Hubert Duprilot - 2026, acrylique sur toile 30X30cm





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Hubert Duprilot presents a 2026 original acrylic painting on canvas, 30×30 cm, signed, depicting a portrait, created in France.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on canvas (30x30 cm) "signed at the bottom right"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a glimmer of hope in a sometimes dark and uncertain universe. His work probes our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, convinced that traditional exhibitions require a lot of time and energy to reach an audience that is often small and already familiar with it, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers his characters a new freedom, taking them out of the studio and placing them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art enters daily life, prompting questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on canvas (30x30 cm) "signed at the bottom right"
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a glimmer of hope in a sometimes dark and uncertain universe. His work probes our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, convinced that traditional exhibitions require a lot of time and energy to reach an audience that is often small and already familiar with it, Hubert Duprilot has chosen to invest in the urban space. Turning to street art, he offers his characters a new freedom, taking them out of the studio and placing them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art enters daily life, prompting questions, emotions and encounters.

