Karl Alinghi - Junge Schönheit

"Junge Schönheit"
An intense presence that inhabits the space, ideal for a demanding contemporary art collection.

Technical Details
Edition: Numbered 3/30 - Limited edition.
Support: Fine Art print on Epson Archival Mat paper 189 gsm
Quality: Compliant with ISO 9706 standard (museum quality, acid-free and lignin-free).

Format: 30 x 45 cm.
Authenticity: Artist's signature on the back + Certificate of Authenticity.
Condition: New, sold unframed.

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!//!! // - Combined Shipping: Maximize your gains! Buy multiple artworks and pay shipping fees only once. All additional items from the same sale will be slipped into your package free of charge.
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ONLY 30 in the world!

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Sold unframed / sold without mat / unframed
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ART PRESS:
"There is an almost cinematic dimension in this composition. Alinghi plays with depth of field and motion blur on the arm to concentrate all sharpness on the face. This is not an image of contemplation, it is an image of confrontation. The balance between the softness of natural light and the hardness of the gaze creates a work of character, far from the sleek canons of fashion."


Born in Switzerland in 1996, Alinghi developed an early passion for photography, starting his practice at the age of 12. He then formalized his approach by pursuing university studies in photography and was quickly recognized by his peers, winning several prizes for the quality of his work.

Alinghi defines himself as an eclectic photographer, but his work focuses mainly on two distinct domains: artistic nude photography and motor sports.
In his work around the female figure, he seeks to capture the essence of beauty that is both wild and raw and of a harmonious serenity. His goal is to highlight these subtle contrasts through the development of dedicated photographic series.

Alinghi presents his work on his website and in average organizes one solo exhibition per year to share his latest creations.

"The photographer aims to explore the body in its natural environment, seeking authenticity and emotion rather than mere aesthetics." U.G.


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