Giuseppe Marino (1956) - Iceberg A






Held senior specialist role at Finarte for 12 years, specialising in modern prints.
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Description from the seller
Combined shipping: if you buy multiple works in the same Auction you pay only one shipping
“Iceberg"
Hand-retouched artwork on 400 g/m² art paper,
edition of 20 numbered copies from 01 to 20
year 2023
Artist's signature on the front and on the back.
With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic career he has produced important cycles, such as post-extroflessione, the investigation into the very matter that composes the work, the influence of spatialism; subsequently the abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of bright, colorful paintings by Marino and the immersion in his positive and optimistic mindset are incredibly refreshing. The artist has always needed a very critical eye; he has altered his production, choosing among several versions of the same painting the one that best achieves the desired effect. The clarity and confidence of the new paintings that have recently been shown at international art fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is indeed very strong.
Seller's Story
Combined shipping: if you buy multiple works in the same Auction you pay only one shipping
“Iceberg"
Hand-retouched artwork on 400 g/m² art paper,
edition of 20 numbered copies from 01 to 20
year 2023
Artist's signature on the front and on the back.
With Certificate of Authenticity
Giuseppe Marino was born in 1956 in Teramo; in his long artistic career he has produced important cycles, such as post-extroflessione, the investigation into the very matter that composes the work, the influence of spatialism; subsequently the abstract figuration that has exalted the chromatic impact and the dreamlike immersion of the viewer. The latest series of bright, colorful paintings by Marino and the immersion in his positive and optimistic mindset are incredibly refreshing. The artist has always needed a very critical eye; he has altered his production, choosing among several versions of the same painting the one that best achieves the desired effect. The clarity and confidence of the new paintings that have recently been shown at international art fair editions have demonstrated that his quality control is optimal and that his mastery of the expressive process is indeed very strong.
