Jean-Guy Caumeil (1945–2018) - jouer avec le feu






Over 35 years' experience; former gallery owner and Museum Folkwang curator.
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Description from the seller
The proposed photograph is titled "playing with fire".
It is an art print on Fujifilm Museum Crystal DP II professional photographic paper.
Dimensions 30 by 40 without a margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly produced from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he calls minimalist; little or no set or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He aims to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. The photograph is not a story or a predefined meaning to be seen. It does not tell a story, does not advocate, does not deliver a message, and does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read its message.
The work of light is crucial for him, as is the rapport with the model. In this minimalist vein, in 2015 he began a long-running, non-exclusive collaboration with a single model.
The proposed photograph is titled "playing with fire".
It is an art print on Fujifilm Museum Crystal DP II professional photographic paper.
Dimensions 30 by 40 without a margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print freshly produced from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint-Étienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still living, from Saint-Étienne, France. Creator of Studio du Trident.
The author develops a style he calls minimalist; little or no set or accessory, the essential is in capturing an emotion in the model’s posture or gaze. He aims to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. The photograph is not a story or a predefined meaning to be seen. It does not tell a story, does not advocate, does not deliver a message, and does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read its message.
The work of light is crucial for him, as is the rapport with the model. In this minimalist vein, in 2015 he began a long-running, non-exclusive collaboration with a single model.
