Agathe Toman - LA FORËT - #3 - 1/20

Signed and numbered in a limit of 20 copies by the artist.

Agathe Toman – Collection Partagée
Fine Art Photography – The Forest, French Pyrenees (Payolle Lake), Spring 2026

This black-and-white photograph was taken in spring 2026, in the heart of the French Pyrenees, around Payolle Lake. It belongs to the series The Forest, a photographic exploration where the landscape becomes a mental space, between presence, memory and disappearance.

Photograph taken with film using a Leica Leicaflex.

The image processing, intentionally contrasted and rich in grain, is inspired by the aesthetic of the great Japanese photographer Daidō Moriyama. This approach gives the work a raw, organic intensity, where photographic material is as important as the subject itself.

This work is part of Agathe Toman's COLLECTION PARTAGÉE, a limited edition series making her photographic work accessible to collectors.

- Fine Art print on high-gloss premium paper.
- Limited edition of 20 copies.
- Work numbered and hand-signed (front and back).
- Certificate of authenticity signed and provided.
- The photograph is carefully shipped rolled in a protective tube.
- Frame not included.

Agathe Toman is a French artist born in 1989. A multidisciplinary artist, she develops a practice that combines drawing, painting, photography, poetry and sculpture around the links between landscape, psyche and memory.
After studies at the Chambre Syndicale de la Couture Parisienne and several years as a stylist for Parisian haute couture houses, she chose to devote herself entirely to her artistic practice.

Her works are present in numerous private collections in Europe, the United States and Asia. She has been listed with Sotheby's since 2021, where several of her works have been auctioned. Her work has notably been shown at Art Paris and published in media such as Forbes, L’Œil and ELLE.

Through her photographs, Agathe Toman seeks less to document reality than to reveal what it eludes. Her images question our relationship to memory, to living beings and to inner landscapes. Between abstraction and figuration, they invite the viewer to a contemplative experience where everyone can project their own history.
"I consider my works as materializations of psychic states. They do not depict a landscape; they become an inner landscape. What interests me is not what one sees, but what the image awakens in us." — Agathe Toman