Hubert Duprilot - (2026) acrylique sur papier 65x50cm






Over 10 years' experience in art trade and previously founded his own gallery.
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Hubert Duprilot signs an original neo‑expressionist acrylic painting on paper, 65 x 50 cm, dated 2026, titled “(2026) acrylique sur papier 65x50 cm,” sold directly by the artist in excellent condition.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300gsm (50x65cm) "signed bottom right and on the back"
The artwork will be shipped rolled.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a part of hope in a sometimes dark and uncertain universe. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. Public space then becomes an open-air gallery where art enters daily life, prompting questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper 300gsm (50x65cm) "signed bottom right and on the back"
The artwork will be shipped rolled.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a part of hope in a sometimes dark and uncertain universe. His work questions our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to place them at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. Public space then becomes an open-air gallery where art enters daily life, prompting questions, emotions and encounters.
