Günther Uecker (after) - Bühnenbilder - Original lithographic print ** HANDSIGNED + COA **

Original autographed Günther Uecker lithograph (*).
This work was published on the occasion of the artist's solo exhibition at Erker Galerie St. Gallen, in 1987, under the supervision of Günther Uecker.
Printed on high GSM cotton lithographic paper (250 g/m2).
Large Format.
Hand-signed by the artist.
Includes Certificate of Authenticity (COA).

Specifications:

Dimensions: 99.5 x 60 cm
Year: 1987
Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, thus preserving it in perfect condition).
Provenance: Private Collection.

The work will be carefully handled and packaged in reinforced cardboard. The shipment will be certified with a tracking number.

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Günther Uecker (*1930, Wendorf) is a German artist and a member of the ZERO movement, best known for his distinctive use of screws arranged in tactile and sculptural paintings. Following his interest in Oriental philosophies, the use of screws on canvas by Uecker served as a meditative ritual, with the repetitive nature of hammering transforming his theories into a lived artistic practice. Initially attracted to the Socialist Realism painting style while studying in post-war Berlin, Uecker began creating reliefs in 1957. The artist met John Cage in 1959, who influenced the scope of his practice. In Uecker's later work, the artist simply starts a project and lets it take him wherever it needs to go, wherever he is, even if it ultimately ends up out of his hands. In 1961, after joining the ZERO group alongside Heinz Mack and Otto Piene, Uecker broadened his practice to include public participation. The artist currently lives and works in Düsseldorf, Germany. Uecker's works are included in the collections of the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., the Museum of Modern Art in New York, and the Courtauld Institute of Art in London, among others.