Joan Torres de Torres (1953) - Bodegón

09
days
23
hours
25
minutes
29
seconds
Starting bid
€ 1
No reserve price
Caroline Bokobza
Expert
Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 400 - € 500
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Description from the seller

Pictura Subastas presents this magnificent work of art belonging to Torres de Torres, depicting a table set with white china and a fruit bowl, surrounded by a lush plant in an intimate scene that evokes calm, anticipation, and everyday beauty. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Framed dimensions: 63x85x4 cm.
· Unframed dimensions: 60x81 cm.
· Oil on canvas signed by the artist in the lower right part of the work.
· The piece is in good condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual item in color, scale, and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be via Correos, GLS or NACEX with tracking. International shipping available.

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This painting presents an intimate still life arranged on a table, where a delicate coffee or tea service shares the foreground with a fruit bowl and a lush plant with winding leaves. The scene is enveloped by a warm, quiet atmosphere, dominated by brown tones, muted greens, whites, and ochres. The objects seem to have been gathered for a tranquil moment of rest, though no human figure appears. This absence allows us to imagine that someone has just left the table or is about to sit at it.

In the foreground sits a clear tray on which a coffee maker, a jug, a cup with its saucer, and a small lidded container are arranged. The whiteness of these pieces contrasts intensely with the dark background and the earthy surface of the table. Each object has a different shape, yet they all share a delicate, luminous appearance. The arrangement creates a small domestic ensemble full of balance.

The tray occupies a large part of the lower left area and extends toward the center with an irregular silhouette. Its curved edges frame the different pieces and bring them together visually. Although white predominates, numerous gray, bluish, and violet shadows appear, allowing depth to be distinguished. The clarity of the tray acts as a luminous base that immediately draws the eye.

On the far left appears a coffee pot or teapot with a rounded body. Its handle projects outward forming a wide curve, while the spout faces the center of the composition. The lid is crowned by a small detail that completes its silhouette. Its white and grayish tones are enriched with shadows that suggest the object’s volume and weight.

Next to the coffee pot is a smaller lidded container, possibly for sugar. Its compact shape contrasts with the height of the jug behind it. The object appears partially hidden, as if it were placed spontaneously among the other pieces. This overlap helps create depth and reinforces the sense of a table ready to be used.

The central jug rises above the rest of the service and is one of the main focal points. Its wide body tapers slightly at the top to form a soft point. The handle is drawn on one side with a delicate curve, while the upper opening is illuminated. Its large pale surface introduces a visual pause within the overall range of dark tones.

In front of the jug appears a small cup placed on its corresponding saucer. The cup is decorated with subtle blue and violet notes that add delicacy to its whiteness. Its small size and central position grant it special closeness, as if it is waiting for the person who will use it. The saucer casts a gray shadow that separates it from the tray.

The chinaware conveys a sense of domestic order and everyday intimacy. It does not seem to be a grand celebration, but a simple moment, perhaps breakfast or afternoon tea. The presence of a single cup may suggest a solitary, tranquil pause. It can also be interpreted as the preparation of a space meant to welcome someone.

To the right rises a white fruit bowl on a slender pedestal. Its elevated form clearly differentiates it from the service in the foreground and gives it a nearly ceremonial presence. The rim curves around several large rounded fruits. The base casts a gentle shadow on the table, reinforcing its stability.

Inside the fruit bowl appear three pieces of fruit in yellow, green, red, and ochre tones. The central fruit is the most striking due to its warm color and the red hues across its surface. The other two, behind, show lighter and greener tones. This combination brings a note of freshness and natural color to the sober room setting.

The fruits provide an interesting contrast with the china. While the white vessels suggest manufactured and orderly objects, the rounded and irregular shapes of the fruit recall nature. Both realities coexist harmoniously on the same table. The fruit bowl completes the scene and turns the simple service into a fuller, cozier composition.

Behind the objects extends a large plant, formed by numerous elongated and curved leaves. Its shapes intertwine through grayish greens, whites, browns, and dark tones. The leaves seem to descend, rise, and twist in different directions, creating movement that contrasts with the stability of the chinaware. The vegetation occupies much of the background and envelops the objects.

Between the leaves appear small red and pink buds or flowers. These details, though subtle, bring life and draw the eye to various points in the upper area. Some red notes seem hidden among the foliage, while others stand out clearly. Their irregular distribution creates a visual rhythm and dialogues with the warm tones of the fruit.

