VOLTA - "Balloons Leaving the Field"






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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Volta, Balloons Leaving the Field, an original 2026 acrylic painting signed by hand, with artwork image 90 × 70 cm and canvas overall 100 × 80 cm, from Italy, sold directly by the artist, in excellent condition, rolled without a frame and shipped in a cardboard tube; certificate of authenticity available on request in digital format.
Description from the seller
A dense meadow, green upon green, speckled with small flowers barely hinted at; above, a wide sky of blue and clouds smeared with a flat brush. Between the two, dozens of balloons rise at varying speeds, red yellow green violet blue, still tied to thin strings that vanish into the air. No one holds them: some are already high, others hesitate just above the grass. The color is pure, laid on in sharp touches, without nuances to soften it. The great landscape painting, which confined human festivity to the margins of an orderly view, here leaves it alone in the middle of the sky — the scene is entirely a movement upward, and the green below serves only to make it feel that way.
Signed and dated 2026 at the bottom right
Image size: 90 x 70 cm
Total canvas size: 100 x 80 cm
The work is sold without a frame; it will be rolled and shipped in a cardboard tube.
The certificate of authenticity is issued exclusively upon request, in digital format.
Volta’s research moves in the wake of a return—not nostalgic, but active. The great tradition of European painting is the starting point: the period that each work evokes, from time to time. But the gesture by which this heritage is traversed is unequivocally contemporary. Color does not illustrate; it breathes. The brushstroke does not describe; it vibrates. What remains of the past is the deep structure — a certain idea of body, of space, of light — while the surface is entirely present, entirely alive. Volta does not quote, restitutes: his compositions seem to emerge from a shared cultural memory, brought to light with different eyes.
A dense meadow, green upon green, speckled with small flowers barely hinted at; above, a wide sky of blue and clouds smeared with a flat brush. Between the two, dozens of balloons rise at varying speeds, red yellow green violet blue, still tied to thin strings that vanish into the air. No one holds them: some are already high, others hesitate just above the grass. The color is pure, laid on in sharp touches, without nuances to soften it. The great landscape painting, which confined human festivity to the margins of an orderly view, here leaves it alone in the middle of the sky — the scene is entirely a movement upward, and the green below serves only to make it feel that way.
Signed and dated 2026 at the bottom right
Image size: 90 x 70 cm
Total canvas size: 100 x 80 cm
The work is sold without a frame; it will be rolled and shipped in a cardboard tube.
The certificate of authenticity is issued exclusively upon request, in digital format.
Volta’s research moves in the wake of a return—not nostalgic, but active. The great tradition of European painting is the starting point: the period that each work evokes, from time to time. But the gesture by which this heritage is traversed is unequivocally contemporary. Color does not illustrate; it breathes. The brushstroke does not describe; it vibrates. What remains of the past is the deep structure — a certain idea of body, of space, of light — while the surface is entirely present, entirely alive. Volta does not quote, restitutes: his compositions seem to emerge from a shared cultural memory, brought to light with different eyes.
