Antonio Boix (1945) - El viejo cobertizo

Pictura Subastas presents this magnificent work of art belonging to Antonio Boix, which depicts an old rural house with aged walls and reddish roofs, situated beside tranquil waters and surrounded by trees, a wooden fence and gentle hills. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions with frame: 78x87x6 cm.
· Dimensions without frame: 50x61 cm.
· Oil on canvas hand-signed by the artist at the lower left.
· The piece is in good condition.
· The work is sold with a lovely frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

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This painting presents a serene rural stone construction located beside a calm water surface, surrounded by trees, vegetation and an open landscape that extends toward gentle hills. The house occupies a good portion of the left half and is distinguished by its aged walls, its small dark windows and the reddish clay tiles that descend at different heights. To the right, a large tree illuminated by the sun accompanies a simple wooden fence, while the blue sky and light clouds provide breadth and luminosity to the scene.

The building constitutes the main element of the composition. Its robust, silent presence dominates the landscape without fully imposing on nature. The irregular arrangement of its different blocks suggests the house has been extended or modified over time, adapting to the needs of those who inhabited it.

The main building rises in the upper left and features a facade in tones of brown, gray, ochre and greenish hues. These color variations convey the wear of the materials and the changing incidence of light on the stone. Some areas appear illuminated, while others remain in a cool shadow.

The side wall extends in a pronounced diagonal from the upper left corner toward the center. This descending line coincides with the slope of the roofs and guides the eye toward the lower part of the structure. Thanks to this arrangement, the architecture gains dynamism and integrates naturally with the terrain.

At the top of the facade appear several small, narrow windows. Their dark interiors contrast with the lighter tones of the walls and add depth. The absence of strong reflections in the glass allows us to imagine cool, quiet rooms sheltered from the exterior sun.

One window is near the top and is partially wrapped in the shadows of the eave. Other three openings are irregularly distributed along the wall. This lack of symmetry grants authenticity to the construction and reinforces its traditional appearance.

The window frames show greenish grays and faded tones that relate to the surrounding vegetation. Some edges receive a soft light, while the interior areas remain almost black. This contrast makes the openings function as small points of mystery within the facade.

The roofs are covered with tiles in reddish, orange, ochre and brown tones. Their warm color stands out against the gray walls and the blue sky. The coverings form a sequence of diagonals that visually organize the different volumes of the building.

The upper roof runs across the entire main construction and projects a deep shadow on the wall. Its irregular edge suggests the age of the tiles and the passage of time. The light concentrates in some reddish areas, making certain fragments stand out with particular intensity.

In the center appears a second roof that descends toward the foreground. Its wide, warm surface covers a lower structure, possibly intended for agricultural work or storage. The tilt of this roof creates a very attractive transition between the main body and the small annex on the right.

Under this roof a dark wall extends, contrasting with the exterior brightness. In its center a broad opening remains fully in shadow. This opening seems to correspond to a shed, barn, or workspace linked to rural life.

The darkness of the access adds depth and stirs the imagination. The viewer may sense a large and cool interior, perhaps used to store tools, wood, carts or farm products. The lack of visible details reinforces the silence and mystery of this area.

To the left of the entrance several wooden doors appear. One of them, taller and darker, occupies the end of the facade and is made of vertical planks. Its surface combines browns, muted greens and black shadows, conveying a robust and aged appearance.

Near the center there is another wooden door or panel in orange tones. Its rectangular shape stands out clearly against the gray wall. A narrow, dark opening appears beside it, creating a contrast that suggests access to a small storage room or auxiliary dependency.

The wooden elements add warmth to the architecture. Their browns, ochres and reddish tones dialogue with the tiles and with the light reflections on the ground. At the same time, the irregular surfaces of the doors reinforce the functional, everyday character of the house.

The small annex located in the central-right zone presents a light wall and a sloping roof. Its facade receives light and allows differentiation of several cream, gray and yellowish tones. This building helps visually close the set and establishes a transition to the vegetation.

The illuminated corner of the annex stands out against the deep shadow of the outbuilding. This opposition between light and dark provides volume and allows perception of the arrangement of the different architectural bodies. The building seems to move toward the viewer and then retreat toward the tree.

In the foreground a horizontal band of light-colored earth extends along the water. Its beige, white, ochre and pink tones suggest a path or a illuminated shore. This area separates the structure from the dark reflection and provides a luminous base for the entire architecture.