The plant is not presented as a secondary decorative element, but as a powerful presence dominating the background. Its leaves seem to grow freely and form a kind of vegetal curtain behind the table. The abundance of organic shapes intensifies the contrast with the simple geometry of the cups and containers. Thus, nature and domestic objects are united within the same atmosphere.

The background is composed of browns, violets, grays, and greenish tones that add depth and solemnity. Walls, windows, or other furniture are not clearly discernible, so the space remains undefined. This darkness enhances the luminosity of the chinaware and the fruits. The scene seems to unfold in a quiet corner, sheltered from the bright exterior light.

The table has a surface rich in earthy tones. The browns combine with ochres, grays, and small pinkish reflections that create light variations. On it project the shadows of the tray, the fruit bowl, and the other objects. These shadows help relate all the elements and prevent them from appearing isolated.

The composition is organized through a balance between light and dark masses. The white tray occupies the lower left area; the fruit bowl lights the right side; and the plant forms a large dark structure at the top. Between these areas, a visual path is established that leads from the cup and jug to the fruits and leaves. The scene thus maintains a tranquil harmony despite the abundance of elements.

The absence of people introduces a narrative dimension. The objects seem to preserve the trace of a nearby presence, as if the table had been prepared moments ago. The empty cup, the jug, and the fruits invite us to imagine a conversation, a wait, or a moment of solitude. The still life thus becomes a silent representation of everyday life.

The chromatic combination reinforces the overall emotion of the work. Whites bring purity and clarity; browns and violets create intimacy; greens connect the scene with nature; yellows and reds introduce warmth. No color dominates completely; all integrate within a serene atmosphere. The image conveys simple, deeply domestic beauty.

In summary, the piece depicts a table set with delicate white chinaware, a cup, a jug, and a fruit bowl full of colorful pieces, all accompanied by a large plant with wavy leaves. The harmony among everyday objects, fruits, and vegetation creates a warm, intimate, and silent scene. The painting celebrates the beauty of small domestic rituals and turns a simple moment of rest into an image filled with serenity, balance, and nostalgia.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Pictura Subastas presents this magnificent work of art belonging to Torres de Torres, depicting a table set with white china and a fruit bowl, surrounded by a lush plant in an intimate scene that evokes calm, anticipation, and everyday beauty. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Framed dimensions: 63x85x4 cm.
· Unframed dimensions: 60x81 cm.
· Oil on canvas signed by the artist in the lower right part of the work.
· The piece is in good condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual item in color, scale, and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be via Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents an intimate still life arranged on a table, where a delicate coffee or tea service shares the foreground with a fruit bowl and a lush plant with winding leaves. The scene is enveloped by a warm, quiet atmosphere, dominated by brown tones, muted greens, whites, and ochres. The objects seem to have been gathered for a tranquil moment of rest, though no human figure appears. This absence allows us to imagine that someone has just left the table or is about to sit at it.

In the foreground sits a clear tray on which a coffee maker, a jug, a cup with its saucer, and a small lidded container are arranged. The whiteness of these pieces contrasts intensely with the dark background and the earthy surface of the table. Each object has a different shape, yet they all share a delicate, luminous appearance. The arrangement creates a small domestic ensemble full of balance.

The tray occupies a large part of the lower left area and extends toward the center with an irregular silhouette. Its curved edges frame the different pieces and bring them together visually. Although white predominates, numerous gray, bluish, and violet shadows appear, allowing depth to be distinguished. The clarity of the tray acts as a luminous base that immediately draws the eye.

On the far left appears a coffee pot or teapot with a rounded body. Its handle projects outward forming a wide curve, while the spout faces the center of the composition. The lid is crowned by a small detail that completes its silhouette. Its white and grayish tones are enriched with shadows that suggest the object’s volume and weight.

Next to the coffee pot is a smaller lidded container, possibly for sugar. Its compact shape contrasts with the height of the jug behind it. The object appears partially hidden, as if it were placed spontaneously among the other pieces. This overlap helps create depth and reinforces the sense of a table ready to be used.

The central jug rises above the rest of the service and is one of the main focal points. Its wide body tapers slightly at the top to form a soft point. The handle is drawn on one side with a delicate curve, while the upper opening is illuminated. Its large pale surface introduces a visual pause within the overall range of dark tones.

In front of the jug appears a small cup placed on its corresponding saucer. The cup is decorated with subtle blue and violet notes that add delicacy to its whiteness. Its small size and central position grant it special closeness, as if it is waiting for the person who will use it. The saucer casts a gray shadow that separates it from the tray.

