Gabriele Esposito (XX) - Lo scugnizzo





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Lo scugnizzo, an oil painting by Gabriele Esposito (XX), 59 × 48 cm, country of origin Italy, period 2020+, original edition, signed by hand, post‑impressionist style, sold with frame, in good condition.
Description from the seller
Portrait of a child with unruly curls and an intense gaze, rendered with a vibrant and impasto brushstroke typical of the Neapolitan painting tradition from the late 19th to early 20th century. The dark background, almost burnt-ochre, highlights the luminous complexion of the face, built up with quick, overlapping touches that capture the subject's lively and somewhat melancholy expression. The little one wears a wide white shirt, on whose chest stands out a pendant in the shape of a horn — the traditional "curniciello" Neapolitan good-luck charm — a detail that roots the work in the popular and folkloric context of the Neapolitan city, a subject dear to many painters of the Neapolitan school of the period (Vincenzo Irolli, Attilio Pratella, Antonino Leto and other artists with techniques akin to theirs).
The frame is a gilded relief with an ebony-veneered outer band in vegetal motifs, of 19th-century taste, coherent with the presumed era of the work.
It bears the form of Gabriele Esposito
The painting stands out for an extraordinary tactile rendering, with vigorous, dynamic brushstrokes.
WWW.ARTEECOLLEZIONI.COM
Seller's Story
Portrait of a child with unruly curls and an intense gaze, rendered with a vibrant and impasto brushstroke typical of the Neapolitan painting tradition from the late 19th to early 20th century. The dark background, almost burnt-ochre, highlights the luminous complexion of the face, built up with quick, overlapping touches that capture the subject's lively and somewhat melancholy expression. The little one wears a wide white shirt, on whose chest stands out a pendant in the shape of a horn — the traditional "curniciello" Neapolitan good-luck charm — a detail that roots the work in the popular and folkloric context of the Neapolitan city, a subject dear to many painters of the Neapolitan school of the period (Vincenzo Irolli, Attilio Pratella, Antonino Leto and other artists with techniques akin to theirs).
The frame is a gilded relief with an ebony-veneered outer band in vegetal motifs, of 19th-century taste, coherent with the presumed era of the work.
It bears the form of Gabriele Esposito
The painting stands out for an extraordinary tactile rendering, with vigorous, dynamic brushstrokes.
WWW.ARTEECOLLEZIONI.COM

