Jordi Jové (1937) - Armonía de otoño

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Antonio Yera
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Jordi Jové (1937), Armonía de otoño, oil on canvas, original edition, dated 2010–2020, 50 × 61 cm, hand-signed by the artist, in good condition, Spain.

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Description from the seller

Pictura Galeria presents this magnificent work of art belonging to Jordi Jové, which depicts a luminous rural mountain landscape in which the fields, autumnal trees, and small constructions convey harmony, serenity, and a deep connection with nature. The painting stands out for its excellent technique and the great pictorial quality it transmits.

· Dimensions of the work: 50x61x1 cm.
· Oil on canvas hand-signed by the artist.
· The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual article in color, scale, and details.

The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

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This painting presents a wide rural landscape dominated by the majestic presence of a mountain rising in the center of the composition. Around it extends a lush and changing nature, full of greens, blues, ochres, reddish tones, and oranges that suggest a moment of transition between seasons. The scene seems to capture a bright and slightly cool day, perhaps at the beginning of autumn, when some areas of the field still retain the summer greenery and the trees begin to transform with warm tones. The whole landscape conveys a sense of freedom, breadth, and a deep connection with the earth.

The sky occupies a considerable part of the image and unfolds through a succession of light blues, whites, pale pinks, violets, and soft yellows. The clouds stretch in irregular bands and seem to move slowly over the mountain, creating an ever-changing and luminous atmosphere. Some areas show almost transparent clarity, while others take on more intense tones, suggesting light that is filtered and variable. This sky does not merely serve as a background, but adds movement, depth, and a sense of immensity that expands the limits of the landscape.

The mountain rises in the center as the great structural element of the scene. Its rounded and slightly irregular profile is gently outlined against the sky, without imposing aggressively on the surroundings. The surface of its slopes is formed by an extraordinary variety of colors: deep blues, muted greens, earthy browns, violets, pinks, and small lighter areas that seem to indicate paths, rocks, shrubs, or changes in vegetation. This chromatic richness makes the mountain appear alive, changing, and shaped by the daylight.

The cool tones of the mountain contrast with the warm colors appearing in the foreground and on the right side of the composition. This contrast creates a very strong depth: the blues and dark greens seem to push the elevation toward the horizon, while yellows, oranges, and reds visually bring the trees and fields closer. The mountain thus acts as a distant, serene presence, while the nearby vegetation introduces energy, warmth, and movement. The transition between these spaces is gradual, allowing the eye to progress slowly from the immediate ground to the peak.

On the right side concentrates a group of tall, leafy trees that constitutes one of the most vibrant focal points of the painting. Their canopies gather intense greens, bright oranges, golden yellows, browns, and small reddish and violet touches. Some trunks rise vertically, while the branches and leaves mingle to form an irregular, dynamic mass of vegetation. The color diversity suggests the foliage is in full seasonal transformation, offering a particularly rich and joyful view of the autumn landscape.

Among the trees some clear shapes can be distinguished that could correspond to illuminated rocks, small constructions, or elements integrated into the vegetation. Their presence adds mystery and arouses the viewer’s curiosity, as they seem to emerge partially hidden among the forest colors. The darker shadows under the canopies increase the density of this corner and create a strong contrast with the orange-lit areas. This combination makes the far right an area full of life, depth, and small details to discover.

In the lower left and central zone appear several small rural constructions, quietly set at the foot of the mountain. Their dark roofs and light walls blend naturally into the surroundings, as if they had long been part of the landscape. One of them features a dark opening that resembles the entrance to a small house, a shed, or a field shelter. These buildings introduce human presence without breaking the serenity of the whole and allow us to imagine a simple, silent life tied to the rhythms of nature.

