Baptiste Corbin (1942) - Lloret de Mar






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Lloret de Mar, an oil painting on paper by Baptiste Corbin (1942), originating from Spain and dated to 1980–1990, an original work signed by hand and in good condition.
Description from the seller
Pictura Subastas presents this magnificent artwork belonging to Baron Corbin, depicting a medieval-looking castle perched on a rocky promontory and surrounded by vegetation, next to a bright beach bathed by blue and turquoise waters. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Dimensions of the work: 32x42x1 cm.
· Oil on paper hand-signed by the artist in the lower left corner, Corbin.
· The piece is in good preserved condition.
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the actual article in color, scale, and details.
The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping is available.
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This painting presents a bright coastal view featuring a medieval-looking castle rising over a rocky promontory beside the sea. The construction, surrounded by a lush mass of trees, dominates a small golden-sand beach toward which successive white and blue-tinged waves advance. The tall tower, the walls, the rocks, and the expansive sky create a scene of strong visual impact, where history and nature coexist in a serene, bright, and deeply Mediterranean atmosphere.
The composition is organized through a clear opposition between land and sea. The architectural complex and the vegetation occupy mainly the left half, while the open waters and the sky extend to the right. This distribution communicates balance and allows the eye to move from the beach to the horizon.
The beach begins in the lower left foreground and curves gently toward the promontory. Its shape creates a wide diagonal that draws attention toward the structures. The sand appears damp near the water and warmer and drier inland.
The beach colors combine ochres, browns, yellows, grays, and delicate pinkish and violet reflections. Some areas are dark, suggesting moisture, shadows, or small irregularities of the terrain. This chromatic diversity prevents the sand from being perceived as a uniform surface.
The shoreline line is defined by a sequence of white waves that advance diagonally. The foam extends over the beach with broad, bright curves, creating intense movement in the foreground. These shapes guide the gaze from the lower area to the base of the promontory.
The waves appear at different moments along their journey. Some have already broken on the sand, while others begin to rise over the waters. This repetition conveys the constant rhythm of the sea and adds dynamism to the scene.
The water near the shore displays greens, turquoise, light blues, and small white reflections. These tones suggest transparency and shallowness. The light seems to penetrate the surface to reveal changes in the seabed.
Further out, the sea takes on deep, intense blues. A dark horizontal line marks the meeting with the sky and establishes a sense of breadth. This gradation from coastal greens to horizon blues greatly increases depth.
In the foreground on the right appear dark zones that could correspond to submerged rocks or shadows beneath the water. Deep greens, blacks, browns, and blues contrast with the white foam. This chromatic difference reinforces the energy of the waves.
The sea surface is traversed by numerous horizontal and diagonal lines. The whites suggest foam and reflections, while the greens and violets mark currents and depth changes. The sea looks alive, but not menacing.
In the middle-right area several rocks rise from the water. Their irregular shapes are built with grays, browns, yellows, whites, and blacks. The foam surrounds them, underscoring the constant contact between rock and sea.
The rock closest to the promontory presents a clear and luminous surface. Another, somewhat to the right, shows a dark, sharp silhouette. This alternation provides variety and visually prolongs the coastline toward the horizon.
The rocks function as a transition between the solidity of the cliff and the open expanse of the sea. They seem to be fragments detached from the coast that still maintain a visual relationship with it. Their presence adds depth and character to the landscape.
The promontory occupies the central area and extends into the water with a raised rocky mass. Its walls show greens, yellows, ochres, grays, and browns. Light concentrates on certain surfaces, allowing the irregularities to be perceived.
The base of the cliff is partially covered by foam and greenish waters. Some areas appear dark and damp, while others receive yellowish reflections. The contrast reveals the ongoing action of the sea on the rock.
A clear wall runs along the top of the promontory. Its horizontal line separates the vegetation from the cliff and seems to protect the enclosure. Creams, whites, greens, and ochres allow the structure to blend with the stone.
The wall shows slight changes in height and some dark openings. These details suggest a defensive system or an elevated path leading to the castle. Its route guides the eye from the lower structures up to the tower.
In the left area a group of several historic-looking buildings gathers. Their facades feature yellows, ochres, creams, and small reddish reflections. The geometric shapes contrast with the irregularity of the trees and the terrain.
Some constructions have elevated tops and small arched openings. Others appear partially hidden by vegetation. This overlay suggests a complex ensemble of dependencies, courtyards, walls, and access routes.
