such as water, vegetation and light.

In "Buena Suerte", a white heron appears solitary by the stream, becoming the balancing point of a serene and contemplative atmosphere. Traditionally associated with patience, hope and good fortune, its presence adds a symbolic meaning that dialogues with the landscape.
The loose brushwork and chromatic richness build a space where the water reflects light and color in constant transformation, evoking nature’s changing memory. The work invites the viewer to pause and discover the beauty of those fleeting moments when the landscape seems suspended in time.
Its poetic and luminous character makes this painting a piece that transmits calm, breadth, and a connection with the natural surroundings.

• Artist: R. Serra
• Technique: Acrylic on canvas
• Dimensions: 100 x 70 cm. Aperture/Diaphragm of 5 cm. Orientation: Vertical.
• Year: 2026
• Unique work
• Hand-signed (on the back of the frame)
• Includes certificate of authenticity (COA)
• Condition: Excellent
• Shipping: The work is shipped directly from the artist’s studio, carefully rolled in a rigid cardboard tube or in a box of similar dimensions to ensure preservation during transport. All shipments include tracking number.

Notes: Images are for illustrative purposes. The actual dimensions of the work are indicated in the technical sheet and should be considered the primary reference. Colors may show slight variations depending on each screen’s configuration.

R. Serra is a visual artist based in Spain whose practice centers on painterly research and the mechanisms of image construction. His training in Plastic Arts, with a specialization in painting, together with subsequent studies in graphic design, shapes a language that places painting in dialogue with the aesthetics and visual logics of digital culture.
His work investigates memory as a process of editing and reconstruction, where lived and imagined memories converge to generate images that question the stability of representation. Through painting, he explores the tensions between presence and absence, experience and fiction, proposing scenes suspended between the intimate and the universal.
Over the last decade he has developed an exhibition trajectory that includes group shows in national and international galleries, consolidating his presence in the context of contemporary art.