Decorative ornament (2) - Italy

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Pair of handmade ceramic Sicilian decoratives dating to 2000–2010, comprising a white 25 cm high pine-cone sculpture (15 cm wide) and a multicolour Moro head vase (13 cm high, 9 cm wide), produced in Caltagirone, Italy, in come nuovo condition and weighing 3 kg total.

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Beautiful ceramic decorative pair for any environment, to make them welcoming and more beautiful, a mix of modernity and Sicilian history. Composed of 1: a hand-made ceramic decorative pinecone by master ceramists from Caltagirone, white with the stem decorated in every detail by hand. Brilliant, glossy colors. Height 25 cm, width 15 cm, unique of its kind.
The Sicilian pinecone is a symbol of luck and good omen for the recipient. Modern design while maintaining the classic style of Caltagirone ceramics.
In ancient Greece, the pinecone represented the god of male fertility, Dionysus, who had a pinecone decorating the top of his staff. As part of Greek beliefs, fertility generates prosperity, and when one is blessed with prosperity, it is naturally shared with others. In other ancient cultures, pinecones are symbols of spiritual wisdom, representing the third eye—the awakened inner transcendence toward illumination. According to more modern interpretations, pinecones are thought to attract prosperity into one’s home. The pinecone is a meaningful symbol. Botanically, it is a reproductive entity: female pinecones contain seeds, while male ones contain pollen. In ancient Greece, the pinecone represented the god of male fertility, Dionysus, who had a pinecone at the top of his staff. As part of Greek beliefs, fertility generates prosperity, and when one is blessed with prosperity, it is naturally shared with others. In other ancient cultures, pinecones are symbols of spiritual wisdom. Entirely handmade (and hand-painted) by a skilled Sicilian craftsman at the wheel, crafted in fine Caltagirone pottery. Each one was shaped and applied by hand. The Sicilian pinecones are a symbol of an ancient tradition handed down from generation to generation to the present day.
2: splendid vase shaped like a Moro head, a Sicilian multi-colored ceramic by master ceramists, height 13 cm, width 9 cm. Typical Sicilian ceramics, known as Teste di Moro. These decorative vases trace their roots to an ancient Sicilian legend tied to Arab domination.
Tradition holds that they are made in pairs, depicting a young Moor and a noble young woman. They are decorative elements widely used both indoors and outdoors. The artisanal production of these ceramics is particularly renowned in Caltagirone. The Teste di Moro are pieces of décor that never go out of fashion, but in recent years there has been a genuine revival of these art pieces. A Sicilian tradition that spreads around the world, pairing these works with high-prestige design objects. The legend arises in the city of Palermo, around the year 1000, in the Arab quarter of Kalsa. There lived a girl who spent her days caring for her plants. One day she was noticed by a Moor who fell in love with her and did not hesitate to declare his love. The girl reciprocated with passion, but their story was destined for a short life because soon the girl discovered that her beloved had to return to his homeland because he was married, and out of jealousy she beheaded him, placed his head on the balcony, and watered some plants.
Their creation is an ancient process requiring great skill, patience, and deep knowledge of traditional ceramic techniques. The making of a Moro head is a highly artisanal, complex task. It begins by shaping the vase on the potter’s wheel using fresh clay, then the mouth, eyes, face, and turban or crown are modeled; once finished, it is slowly air-dried to avoid cracking, and then fired in the kiln for the first firing at around 950–1000°C. This is how the terracotta is prepared, then coated with glaze to render the surface waterproof and glossy after the second firing. Finally, decoration takes place; the artisans paint each piece rigorously by hand using fine brushes and ceramic paints. The facial features, headgear details, and floral or geometric decorations typical of the Sicilian Baroque or Moorish style are drawn. The decorated vase undergoes a second firing (usually around 900–930°C). During this process, the colors fuse with the glaze, gaining the characteristic glossy shine, vibrant colors, and durability that define Sicilian ceramics.
Today, Moro heads are no longer just simple vases, but true luxury and design furnishings. They are displayed in living rooms, gardens, and on balconies.