The clear walls receive warm light that makes them one of the most luminous points of the landscape. Shadowed areas are resolved with violets, greens, and browns. This alternation provides volume and accentuates the ancient character of the enclosure.
Above the lower constructions rises the main tower. Its tall, slender body dominates the coastal profile and is clearly cut against the blue sky. The tower’s verticality acts as the architectural axis of the composition.
The tower features a rounded or cylindrical upper part, accompanied by another block with a battlemented appearance. This combination reinforces its fortified look. The small dark openings suggest windows or watch posts.
The colors of the tower combine pale yellows, creams, whites, and greenish reflections. The light seems to concentrate especially on its frontal side, while the lateral sides remain in shadow. This contrast makes it stand out among the foliage.
The construction seems to rise directly from the rock and vegetation. Its elevated position conveys vigilance, protection, and visual dominance over the sea. From its windows one could imagine an extensive panorama of the coast.
The tower also introduces a narrative dimension. It may evoke stories of ancient guardians, travelers, navigators, or inhabitants who watched for years the arrival of ships. Its presence transforms the beach into a landscape rich in memory.
The vegetation surrounds the castle completely and covers much of the promontory. The treetops feature deep greens, blacks, bluish grays, and small yellow reflections. This natural mass creates a strong contrast with the clear walls.
In the upper left, the trees form a large shaded surface. The canopies overlap and partially hide the sky and the buildings. Their density conveys freshness and visually protects the architectural ensemble.
Some areas of the foliage receive small clear reflections that suggest sunlight. The yellowish greens mix with browns and ochers, adding variety. The trees seem to grow freely around the architecture.
The relationship between vegetation and castle is especially harmonious. The structures do not appear isolated or to dominate the landscape, but emerge among the trees. This integration gives the place a mysterious and romantic look.
Behind the tower a sky of intensely blue extends. Its clarity allows the architectural silhouette to stand out strongly. The blue becomes slightly lighter toward the right, establishing a smooth transition to the horizon.
On the right side several clouds of white, violet, and pink tones appear. Their broad, diffuse shapes add movement and prevent the sky from looking uniform. The pink reflections bring warmth and dialogue with the tones of the beach.
A lighter cloud seems to sit behind the tower, creating a glow that emphasizes its height. Other violet forms are scattered over the sea. This arrangement visually balances the great mass of vegetation on the left.
The overall light appears to correspond to a sunny day, perhaps during a clear morning or a bright afternoon. The castle, the sand, and the foam receive warm illumination, while the foliage and the deeper waters retain cool shadows.
The color palette combines blues and greens with yellows, ochers, and whites. The blues bring freshness and depth; the yellows convey light and warmth. The violets and pinks serve as connecting hues between the sky, water, and sand.
The composition guides the eye through multiple paths. The curve of the beach leads to the structures; the waves carry toward the rocks; the wall climbs toward the tower; and the horizon finally opens the view toward the sea.
The absence of human figures intensifies the monumentality of the castle and the serenity of the coast. Yet the architecture preserves a strong sense of history. The place seems inhabited by memories even though no person appears.
The empty beach conveys calm and isolation. It feels like a sheltered, secluded corner where the viewer could walk along the water and contemplate the castle. This sense of intimacy makes the landscape especially inviting.
The castle can be interpreted as a symbol of permanence and memory. Its walls have withstood the passage of time, while the sea continues to change with each wave. The coexistence of stone and water creates a powerful symbolic opposition.
The sea represents movement, freedom, and renewal. Its waves advance toward the shore and break on the sand. In front of them, the tower remains steady, looking out over the horizon from its elevated position.
The vegetation acts as a mediating element. The trees change with the seasons, but also protect and envelop the structures. Their presence unites the permanence of stone with the movement of the sea.
The scene may evoke stories of journeys and returns. The tower seems to serve as a reference point for those navigating near the coast. The rocks and promontory mark the entrance to the small beach and turn the place into a natural refuge.
The work also celebrates the beauty of the Mediterranean coastline: turquoise waters, warm sand, abundant vegetation, historic structures, and a bright sky. All these elements come together in an evocative and joyful image.
Overall, this precious painting offers a magnificent view of a castle perched on a rocky promontory beside a small Mediterranean beach, where white waves advance over the sand and surround the nearby rocks. The illuminated tower, the walls, the lush vegetation, the blue and turquoise waters, and the sky sprinkled with pink clouds build a scene full of depth, history, and beauty. The harmony between architecture and nature transforms the landscape into an evocation of freedom, permanence, and mystery before the vastness of the sea.