The water surface occupies the bottom part and appears dominated by deep greens, grays and bluish reflections. Its calmness allows light and shadows of the surroundings to project softly. There are no large ripples, but a stillness that underscores the general serenity.

In some areas of the water there are lighter reflections, especially toward the center and the right. These gray and greenish tones may correspond to the sky, the path and the illuminated walls. The transition between dark and light zones adds depth and prevents the foreground from looking uniform.

The large dark mass of the water provides a counterpoint to the brightness of the sky. Moreover, its horizontality balances the diagonals of the roofs. The scene is thus organized between a calm reflective base, a stepped architecture and a wide sky.

In the lower left corner a small area of green and yellowish vegetation appears. Its intense colors contrast with the shadow of the water and help frame the foreground. This strip of vegetation visually connects the shore with the trees in the background.

To the right of the house rises a tree with a full, rounded canopy. Its leaves show dark greens, yellows, ochres and small blue reflections. The light seems to reach especially the top and the edges, creating a luminous vibrancy on the foliage.

The canopy extends broadly and partly hides the landscape behind. Its organic shape contrasts with the geometric volumes of the house. The tree acts as a protective element and brings freshness to the space adjacent to the building.

The dark areas of the foliage suggest a high density of leaves, while the yellows and light greens indicate the spots where the sun hits. This alternation provides volume and conveys the impression of a gentle breeze running through the branches.

Below the tree extends a simple wooden fence. Its vertical posts and horizontal crossbars appear in browns, grays and whites. The structure marks the ground without interrupting the continuity of the landscape and adds a characteristic detail of rural life.

The fence continues toward the far right and gradually decreases in size. This perspective guides the gaze toward the distant hills. Its presence allows one to imagine meadows, orchards or grazing lands beyond the house.

Behind the fence a mass of bluish-green vegetation appears, forming a transition to the horizon. The shrubs and trees become less defined with distance, creating depth. The variety of greens maintains continuity between the foreground and the distant landscape.

The background hills are distinguished by green, gray and blue tones. Their soft profiles rise slightly to the right and blend with the atmosphere. These mountains are not imposing, but quietly accompany the serenity of the scene.

The sky occupies a wide band in the upper right. Its bright blue brings freshness and contrasts with the earthy colors of the house. Several white and grayish clouds are irregularly distributed, conveying the sense of a clear and slightly changeable day.

A large cloud in the center-upper area presents bluish and white zones that give it volume. Other smaller clouds move toward the right. Their arrangement animates the sky without taking away protagonism from the architecture.

The light seems to come from the right side and especially reaches the tree, the annex, and certain edges of the roofs. The main facade remains partially shaded, which accentuates its age and protective character. This luminous contrast clearly organizes the different parts of the composition.

The color palette combines earthy and natural tones. Browns, ochres and reddish hues define the architecture; greens and yellows build the vegetation; blues and whites illuminate the sky; grays relate the walls to the water. All these tones create a balanced and welcoming atmosphere.

The absence of human figures increases the sense of quiet, although the house retains numerous signs of activity. The doors, the outbuilding, the fence and the path suggest daily life continuing outside the scene. It is possible to imagine its inhabitants working in the field or resting inside.

The landscape evokes a way of life linked to the land and natural rhythms. The architecture is not separated from the surroundings, but deeply integrated into it. The wall colors relate to those of the earth, while the tiles dialogue with warm light and wooden doors.

The work conveys a strong sense of permanence. Its robust walls, stepped roofs and small windows seem to have withstood many seasons. In front of it, the water, leaves and clouds represent changing elements that continually renew the landscape.

There is also a nostalgic dimension in the scene. The stillness of the water, the closed doors and the absence of people may awaken memories of family homes, summers in the countryside, or old workplaces. The landscape seems to preserve a silent memory of those who inhabited it.

The piece celebrates the beauty of everyday life. It does not need to show an extraordinary event, for it finds interest in the aged facade, the shadow of the outbuilding, the illuminated tree canopy and the reflection on the water. Each element contributes to building a rural corner full of authenticity.

Overall, this precious painting offers a tranquil and deeply evocative view of an old rural house raised beside a serene body of water. The aged walls, wooden doors, reddish roofs, the dark outbuilding, the great illuminated tree and the simple fence build a scene full of intimacy and memory. The harmonious combination of architecture, vegetation, sky and reflections conveys peace, rootedness and the timeless beauty of a life closely tied to the countryside.