Elizabeth - Cerezos en las Alturas





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Elizabeth, Cerezos en las Alturas, oil on canvas, original edition, 80 × 61 cm, produced after 2020, hand-signed, Spain, sold directly by the artista, in excellent condition.
Description from the seller
Artwork by artist Elizabeth created in high-quality professional oil on canvas technique.
Dimension of 61 x 80 cm of the painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The artwork will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the artwork is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— offer a poetic reflection on shelter, memory, and the fragility of what is habitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoky chimneys, stairs that ascend, trees that bloom at improbable heights. The work combines precision in detail with expressiveness in matter, achieving images with strong visual and narrative impact, capable of coexisting between contemplation and wonder.
These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea more than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on minimal islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the uncertain, the smoke rising from a chimney as a sign of life, the lit windows that warm the remote, and the trees that, even at improbable heights, unfold as a promise of continuity.
Thematic core is, at heart, a metaphor about belonging and balance: to “inhabit” is not only to be in a place, but to sustain it. Elizabeth turns the landscape into a state of emotion. The stone —heavy, ancestral— appears worked with volume and nuance, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock kept memory and time. On top of it, life: red roofs, illuminated wood, lush foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.
In color there is a clear decision: wide, atmospheric skies, loaded with clouds that function as setting and music. Color does not merely describe; it interprets. The blues become the ocean and also distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft zones (skies and glazes) and more emphatic moments in the foliage and rock, where there is a taste for contrast and texture. The result is an image of great legibility —almost like a fairy tale— but with symbolic depth that avoids mere decoration.
Also notable is the compositional sense: Elizabeth knows how to guide the gaze with clear routes (stairs, railings, cliff diagonals, trunk curves) and to create centers of interest without saturation. Birds, waves, foreground stones, or door and balcony details are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. That mix of fantasy and emotional truth places these works in a territory close to magical realism painting: a place where the extraordinary does not surprise, it simply happens.
This oil painting on canvas presents an dreamlike and fantastical scene where a rustic wooden cabin, cozy and inviting, with a blue roof and a small terrace, rests on a pile of three large spherical rocks that precariously balance in the middle of a sea of fluffy clouds. A lush tree with vibrant pink blossoms rises from the cabin’s roof, dominating the composition. A long wooden ladder extends from the base of the largest rock to the platform that supports the cabin, suggesting the only access to the refuge, while in the background there are faint mountains and a flock of birds flying in a bright blue sky. The color palette is rich and saturated, contrasting the warm tones of wood and rock with the cool blues of the sky and clouds, evoking a sense of serene isolation and a wonderful tension between the fragility of the surroundings and the stability of the refuge."
Artwork by artist Elizabeth created in high-quality professional oil on canvas technique.
Dimension of 61 x 80 cm of the painting.
Original edition.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The artwork will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the artwork is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will arrive within ten days, depending on the destination country.
The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— offer a poetic reflection on shelter, memory, and the fragility of what is habitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoky chimneys, stairs that ascend, trees that bloom at improbable heights. The work combines precision in detail with expressiveness in matter, achieving images with strong visual and narrative impact, capable of coexisting between contemplation and wonder.
These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea more than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on minimal islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the uncertain, the smoke rising from a chimney as a sign of life, the lit windows that warm the remote, and the trees that, even at improbable heights, unfold as a promise of continuity.
Thematic core is, at heart, a metaphor about belonging and balance: to “inhabit” is not only to be in a place, but to sustain it. Elizabeth turns the landscape into a state of emotion. The stone —heavy, ancestral— appears worked with volume and nuance, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock kept memory and time. On top of it, life: red roofs, illuminated wood, lush foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.
In color there is a clear decision: wide, atmospheric skies, loaded with clouds that function as setting and music. Color does not merely describe; it interprets. The blues become the ocean and also distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft zones (skies and glazes) and more emphatic moments in the foliage and rock, where there is a taste for contrast and texture. The result is an image of great legibility —almost like a fairy tale— but with symbolic depth that avoids mere decoration.
Also notable is the compositional sense: Elizabeth knows how to guide the gaze with clear routes (stairs, railings, cliff diagonals, trunk curves) and to create centers of interest without saturation. Birds, waves, foreground stones, or door and balcony details are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. That mix of fantasy and emotional truth places these works in a territory close to magical realism painting: a place where the extraordinary does not surprise, it simply happens.
This oil painting on canvas presents an dreamlike and fantastical scene where a rustic wooden cabin, cozy and inviting, with a blue roof and a small terrace, rests on a pile of three large spherical rocks that precariously balance in the middle of a sea of fluffy clouds. A lush tree with vibrant pink blossoms rises from the cabin’s roof, dominating the composition. A long wooden ladder extends from the base of the largest rock to the platform that supports the cabin, suggesting the only access to the refuge, while in the background there are faint mountains and a flock of birds flying in a bright blue sky. The color palette is rich and saturated, contrasting the warm tones of wood and rock with the cool blues of the sky and clouds, evoking a sense of serene isolation and a wonderful tension between the fragility of the surroundings and the stability of the refuge."