Seller's Story
Pictura Subastas presents this magnificent artwork belonging to Baron Corbin, depicting a medieval-looking castle perched on a rocky promontory and surrounded by vegetation, next to a bright beach bathed by blue and turquoise waters. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Dimensions of the work: 32x42x1 cm.
· Oil on paper hand-signed by the artist in the lower left corner, Corbin.
· The piece is in good preserved condition.
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences from the actual article in color, scale, and details.
The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping is available.
------------------------------------------------------------------
This painting presents a bright coastal view featuring a medieval-looking castle rising over a rocky promontory beside the sea. The construction, surrounded by a lush mass of trees, dominates a small golden-sand beach toward which successive white and blue-tinged waves advance. The tall tower, the walls, the rocks, and the expansive sky create a scene of strong visual impact, where history and nature coexist in a serene, bright, and deeply Mediterranean atmosphere.
The composition is organized through a clear opposition between land and sea. The architectural complex and the vegetation occupy mainly the left half, while the open waters and the sky extend to the right. This distribution communicates balance and allows the eye to move from the beach to the horizon.
The beach begins in the lower left foreground and curves gently toward the promontory. Its shape creates a wide diagonal that draws attention toward the structures. The sand appears damp near the water and warmer and drier inland.
The beach colors combine ochres, browns, yellows, grays, and delicate pinkish and violet reflections. Some areas are dark, suggesting moisture, shadows, or small irregularities of the terrain. This chromatic diversity prevents the sand from being perceived as a uniform surface.
The shoreline line is defined by a sequence of white waves that advance diagonally. The foam extends over the beach with broad, bright curves, creating intense movement in the foreground. These shapes guide the gaze from the lower area to the base of the promontory.
The waves appear at different moments along their journey. Some have already broken on the sand, while others begin to rise over the waters. This repetition conveys the constant rhythm of the sea and adds dynamism to the scene.
The water near the shore displays greens, turquoise, light blues, and small white reflections. These tones suggest transparency and shallowness. The light seems to penetrate the surface to reveal changes in the seabed.
Further out, the sea takes on deep, intense blues. A dark horizontal line marks the meeting with the sky and establishes a sense of breadth. This gradation from coastal greens to horizon blues greatly increases depth.
In the foreground on the right appear dark zones that could correspond to submerged rocks or shadows beneath the water. Deep greens, blacks, browns, and blues contrast with the white foam. This chromatic difference reinforces the energy of the waves.
The sea surface is traversed by numerous horizontal and diagonal lines. The whites suggest foam and reflections, while the greens and violets mark currents and depth changes. The sea looks alive, but not menacing.
In the middle-right area several rocks rise from the water. Their irregular shapes are built with grays, browns, yellows, whites, and blacks. The foam surrounds them, underscoring the constant contact between rock and sea.
The rock closest to the promontory presents a clear and luminous surface. Another, somewhat to the right, shows a dark, sharp silhouette. This alternation provides variety and visually prolongs the coastline toward the horizon.
The rocks function as a transition between the solidity of the cliff and the open expanse of the sea. They seem to be fragments detached from the coast that still maintain a visual relationship with it. Their presence adds depth and character to the landscape.
The promontory occupies the central area and extends into the water with a raised rocky mass. Its walls show greens, yellows, ochres, grays, and browns. Light concentrates on certain surfaces, allowing the irregularities to be perceived.
The base of the cliff is partially covered by foam and greenish waters. Some areas appear dark and damp, while others receive yellowish reflections. The contrast reveals the ongoing action of the sea on the rock.
A clear wall runs along the top of the promontory. Its horizontal line separates the vegetation from the cliff and seems to protect the enclosure. Creams, whites, greens, and ochres allow the structure to blend with the stone.
The wall shows slight changes in height and some dark openings. These details suggest a defensive system or an elevated path leading to the castle. Its route guides the eye from the lower structures up to the tower.
In the left area a group of several historic-looking buildings gathers. Their facades feature yellows, ochres, creams, and small reddish reflections. The geometric shapes contrast with the irregularity of the trees and the terrain.
Some constructions have elevated tops and small arched openings. Others appear partially hidden by vegetation. This overlay suggests a complex ensemble of dependencies, courtyards, walls, and access routes.
The clear walls receive warm light that makes them one of the most luminous points of the landscape. Shadowed areas are resolved with violets, greens, and browns. This alternation provides volume and accentuates the ancient character of the enclosure.
