Joan Miro (1893-1983) - Parler Seul

Lithograph by Joan Miró (*)
This work reproduces one of the illustrations originally created by Miró to illustrate the poetry book “Parler Seul” (**) (Speak Only), written by Tristan Tzara in 1947.
Edited by Maeght Editeur in the year 2004.
Made on high-card cotton Vellum paper.
Signed on the plate.
Publisher’s seal and the Miró Estate seal on the reverse of the sheet.
Includes Certificate of Authenticity (COA).

Specifications:

- Support dimensions: 60 x 45 cm
- Image dimensions: 42 x 33 cm
- Year 2004
- Edition: 1000 copies
- References: Cramer 17. Rauch 165
- Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, thus preserved in perfect condition).

The work will be carefully handled and packaged in a reinforced flat cardboard package. The shipping will be tracked with a tracking number.

The shipment will also include full insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy against his parents’ wishes, who wanted him to work in a more traditional way. Later he studied at the Escola d'Art de Francesc Galí and met the Fauves and the Cubists.
His emotional landscapes, which formed him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual agitation he experienced in Paris, where he moved in the twenties with the surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in various Dadaism and Surrealism exhibitions.
The stimulus of abstract expressionism was discovered in New York in the forties. Later, in 1956, during the midst of World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a refuge and workspace, where his friend Josep Lluís Sert would design the studio he had always dreamed of. There he focused on sculpture and ceramics, until his death in 1983.
Rooted firstly in the Mont-roig landscape and then in Mallorca, this would be decisive in his work. The bond with the land and the interest in everyday objects and the surrounding nature would provide the background for some of his technical and formal investigations. Miró fled from academicism, in constant search of a global and pure oeuvre, not tied to any particular movement. Content in the forms and in public manifestations, it is through the plastic fact that Joan Miró shows his rebellion and a great sensitivity to the political and social events surrounding him. This clash of forces would lead him to create a unique and very personal language that places him as one of the most influential artists of the 20th century.

(**) “Parler Seul” represents a particularly effective collaboration between artist and author. The brilliantly spontaneous and amorphous images by Miró, drawn directly on stone with very few preparatory sketches, have the inventive brio of Tzara’s random verses.
The original edition was by Maeght Editeur and consists of 72 original lithographs by Miró, 49 of them in color, of which 18 are hors-texte. (*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy against his parents’ wishes, who wanted him to work in a more traditional way. Later he studied at the Escola d'Art de Francesc Galí and met the Fauves and the Cubists.
His emotional landscapes, which formed him as a person and an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual agitation in Paris, where he moved in the twenties with the surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in various exhibitions on Dadaism and Surrealism.
The stimulus of abstract expressionism was discovered in New York in the forties. Later, in 1956, in the midst of World War II, Joan Miró would leave his exile in France and settle in Palma de Mallorca, a refuge and workspace, where his friend Josep Lluís Sert would design the workshop he had always dreamed of. There he focused on sculpture and ceramics, until his death in 1983.
Rooted firstly in the Mont-roig landscape and then in Mallorca, this would be decisive in his work. The bond with the earth and the interest in everyday objects and the surrounding nature would provide the background for some of his technical and formal investigations. Miró fled from academicism, in constant search of a global and pure oeuvre, not tied to any particular movement. Content in the forms and in public manifestations, it is through the plastic fact that Joan Miró shows his rebellion and a great sensitivity to the political and social events surrounding him. This clash of forces would lead him to create a unique and very personal language that places him as one of the most influential artists of the 20th century.

(**) “Parler Seul” represents a particularly effective collaboration between artist and author. The brilliantly spontaneous and amorphous images by Miró, drawn directly on stone with very few preparatory sketches, have the inventively brash energy of Tzara’s random verses.
The original edition was by Maeght Editeur and consists of 72 original lithographs by Miró, 49 of them in color, of which 18 are hors-texte.


















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