The chinaware conveys a sense of domestic order and everyday intimacy. It does not seem to be a grand celebration, but a simple moment, perhaps breakfast or afternoon tea. The presence of a single cup may suggest a solitary, tranquil pause. It can also be interpreted as the preparation of a space meant to welcome someone.

To the right rises a white fruit bowl on a slender pedestal. Its elevated form clearly differentiates it from the service in the foreground and gives it a nearly ceremonial presence. The rim curves around several large rounded fruits. The base casts a gentle shadow on the table, reinforcing its stability.

Inside the fruit bowl appear three pieces of fruit in yellow, green, red, and ochre tones. The central fruit is the most striking due to its warm color and the red hues across its surface. The other two, behind, show lighter and greener tones. This combination brings a note of freshness and natural color to the sober room setting.

The fruits provide an interesting contrast with the china. While the white vessels suggest manufactured and orderly objects, the rounded and irregular shapes of the fruit recall nature. Both realities coexist harmoniously on the same table. The fruit bowl completes the scene and turns the simple service into a fuller, cozier composition.

Behind the objects extends a large plant, formed by numerous elongated and curved leaves. Its shapes intertwine through grayish greens, whites, browns, and dark tones. The leaves seem to descend, rise, and twist in different directions, creating movement that contrasts with the stability of the chinaware. The vegetation occupies much of the background and envelops the objects.

Between the leaves appear small red and pink buds or flowers. These details, though subtle, bring life and draw the eye to various points in the upper area. Some red notes seem hidden among the foliage, while others stand out clearly. Their irregular distribution creates a visual rhythm and dialogues with the warm tones of the fruit.

The plant is not presented as a secondary decorative element, but as a powerful presence dominating the background. Its leaves seem to grow freely and form a kind of vegetal curtain behind the table. The abundance of organic shapes intensifies the contrast with the simple geometry of the cups and containers. Thus, nature and domestic objects are united within the same atmosphere.

The background is composed of browns, violets, grays, and greenish tones that add depth and solemnity. Walls, windows, or other furniture are not clearly discernible, so the space remains undefined. This darkness enhances the luminosity of the chinaware and the fruits. The scene seems to unfold in a quiet corner, sheltered from the bright exterior light.

The table has a surface rich in earthy tones. The browns combine with ochres, grays, and small pinkish reflections that create light variations. On it project the shadows of the tray, the fruit bowl, and the other objects. These shadows help relate all the elements and prevent them from appearing isolated.

The composition is organized through a balance between light and dark masses. The white tray occupies the lower left area; the fruit bowl lights the right side; and the plant forms a large dark structure at the top. Between these areas, a visual path is established that leads from the cup and jug to the fruits and leaves. The scene thus maintains a tranquil harmony despite the abundance of elements.

The absence of people introduces a narrative dimension. The objects seem to preserve the trace of a nearby presence, as if the table had been prepared moments ago. The empty cup, the jug, and the fruits invite us to imagine a conversation, a wait, or a moment of solitude. The still life thus becomes a silent representation of everyday life.

The chromatic combination reinforces the overall emotion of the work. Whites bring purity and clarity; browns and violets create intimacy; greens connect the scene with nature; yellows and reds introduce warmth. No color dominates completely; all integrate within a serene atmosphere. The image conveys simple, deeply domestic beauty.

In summary, the piece depicts a table set with delicate white chinaware, a cup, a jug, and a fruit bowl full of colorful pieces, all accompanied by a large plant with wavy leaves. The harmony among everyday objects, fruits, and vegetation creates a warm, intimate, and silent scene. The painting celebrates the beauty of small domestic rituals and turns a simple moment of rest into an image filled with serenity, balance, and nostalgia.

Seller's Story

We are Pictura Auctions and our mission is to provide an online space where art lovers, collectors and enthusiasts can immerse themselves in a wide repertoire of masterpieces, from the most revolutionary avant-garde to classic jewels that have stood the test of time. Our team of expert curators has carefully assembled a diverse and exciting collection, selecting the most significant and moving pieces from different eras and cultures.
Translated by Google Translate

Details

Artist
Joan Torres de Torres (1953)
Sold with frame
Yes
Sold by
Gallery
Edition
Original
Title of artwork
Bodegón
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
63 cm
Width
85 cm
Style
Impressionism
Period
1970-1980
SpainVerified
2575
Objects sold
100%
protop

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