Tijs Dragtsma (1992) - Given Without Words

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Artwork by Tijs Dragtsma (born 1992), titled 'Given Without Words', 51 × 51 cm, mixed media on a black and white surface, an original edition sold directly from the artist, signed, framed, created in 2026, in excellent condition.

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Description from the seller

HOLIDAY SHIPPING*

There are moments between people that cannot be spoken. A closeness that exceeds language, where two bodies become a single form, where the distance between faces collapses into something that feels like breath held still.

This work captures one of those moments.

The two figures in Given Without Words do not stand together. They have become each other. Their forms flow into a single sculptural shape, lit by a single soft source, surrounded by deep shadow. The chiaroscuro is not decorative. It is the architecture of intimacy, the way light reveals only what matters and lets the rest disappear.

No paint. No print. No ink. The image emerges from controlled surface damage on acrylic glass. Up close, the surface reveals itself as a field of controlled scratches, marks without obvious direction, a quiet kind of disruption. From a distance, those marks resolve into two people holding on.

As light shifts across the surface, the figures sharpen and soften. There are angles where they seem almost to dissolve into the material, and angles where they return with sudden clarity. That movement is not incidental. It mirrors the nature of the subject itself. Connection is not always visible. It lives in the way things catch the light.

The black background does not feel like absence here. It feels like shelter. Like the world outside this embrace has simply ceased to matter.

Given Without Words continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"Some things are only said in silence, and in closeness, and in the way two shapes become one."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.

HOLIDAY SHIPPING*

There are moments between people that cannot be spoken. A closeness that exceeds language, where two bodies become a single form, where the distance between faces collapses into something that feels like breath held still.

This work captures one of those moments.

The two figures in Given Without Words do not stand together. They have become each other. Their forms flow into a single sculptural shape, lit by a single soft source, surrounded by deep shadow. The chiaroscuro is not decorative. It is the architecture of intimacy, the way light reveals only what matters and lets the rest disappear.

No paint. No print. No ink. The image emerges from controlled surface damage on acrylic glass. Up close, the surface reveals itself as a field of controlled scratches, marks without obvious direction, a quiet kind of disruption. From a distance, those marks resolve into two people holding on.

As light shifts across the surface, the figures sharpen and soften. There are angles where they seem almost to dissolve into the material, and angles where they return with sudden clarity. That movement is not incidental. It mirrors the nature of the subject itself. Connection is not always visible. It lives in the way things catch the light.

The black background does not feel like absence here. It feels like shelter. Like the world outside this embrace has simply ceased to matter.

Given Without Words continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure.

"Some things are only said in silence, and in closeness, and in the way two shapes become one."

About Art with Scratch

Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness.

From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole.

Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality.

What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence.

In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive.

Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light.

About the Artist

My name is Tijs Dragtsma, founder of TD Fine Art Studio.

As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together.

My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create.

Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence.

I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time.

TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

*All purchases paid for between 3 August and 16 August will not be shipped within the usual three working days due to my holiday.

These purchases will be carefully packed and shipped between 17 August and 23 August at the latest. After your purchase, I will personally keep you informed about the expected shipping date.

Thank you for your understanding.

Details

Artist
Tijs Dragtsma (1992)
Sold with frame
Yes
Sold by
Direct from the artist
Edition
Original
Title of artwork
Given Without Words
Technique
Mixed media
Signature
Signed
Country of origin
Netherlands
Year
2026
Condition
Excellent condition
Colour
Black, White
Height
51 cm
Width
51 cm
Style
Contemporary
Period
2020+
The NetherlandsVerified
168
Objects sold
100%
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