Hubert Duprilot - (2026) acrylique sur papier 65x50cm





€110 | ||
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€100 | ||
€95 | ||
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Hubert Duprilot, an original 2026 acrylic on paper artwork, 65 × 50 cm, titled '(2026) acrylique sur papier 65x50cm', signed at the bottom right and on the back, depicting a nude, from France.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300g (50x65cm) "signed bottom right and on the back"
The work will be shipped rolled.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a thread of hope in a universe that is sometimes dark and uncertain. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years now, believing that traditional exhibitions require a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest the urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a wider, more diverse audience, in a direct and spontaneous relationship. The public space thus becomes an open-air gallery where art invites itself into daily life, provoking questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300g (50x65cm) "signed bottom right and on the back"
The work will be shipped rolled.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a thread of hope in a universe that is sometimes dark and uncertain. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years now, believing that traditional exhibitions require a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest the urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a wider, more diverse audience, in a direct and spontaneous relationship. The public space thus becomes an open-air gallery where art invites itself into daily life, provoking questions, emotions and encounters.

