Elizabeth - La Casa del Equilibrista





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Oil on canvas by Elizabeth, titled La Casa del Equilibrista, original edition, signed by hand, dimensions 59 x 79 cm, created after 2020, from Spain.
Description from the seller
Artwork by artist Elizabeth, created in the high-quality professional oil on canvas technique.
Dimensions: 59 x 79 cm of the painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be shipped rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and handing over to the shipping company.
The piece will reach you within ten days, depending on the destination country.
The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— propose a poetic reflection on shelter, memory, and the fragility of what is habitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoking chimneys, stairways that ascend, trees blooming at improbable heights. The work blends precision in detail with expressiveness in matter, achieving images with strong visual and narrative impact, capable of coexisting between contemplation and astonishment.
These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea rather than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on tiny islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase ascending into the unknown, the smoke rising from a chimney as a sign of life, the lit windows that make the remote feel warm, and the trees that, even at improbable heights, open up as a promise of continuity.
The theme is, at heart, a metaphor about belonging and balance: to “inhabit” is not just to be in a place, but to sustain it. Elizabeth transforms landscape into an emotional state. The stone —heavy, ancestral— appears worked with volume and nuances, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock held memory and time. On top of that, life: red roofs, glowing wood, exuberant foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.
In color there is a clear decision: wide, atmospheric skies, charged with clouds that function as stage and as music. The color is not limited to “describing”; it interprets. Blues become ocean and also distance; the pinks and oranges of twilight add a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft zones (skies and glazes) and more emphatic moments in the foliage and the rock, where a taste for contrast and texture is evident. The result is an image of great legibility — almost a fairy tale — but with a symbolic depth that avoids mere decoration.
Also notable is the compositional sense: Elizabeth knows how to guide the gaze with clear routes (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without overwhelming. The birds, the waves, the foreground rocks or the details of doors and balconies are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. That blend of fantasy and emotional truth places these works in a territory close to magical realism painting: a place where the extraordinary does not surprise, it simply happens.
This oil painting on canvas, executed in a vibrant and fantastical style, presents a rustic and welcoming house perched on a small patch of land with lush vegetation and trees, precariously balanced on a column of three large rocks stacked in the middle of a vast body of water, presumably the sea. The background shows a serene seascape horizon with gentle hills in the distance under a dramatic sky that transitions from deep blue at the top to a golden and pink sunset near the clouds. The color palette is rich and saturated, with pronounced contrasts between the cool tones of the water and sky and the warm colors of the house and sunset, conveying a sense of serene isolation and a wonderful tension between the fragility of the surroundings and the stability of the refuge."
Artwork by artist Elizabeth, created in the high-quality professional oil on canvas technique.
Dimensions: 59 x 79 cm of the painting.
Original edition.
Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world.
The work will be shipped rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and handing over to the shipping company.
The piece will reach you within ten days, depending on the destination country.
The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— propose a poetic reflection on shelter, memory, and the fragility of what is habitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoking chimneys, stairways that ascend, trees blooming at improbable heights. The work blends precision in detail with expressiveness in matter, achieving images with strong visual and narrative impact, capable of coexisting between contemplation and astonishment.
These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea rather than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on tiny islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase ascending into the unknown, the smoke rising from a chimney as a sign of life, the lit windows that make the remote feel warm, and the trees that, even at improbable heights, open up as a promise of continuity.
The theme is, at heart, a metaphor about belonging and balance: to “inhabit” is not just to be in a place, but to sustain it. Elizabeth transforms landscape into an emotional state. The stone —heavy, ancestral— appears worked with volume and nuances, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock held memory and time. On top of that, life: red roofs, glowing wood, exuberant foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.
In color there is a clear decision: wide, atmospheric skies, charged with clouds that function as stage and as music. The color is not limited to “describing”; it interprets. Blues become ocean and also distance; the pinks and oranges of twilight add a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft zones (skies and glazes) and more emphatic moments in the foliage and the rock, where a taste for contrast and texture is evident. The result is an image of great legibility — almost a fairy tale — but with a symbolic depth that avoids mere decoration.
Also notable is the compositional sense: Elizabeth knows how to guide the gaze with clear routes (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without overwhelming. The birds, the waves, the foreground rocks or the details of doors and balconies are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. That blend of fantasy and emotional truth places these works in a territory close to magical realism painting: a place where the extraordinary does not surprise, it simply happens.
This oil painting on canvas, executed in a vibrant and fantastical style, presents a rustic and welcoming house perched on a small patch of land with lush vegetation and trees, precariously balanced on a column of three large rocks stacked in the middle of a vast body of water, presumably the sea. The background shows a serene seascape horizon with gentle hills in the distance under a dramatic sky that transitions from deep blue at the top to a golden and pink sunset near the clouds. The color palette is rich and saturated, with pronounced contrasts between the cool tones of the water and sky and the warm colors of the house and sunset, conveying a sense of serene isolation and a wonderful tension between the fragility of the surroundings and the stability of the refuge."