The diminutive scale of the constructions against the immensity of the mountain emphasizes the grandeur of the natural surroundings. Humanity appears suggested through these modest refuges, but it does not occupy the center of the scene nor dominate the territory. On the contrary, the houses seem to adapt to the land’s forms and coexist respectfully with the vegetation. This relationship transmits an idea of harmony between the landscape and those who inhabit it, evoking a way of life apart from noise and close to the earth.

The foreground stretches as a succession of irregular fields and paths. Light greens and dark greens blend with yellow, ochre, browns, and oranges that suggest grass, soil, crops, and traveled areas. The land lines advance horizontally, but also describe small curves that guide the view toward the constructions and the mountain. This variety of directions avoids rigidity and makes the scene seem open, spontaneous, and full of natural movement.

In the part closest to the viewer, the intensity of colors increases considerably. Golden yellows and oranges combine with bright greens and dark areas, creating a warm base that supports the entire composition. The soil contrasts convey the feeling of fertile and changing land, unevenly lit by the sun. Each stripe seems to correspond to a different terrain, providing variety and allowing one to imagine a mosaic of meadows, paths, and small rural plots.

The absence of human figures reinforces the landscape’s quiet and contemplative character. Although the small constructions indicate the place could be inhabited, everything seems at peace. There are no signs of immediate activity, so nature becomes the true protagonist. The viewer can imagine the distant sound of wind among the leaves, the movement of the clouds, and the silence of the fields spreading beneath the mountain.

Light appears to envelop the whole scene without coming from a single clearly visible point. It is distributed through the sky, the slopes, the trees, and the ground through color variations that make some areas advance and others recede into the distance. The warm tones on the right and in the foreground provide a sense of closeness and vitality, while the bluish areas in the background generate serenity and coolness. This coexistence of different temperatures gives the landscape a rich and deeply expressive atmosphere.

The work invites a slow, observational stroll, starting with the illuminated foreground fields, moving toward the small houses, and then climbing up the slopes to reach the sky. This visual journey turns contemplation into a kind of imaginary walk through the landscape. Each zone has its own personality, but all remain connected through color, light, and natural forms. The scene does not merely represent a concrete place, but also the emotion of standing before a wide, silent, and beauty-filled environment.

The landscape conveys a mix of serenity and vitality. The mountain provides stability and permanence, while the changing sky and colored trees introduce the idea of the passage of time. The fields and houses remind us of the discreet presence of rural life, and the autumn colors suggest a moment of transformation. Nature appears as a living organism that constantly renews itself, combining the calm of the eternal with the energy of what changes.

Overall, this painting constitutes a luminous and deeply emotive celebration of the rural landscape, where the mountain, the sky, the fields, the trees, and the small constructions come together in a harmonious composition. The richness of colors allows us to perceive both the freshness of distance and the warmth of nearby vegetation, while the scale of the setting awakens a sense of freedom and tranquility. The work conveys the charm of a natural environment undergoing seasonal transformation and recalls the simple beauty of places where human presence coexists discreetly with the grandeur of nature."} } } }}}```

Pictura Galeria presents this magnificent work of art belonging to Jordi Jové, which depicts a luminous rural mountain landscape in which the fields, autumnal trees, and small constructions convey harmony, serenity, and a deep connection with nature. The painting stands out for its excellent technique and the great pictorial quality it transmits.

· Dimensions of the work: 50x61x1 cm.
· Oil on canvas hand-signed by the artist.
· The piece is in good condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual article in color, scale, and details.

The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a wide rural landscape dominated by the majestic presence of a mountain rising in the center of the composition. Around it extends a lush and changing nature, full of greens, blues, ochres, reddish tones, and oranges that suggest a moment of transition between seasons. The scene seems to capture a bright and slightly cool day, perhaps at the beginning of autumn, when some areas of the field still retain the summer greenery and the trees begin to transform with warm tones. The whole landscape conveys a sense of freedom, breadth, and a deep connection with the earth.

