Giuseppe Marino (1956) - Iceberg D





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Iceberg D, a 2023 mixed media on paper by Italian artist Giuseppe Marino (1956), 63 by 43 cm, depicting a maritime landscape; limited edition, hand-signed, sold by Galleria with a certificate of authenticity.
Description from the seller
COMBINED SHIPPING, if you buy more works in the same Auction you pay ONLY one shipping
We invite you to visit our online sales platform “DELAURETISART”
“Iceberg"
Hand-retouched work on 400 gram per square meter art paper,
edition of 20 copies numbered from 01 to 20
year 2023
Artist's signature on the front and back.
With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic career he has produced important cycles, such as post-extroflessione, the investigation into the very matter that makes up the work, the influence of spatialism; subsequently abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of luminous and colorful paintings by Marino and being immersed in his positive and optimistic mindset are incredibly refreshing. The artist has always needed a very critical eye; he has modified his production, choosing among different versions of the same painting the one that best achieves the desired effect. The clarity and confidence of the new paintings that have recently been shown at international trade fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is truly very good.
Seller's Story
COMBINED SHIPPING, if you buy more works in the same Auction you pay ONLY one shipping
We invite you to visit our online sales platform “DELAURETISART”
“Iceberg"
Hand-retouched work on 400 gram per square meter art paper,
edition of 20 copies numbered from 01 to 20
year 2023
Artist's signature on the front and back.
With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic career he has produced important cycles, such as post-extroflessione, the investigation into the very matter that makes up the work, the influence of spatialism; subsequently abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of luminous and colorful paintings by Marino and being immersed in his positive and optimistic mindset are incredibly refreshing. The artist has always needed a very critical eye; he has modified his production, choosing among different versions of the same painting the one that best achieves the desired effect. The clarity and confidence of the new paintings that have recently been shown at international trade fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is truly very good.

