Tijs Dragtsma (1992) - Dressed to Disappear





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 139117 reviews
Rated Excellent on Trustpilot.
Tijs Dragtsma’s Dressed to Disappear (2026) is an original mixed media contemporary artwork, 51 by 51 cm, from the Netherlands, signed, sold with frame, in black and white, in excellent condition.
Description from the seller
HOLIDAY SHIPPING*
Dressed to Disappear is a contemporary artwork about concealment, identity and the fine line between being present and becoming invisible.
A classical marble bust, composed and monumental, wears the bowler hat of René Magritte's anonymous figure. Half the face is swallowed by shadow. The subject is dressed, deliberate, and entirely unknowable. This is not absence by accident. This is disappearance as a choice.
The image does not appear through paint, print, or ink. It is drawn from the surface of acrylic glass through controlled scratches, each one shaped by light and angle. As the viewer moves, the figure shifts, one moment solid and certain, the next soft against the dark. Presence here is conditional. It depends entirely on where you stand.
Seen from a distance, the work carries the authority of a museum portrait. Close up, the eye meets only a field of controlled surface damage. The figure is not rendered. It is revealed, through removal, through the strategic absence of material.
That paradox runs through the whole composition. Marble speaks of permanence. Shadow speaks of erasure. The hat, borrowed from the great surrealist tradition, suggests that the face beneath was never the point. Identity becomes costume. Disappearance becomes form.
This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.
"Dressed for presence. Built from absence. The figure that chose to disappear."
About Art with Scratch
Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.
From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.
Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.
What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.
In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.
Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.
About the Artist
My name is Tijs Dragtsma, founder of TD Fine Art Studio.
As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.
My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.
Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.
I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.
TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.
*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.
These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.
Thank you for your understanding.
HOLIDAY SHIPPING*
Dressed to Disappear is a contemporary artwork about concealment, identity and the fine line between being present and becoming invisible.
A classical marble bust, composed and monumental, wears the bowler hat of René Magritte's anonymous figure. Half the face is swallowed by shadow. The subject is dressed, deliberate, and entirely unknowable. This is not absence by accident. This is disappearance as a choice.
The image does not appear through paint, print, or ink. It is drawn from the surface of acrylic glass through controlled scratches, each one shaped by light and angle. As the viewer moves, the figure shifts, one moment solid and certain, the next soft against the dark. Presence here is conditional. It depends entirely on where you stand.
Seen from a distance, the work carries the authority of a museum portrait. Close up, the eye meets only a field of controlled surface damage. The figure is not rendered. It is revealed, through removal, through the strategic absence of material.
That paradox runs through the whole composition. Marble speaks of permanence. Shadow speaks of erasure. The hat, borrowed from the great surrealist tradition, suggests that the face beneath was never the point. Identity becomes costume. Disappearance becomes form.
This work continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.
"Dressed for presence. Built from absence. The figure that chose to disappear."
About Art with Scratch
Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.
From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.
Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.
What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.
In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.
Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.
About the Artist
My name is Tijs Dragtsma, founder of TD Fine Art Studio.
As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.
My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.
Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.
I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.
TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.
*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.
These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.
Thank you for your understanding.

