Hubert Duprilot - 2026 acrylique sur papier (21x29,7cm)





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Description from the seller
Hubert Duprilot was born in Tours (France) in 1975.
2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a measure of hope in a universe sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions demand a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art enters daily life, provoking questions, emotions and encounters.
Hubert Duprilot was born in Tours (France) in 1975.
2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a measure of hope in a universe sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions demand a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art enters daily life, provoking questions, emotions and encounters.

