Francien Krieg - Without armor






Holds a master’s in art and culture mediation with extensive gallery assistant experience.
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Without armor, an original 2026 oil on panel impressionist portrait, hand-signed, 50 × 70 cm, created in the Netherlands and sold directly from the artist.
Description from the seller
Without armor
50 x 70 cm / oil on panel / 0.6 cm
To the future owner,
In this painting the layering of the paint plays an important role. The skin is built up from multiple thin and impasto layers of white, pink, lilac, green and blue. In some places earlier hues and corrections remain visible; elsewhere the paint is applied thicker, especially around the faces, hair and shadow areas. As a result the surface changes when you get closer or view it from a different angle.
The work comes into its own best in soft light that falls slightly from the side across the canvas. This grazing light makes the height differences, brushstrokes and underlying paint layers visible. Frontal or very bright light can make the surface appear flatter. In cool daylight the blues and greens are particularly visible; warmer light brings forward the pinks and earthy layers.
Preferably give the painting some space on the wall and avoid direct sunlight. I hope you won’t just look at it from a distance, but also stand close to it from time to time—right there the paint reveals how the work came to life.
All series – from self-portraits and aging bodies to young male boxers, women at sunset and intimate scenes with cats – can be found on my website, where you can also read more about my background and motives:
www.francienkrieg.com
I work exclusively with high-quality materials: professionally prepared linen or smooth panels, and top-quality oil paint, rich in pigment. Each work is made with care and dedication – meant to endure, not only in material but also in meaning.
#mostwanted_art
Seller's Story
Without armor
50 x 70 cm / oil on panel / 0.6 cm
To the future owner,
In this painting the layering of the paint plays an important role. The skin is built up from multiple thin and impasto layers of white, pink, lilac, green and blue. In some places earlier hues and corrections remain visible; elsewhere the paint is applied thicker, especially around the faces, hair and shadow areas. As a result the surface changes when you get closer or view it from a different angle.
The work comes into its own best in soft light that falls slightly from the side across the canvas. This grazing light makes the height differences, brushstrokes and underlying paint layers visible. Frontal or very bright light can make the surface appear flatter. In cool daylight the blues and greens are particularly visible; warmer light brings forward the pinks and earthy layers.
Preferably give the painting some space on the wall and avoid direct sunlight. I hope you won’t just look at it from a distance, but also stand close to it from time to time—right there the paint reveals how the work came to life.
All series – from self-portraits and aging bodies to young male boxers, women at sunset and intimate scenes with cats – can be found on my website, where you can also read more about my background and motives:
www.francienkrieg.com
I work exclusively with high-quality materials: professionally prepared linen or smooth panels, and top-quality oil paint, rich in pigment. Each work is made with care and dedication – meant to endure, not only in material but also in meaning.
#mostwanted_art
