Italian school (XX) - San Gennaro






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Description from the seller
Oil painting on canvas depicting 'San Gennaro', Italian school
Saint Januarius, patron saint of Naples, was bishop and martyr in the 4th century during the persecutions of Diocletian. Traditional iconography depicts him in gilded episcopal vestments with the mitre, often accompanied by angels and with the ampoules containing his miraculous blood, which according to tradition liquefies three times a year. This type of devotional representation was particularly widespread in Southern Italy between the 19th and the early 20th century, reflecting the deep popular veneration for the protective saint.
This painting is particularly interesting for collectors of Neapolitan and Italian sacred art, scholars of religious iconography, and devotees of Saint Januarius. The work attracts both the sacred art market and enthusiasts of Neapolitan history, representing a significant example of the devotional painting tradition of Southern Italy in the early twentieth century. The presence of angels and the use of warm colors typical of the Neapolitan school confer artistic and cultural value to the work, bearing witness to the continuity of popular devotion in the twentieth century.
Seller's Story
Oil painting on canvas depicting 'San Gennaro', Italian school
Saint Januarius, patron saint of Naples, was bishop and martyr in the 4th century during the persecutions of Diocletian. Traditional iconography depicts him in gilded episcopal vestments with the mitre, often accompanied by angels and with the ampoules containing his miraculous blood, which according to tradition liquefies three times a year. This type of devotional representation was particularly widespread in Southern Italy between the 19th and the early 20th century, reflecting the deep popular veneration for the protective saint.
This painting is particularly interesting for collectors of Neapolitan and Italian sacred art, scholars of religious iconography, and devotees of Saint Januarius. The work attracts both the sacred art market and enthusiasts of Neapolitan history, representing a significant example of the devotional painting tradition of Southern Italy in the early twentieth century. The presence of angels and the use of warm colors typical of the Neapolitan school confer artistic and cultural value to the work, bearing witness to the continuity of popular devotion in the twentieth century.