Above the lower constructions rises the main tower. Its tall, slender body dominates the coastal profile and is clearly cut against the blue sky. The tower’s verticality acts as the architectural axis of the composition.
The tower features a rounded or cylindrical upper part, accompanied by another block with a battlemented appearance. This combination reinforces its fortified look. The small dark openings suggest windows or watch posts.
The colors of the tower combine pale yellows, creams, whites, and greenish reflections. The light seems to concentrate especially on its frontal side, while the lateral sides remain in shadow. This contrast makes it stand out among the foliage.
The construction seems to rise directly from the rock and vegetation. Its elevated position conveys vigilance, protection, and visual dominance over the sea. From its windows one could imagine an extensive panorama of the coast.
The tower also introduces a narrative dimension. It may evoke stories of ancient guardians, travelers, navigators, or inhabitants who watched for years the arrival of ships. Its presence transforms the beach into a landscape rich in memory.
The vegetation surrounds the castle completely and covers much of the promontory. The treetops feature deep greens, blacks, bluish grays, and small yellow reflections. This natural mass creates a strong contrast with the clear walls.
In the upper left, the trees form a large shaded surface. The canopies overlap and partially hide the sky and the buildings. Their density conveys freshness and visually protects the architectural ensemble.
Some areas of the foliage receive small clear reflections that suggest sunlight. The yellowish greens mix with browns and ochers, adding variety. The trees seem to grow freely around the architecture.
The relationship between vegetation and castle is especially harmonious. The structures do not appear isolated or to dominate the landscape, but emerge among the trees. This integration gives the place a mysterious and romantic look.
Behind the tower a sky of intensely blue extends. Its clarity allows the architectural silhouette to stand out strongly. The blue becomes slightly lighter toward the right, establishing a smooth transition to the horizon.
On the right side several clouds of white, violet, and pink tones appear. Their broad, diffuse shapes add movement and prevent the sky from looking uniform. The pink reflections bring warmth and dialogue with the tones of the beach.
A lighter cloud seems to sit behind the tower, creating a glow that emphasizes its height. Other violet forms are scattered over the sea. This arrangement visually balances the great mass of vegetation on the left.
The overall light appears to correspond to a sunny day, perhaps during a clear morning or a bright afternoon. The castle, the sand, and the foam receive warm illumination, while the foliage and the deeper waters retain cool shadows.
The color palette combines blues and greens with yellows, ochers, and whites. The blues bring freshness and depth; the yellows convey light and warmth. The violets and pinks serve as connecting hues between the sky, water, and sand.
The composition guides the eye through multiple paths. The curve of the beach leads to the structures; the waves carry toward the rocks; the wall climbs toward the tower; and the horizon finally opens the view toward the sea.
The absence of human figures intensifies the monumentality of the castle and the serenity of the coast. Yet the architecture preserves a strong sense of history. The place seems inhabited by memories even though no person appears.
The empty beach conveys calm and isolation. It feels like a sheltered, secluded corner where the viewer could walk along the water and contemplate the castle. This sense of intimacy makes the landscape especially inviting.
The castle can be interpreted as a symbol of permanence and memory. Its walls have withstood the passage of time, while the sea continues to change with each wave. The coexistence of stone and water creates a powerful symbolic opposition.
The sea represents movement, freedom, and renewal. Its waves advance toward the shore and break on the sand. In front of them, the tower remains steady, looking out over the horizon from its elevated position.
The vegetation acts as a mediating element. The trees change with the seasons, but also protect and envelop the structures. Their presence unites the permanence of stone with the movement of the sea.
The scene may evoke stories of journeys and returns. The tower seems to serve as a reference point for those navigating near the coast. The rocks and promontory mark the entrance to the small beach and turn the place into a natural refuge.
The work also celebrates the beauty of the Mediterranean coastline: turquoise waters, warm sand, abundant vegetation, historic structures, and a bright sky. All these elements come together in an evocative and joyful image.
Overall, this precious painting offers a magnificent view of a castle perched on a rocky promontory beside a small Mediterranean beach, where white waves advance over the sand and surround the nearby rocks. The illuminated tower, the walls, the lush vegetation, the blue and turquoise waters, and the sky sprinkled with pink clouds build a scene full of depth, history, and beauty. The harmony between architecture and nature transforms the landscape into an evocation of freedom, permanence, and mystery before the vastness of the sea.
