Juan Carlos Rayas - Clivia






Holds a master's degree in film and visual arts; experienced curator, writer, and researcher.
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€5 |
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Juan Carlos Rayas's Clivia is a contemporary marble sculpture, 50 cm high by 30 cm wide by 14 cm deep, weighing 18 kg, hand-signed, a unique piece from 2026, in excellent condition, produced in Spain.
Description from the seller
Juan Carlos Rayas (Alicante, Spain) is a sculptor and holds a Bachelor of Fine Arts from the Faculty of San Carlos in Valencia, with training at the Prague School of Art and Design. His work has been selected and awarded in national and international competitions and is part of public and private collections. He is currently developing his work in collaboration with Claroa Gallery, the gallery that represents his work.
Instagram: @artearayas
https://www.instagram.com/artearayas/
CLIVIA · PHYSIS
Physis is a sculptural line focused on the structures and growth processes of the plant world. In contrast to Arbor Mundi's humanoid-vegetal metamorphosis, these works originate directly from the plant to transform its rhythms, shapes and modes of growth into a sculptural language.
Clivia, carved in marble, takes as reference the long overlapping leaves of this plant native to southern Africa. The sculpture does not reproduce the plant: it synthesizes its structure into ascending planes, while the natural veins of the marble run across some forms as if they were nerves.
Stone and plant thus share the same direction of growth.
Juan Carlos Rayas (Alicante, Spain) is a sculptor and holds a Bachelor of Fine Arts from the Faculty of San Carlos in Valencia, with training at the Prague School of Art and Design. His work has been selected and awarded in national and international competitions and is part of public and private collections. He is currently developing his work in collaboration with Claroa Gallery, the gallery that represents his work.
Instagram: @artearayas
https://www.instagram.com/artearayas/
CLIVIA · PHYSIS
Physis is a sculptural line focused on the structures and growth processes of the plant world. In contrast to Arbor Mundi's humanoid-vegetal metamorphosis, these works originate directly from the plant to transform its rhythms, shapes and modes of growth into a sculptural language.
Clivia, carved in marble, takes as reference the long overlapping leaves of this plant native to southern Africa. The sculpture does not reproduce the plant: it synthesizes its structure into ascending planes, while the natural veins of the marble run across some forms as if they were nerves.
Stone and plant thus share the same direction of growth.
