Tijs Dragtsma (1992) - Aperture of Control

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Aperture of Control begins in darkness, with a single figure seated in silence. He is a director in every detail, the tailored suit, the composure, the stillness of someone who has spent a lifetime watching rather than being watched. Tonight the roles are reversed.

He holds an empty film frame before his face. No film runs through it, no image is projected, only one eye visible through the opening, studying the viewer the way he might study a scene before he calls it finished. The frame is empty, yet it is the most commanding object in the room.

This work is not painted or printed. It exists through controlled scratches worked directly into acrylic glass, the same principle that runs through the whole series. The image is not added to the surface, it is taken from it. Light finds the marks and releases the figure, then the light shifts and he recedes back into the dark, as if the frame itself decides when to let him be seen.

From a distance the piece reads as a single monumental portrait, poised and certain. Move closer and that certainty dissolves into a quiet field of controlled surface damage, countless individual decisions that only resolve into a face when the eye steps back again. That tension between authorship and illusion, between what is shown and what is withheld, is the real subject of the piece.

The empty frame becomes a question about control itself. Who directs the image, the man behind it or the light that reveals him. Aperture of Control continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"The frame is empty. The eye is not."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.