Frederic Bourdin (XIX-XX) - Parigi Lungo la Senna

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Estimate  € 230 - € 250
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Description from the seller

AUTHOR

Frédéric Bourdin, French painter and illustrator, an artist active at the turn of the 19th and 20th century, with a known production concentrated mainly in the first twenty years of the twentieth century. There is little biographical information about him: his birth and death dates are not known precisely, and there are no documents attesting to his specific training path or the masters who guided his artistic development.

Regarding style, technique, and poetics, Bourdin worked almost exclusively as a watercolourist and miniaturist. He distinguished himself in particular in the refined practice of the "extra-illustration", namely the hand-illumination and the artistic enrichment of the inner margins and pages of books. His painting, cerebral and sober, reveals the influence of Post-Impressionism, characterized by a keen attention to detail and a strict balance of composition. Preferring editorial and book art to easel painting, his creations do not appear in the public collections of major art museums; on the contrary, the precious volumes he miniaturized (including editions of Balzac, Petrarch, and Alfred Tennyson) are considered of great value and high collecting interest.

DESCRIPTION

"Parigi Lungo la Senna", oil on canvas, 49x35 cm with frame, 41x27 cm the canvas alone, signed at the bottom left, datable to the 1910s.

The canvas presents an autumnal or winter scene of the Parisian e0 la Seine, focusing on Pont Neuf and the nearby Quai. In the foreground, a cobbled street leads the eye toward the bridge and the distant figures crossing it, framed on the right by a row of bare plane trees whose tangled branches stand out against a milky sky veiled by fog. The composition is balanced by the presence of a small kiosk on the right and another small structure on the left, while the opposite bank and buildings fade into the muffled atmosphere. The color palette is refined and sober, dominated by cool and earthy tones of greys, browns, and ochres, creating a muffled and melancholic atmosphere typical of Parisian gray days.

From a stylistic and technical point of view, this canvas reflects the intimate and careful approach of Frédéric Bourdin, coherently fitting into his poetics of rarefied scenes and of library "extra-illustration", here transposed on a larger scale. The painting stands out for its exceptional lightness and the deft play of atmospheric glazes, which render the fog almost tangible. The brushwork, delicate and blended, unequivocally testifies to his training as a watercolourist, a technique Bourdin mastered and here expertly translated into oil, achieving transparency and delicacy rarely seen for the medium. The collectible value of this work is high: it is the only and single canvas work by Bourdin ever to have appeared on the market, a piece of fundamental importance and potentially unique by this master, whose biographical traces are limited and whose known production had until now concentrated almost exclusively on watercolours.

CONDITION REPORT

Excellent overall condition. The work is intact in every part with vibrant and readable color and brushwork. The frame is to be considered complimentary.

The photo of the painting placed in an setting is generated by artificial intelligence, and should be considered purely illustrative. Only the remaining photos are authentic and faithful to the object and its characteristics, both in general and in detail.

Tracked and insured shipment with proper packaging.

AUTHOR

Frédéric Bourdin, French painter and illustrator, an artist active at the turn of the 19th and 20th century, with a known production concentrated mainly in the first twenty years of the twentieth century. There is little biographical information about him: his birth and death dates are not known precisely, and there are no documents attesting to his specific training path or the masters who guided his artistic development.

Regarding style, technique, and poetics, Bourdin worked almost exclusively as a watercolourist and miniaturist. He distinguished himself in particular in the refined practice of the "extra-illustration", namely the hand-illumination and the artistic enrichment of the inner margins and pages of books. His painting, cerebral and sober, reveals the influence of Post-Impressionism, characterized by a keen attention to detail and a strict balance of composition. Preferring editorial and book art to easel painting, his creations do not appear in the public collections of major art museums; on the contrary, the precious volumes he miniaturized (including editions of Balzac, Petrarch, and Alfred Tennyson) are considered of great value and high collecting interest.

DESCRIPTION

"Parigi Lungo la Senna", oil on canvas, 49x35 cm with frame, 41x27 cm the canvas alone, signed at the bottom left, datable to the 1910s.

The canvas presents an autumnal or winter scene of the Parisian e0 la Seine, focusing on Pont Neuf and the nearby Quai. In the foreground, a cobbled street leads the eye toward the bridge and the distant figures crossing it, framed on the right by a row of bare plane trees whose tangled branches stand out against a milky sky veiled by fog. The composition is balanced by the presence of a small kiosk on the right and another small structure on the left, while the opposite bank and buildings fade into the muffled atmosphere. The color palette is refined and sober, dominated by cool and earthy tones of greys, browns, and ochres, creating a muffled and melancholic atmosphere typical of Parisian gray days.

From a stylistic and technical point of view, this canvas reflects the intimate and careful approach of Frédéric Bourdin, coherently fitting into his poetics of rarefied scenes and of library "extra-illustration", here transposed on a larger scale. The painting stands out for its exceptional lightness and the deft play of atmospheric glazes, which render the fog almost tangible. The brushwork, delicate and blended, unequivocally testifies to his training as a watercolourist, a technique Bourdin mastered and here expertly translated into oil, achieving transparency and delicacy rarely seen for the medium. The collectible value of this work is high: it is the only and single canvas work by Bourdin ever to have appeared on the market, a piece of fundamental importance and potentially unique by this master, whose biographical traces are limited and whose known production had until now concentrated almost exclusively on watercolours.

CONDITION REPORT

Excellent overall condition. The work is intact in every part with vibrant and readable color and brushwork. The frame is to be considered complimentary.

The photo of the painting placed in an setting is generated by artificial intelligence, and should be considered purely illustrative. Only the remaining photos are authentic and faithful to the object and its characteristics, both in general and in detail.

Tracked and insured shipment with proper packaging.

Details

Artist
Frederic Bourdin (XIX-XX)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Parigi Lungo la Senna
Technique
Oil painting
Signature
Signed
Country of origin
France
Condition
Excellent condition
Height
49 cm
Width
35 cm
Depiction/theme
Cityscape
Style
Post-Impressionism
Period
1910-1920
ItalyVerified
1348
Objects sold
95.92%
pro

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