Beautiful ceramic decorative pair for any environment, to make them welcoming and more beautiful, a mix of modernity and Sicilian history. Composed of 1: a hand-made ceramic decorative pinecone by master ceramists from Caltagirone, white with the stem decorated in every detail by hand. Brilliant, glossy colors. Height 25 cm, width 15 cm, unique of its kind.
The Sicilian pinecone is a symbol of luck and good omen for the recipient. Modern design while maintaining the classic style of Caltagirone ceramics.
In ancient Greece, the pinecone represented the god of male fertility, Dionysus, who had a pinecone decorating the top of his staff. As part of Greek beliefs, fertility generates prosperity, and when one is blessed with prosperity, it is naturally shared with others. In other ancient cultures, pinecones are symbols of spiritual wisdom, representing the third eye—the awakened inner transcendence toward illumination. According to more modern interpretations, pinecones are thought to attract prosperity into one’s home. The pinecone is a meaningful symbol. Botanically, it is a reproductive entity: female pinecones contain seeds, while male ones contain pollen. In ancient Greece, the pinecone represented the god of male fertility, Dionysus, who had a pinecone at the top of his staff. As part of Greek beliefs, fertility generates prosperity, and when one is blessed with prosperity, it is naturally shared with others. In other ancient cultures, pinecones are symbols of spiritual wisdom. Entirely handmade (and hand-painted) by a skilled Sicilian craftsman at the wheel, crafted in fine Caltagirone pottery. Each one was shaped and applied by hand. The Sicilian pinecones are a symbol of an ancient tradition handed down from generation to generation to the present day.
2: splendid vase shaped like a Moro head, a Sicilian multi-colored ceramic by master ceramists, height 13 cm, width 9 cm. Typical Sicilian ceramics, known as Teste di Moro. These decorative vases trace their roots to an ancient Sicilian legend tied to Arab domination.
Tradition holds that they are made in pairs, depicting a young Moor and a noble young woman. They are decorative elements widely used both indoors and outdoors. The artisanal production of these ceramics is particularly renowned in Caltagirone. The Teste di Moro are pieces of décor that never go out of fashion, but in recent years there has been a genuine revival of these art pieces. A Sicilian tradition that spreads around the world, pairing these works with high-prestige design objects. The legend arises in the city of Palermo, around the year 1000, in the Arab quarter of Kalsa. There lived a girl who spent her days caring for her plants. One day she was noticed by a Moor who fell in love with her and did not hesitate to declare his love. The girl reciprocated with passion, but their story was destined for a short life because soon the girl discovered that her beloved had to return to his homeland because he was married, and out of jealousy she beheaded him, placed his head on the balcony, and watered some plants.
Their creation is an ancient process requiring great skill, patience, and deep knowledge of traditional ceramic techniques. The making of a Moro head is a highly artisanal, complex task. It begins by shaping the vase on the potter’s wheel using fresh clay, then the mouth, eyes, face, and turban or crown are modeled; once finished, it is slowly air-dried to avoid cracking, and then fired in the kiln for the first firing at around 950–1000°C. This is how the terracotta is prepared, then coated with glaze to render the surface waterproof and glossy after the second firing. Finally, decoration takes place; the artisans paint each piece rigorously by hand using fine brushes and ceramic paints. The facial features, headgear details, and floral or geometric decorations typical of the Sicilian Baroque or Moorish style are drawn. The decorated vase undergoes a second firing (usually around 900–930°C). During this process, the colors fuse with the glaze, gaining the characteristic glossy shine, vibrant colors, and durability that define Sicilian ceramics.
Today, Moro heads are no longer just simple vases, but true luxury and design furnishings. They are displayed in living rooms, gardens, and on balconies.

Details

Era
After 2000
Weight
3 kg
Specific region of origin
Sicilia
Number of objects
2
Material
Ceramic
Country of origin
Italy
Style
Art Deco
Colour
Multicolour, White
Condition
As new - unused
Height
25 cm
Width
15 cm
Depth
25 cm
Estimated period
2000-2010
Sold by
ItalyVerified
Private

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