Yann Argentin (1971) - La cliente





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 142645 reviews
Rated Excellent on Trustpilot.
Yann Argentin (born 1971) La cliente is a digital print in a limited edition (2026), 40 × 40 cm, signed, of French origin, in a contemporary style and depicting a nocturnal scene.
Description from the seller
Yann Argentin, born in 1971, fully aligns with the contemporary figurative movement with this impression of great aesthetic finesse. The work testifies to a remarkable compositional effort where mastery of nuances creates a captivating visual dialogue.
The expressive power of the whole and the subtlety of the execution confer on this piece a striking presence. It represents an ideal acquisition opportunity to enrich a discerning collection or elevate a modern interior.
The subject depicts a woman in a red dress stepping forward alone toward the café’s illuminated counter, viewed from outside through a large glass wall topped by a pale-green skylight; to the left, two customers seated in the shadows, and in the foreground, a bicycle wheel and a car hood anchor the scene in the nighttime street. The strong contrast between the exterior darkness and the warm white light inside, as well as the solitary figure cut against the backlight, once again evoke Hopper’s legacy; the brushwork remains supple and painterly, with glass-like surfaces suggested by broad flat areas rather than detailed.
Yann Argentin, born in 1971, fully aligns with the contemporary figurative movement with this impression of great aesthetic finesse. The work testifies to a remarkable compositional effort where mastery of nuances creates a captivating visual dialogue.
The expressive power of the whole and the subtlety of the execution confer on this piece a striking presence. It represents an ideal acquisition opportunity to enrich a discerning collection or elevate a modern interior.
The subject depicts a woman in a red dress stepping forward alone toward the café’s illuminated counter, viewed from outside through a large glass wall topped by a pale-green skylight; to the left, two customers seated in the shadows, and in the foreground, a bicycle wheel and a car hood anchor the scene in the nighttime street. The strong contrast between the exterior darkness and the warm white light inside, as well as the solitary figure cut against the backlight, once again evoke Hopper’s legacy; the brushwork remains supple and painterly, with glass-like surfaces suggested by broad flat areas rather than detailed.