The sky occupies a considerable part of the image and unfolds through a succession of light blues, whites, pale pinks, violets, and soft yellows. The clouds stretch in irregular bands and seem to move slowly over the mountain, creating an ever-changing and luminous atmosphere. Some areas show almost transparent clarity, while others take on more intense tones, suggesting light that is filtered and variable. This sky does not merely serve as a background, but adds movement, depth, and a sense of immensity that expands the limits of the landscape.

The mountain rises in the center as the great structural element of the scene. Its rounded and slightly irregular profile is gently outlined against the sky, without imposing aggressively on the surroundings. The surface of its slopes is formed by an extraordinary variety of colors: deep blues, muted greens, earthy browns, violets, pinks, and small lighter areas that seem to indicate paths, rocks, shrubs, or changes in vegetation. This chromatic richness makes the mountain appear alive, changing, and shaped by the daylight.

The cool tones of the mountain contrast with the warm colors appearing in the foreground and on the right side of the composition. This contrast creates a very strong depth: the blues and dark greens seem to push the elevation toward the horizon, while yellows, oranges, and reds visually bring the trees and fields closer. The mountain thus acts as a distant, serene presence, while the nearby vegetation introduces energy, warmth, and movement. The transition between these spaces is gradual, allowing the eye to progress slowly from the immediate ground to the peak.

On the right side concentrates a group of tall, leafy trees that constitutes one of the most vibrant focal points of the painting. Their canopies gather intense greens, bright oranges, golden yellows, browns, and small reddish and violet touches. Some trunks rise vertically, while the branches and leaves mingle to form an irregular, dynamic mass of vegetation. The color diversity suggests the foliage is in full seasonal transformation, offering a particularly rich and joyful view of the autumn landscape.

Among the trees some clear shapes can be distinguished that could correspond to illuminated rocks, small constructions, or elements integrated into the vegetation. Their presence adds mystery and arouses the viewer’s curiosity, as they seem to emerge partially hidden among the forest colors. The darker shadows under the canopies increase the density of this corner and create a strong contrast with the orange-lit areas. This combination makes the far right an area full of life, depth, and small details to discover.

In the lower left and central zone appear several small rural constructions, quietly set at the foot of the mountain. Their dark roofs and light walls blend naturally into the surroundings, as if they had long been part of the landscape. One of them features a dark opening that resembles the entrance to a small house, a shed, or a field shelter. These buildings introduce human presence without breaking the serenity of the whole and allow us to imagine a simple, silent life tied to the rhythms of nature.

The diminutive scale of the constructions against the immensity of the mountain emphasizes the grandeur of the natural surroundings. Humanity appears suggested through these modest refuges, but it does not occupy the center of the scene nor dominate the territory. On the contrary, the houses seem to adapt to the land’s forms and coexist respectfully with the vegetation. This relationship transmits an idea of harmony between the landscape and those who inhabit it, evoking a way of life apart from noise and close to the earth.

The foreground stretches as a succession of irregular fields and paths. Light greens and dark greens blend with yellow, ochre, browns, and oranges that suggest grass, soil, crops, and traveled areas. The land lines advance horizontally, but also describe small curves that guide the view toward the constructions and the mountain. This variety of directions avoids rigidity and makes the scene seem open, spontaneous, and full of natural movement.

In the part closest to the viewer, the intensity of colors increases considerably. Golden yellows and oranges combine with bright greens and dark areas, creating a warm base that supports the entire composition. The soil contrasts convey the feeling of fertile and changing land, unevenly lit by the sun. Each stripe seems to correspond to a different terrain, providing variety and allowing one to imagine a mosaic of meadows, paths, and small rural plots.

The absence of human figures reinforces the landscape’s quiet and contemplative character. Although the small constructions indicate the place could be inhabited, everything seems at peace. There are no signs of immediate activity, so nature becomes the true protagonist. The viewer can imagine the distant sound of wind among the leaves, the movement of the clouds, and the silence of the fields spreading beneath the mountain.

Light appears to envelop the whole scene without coming from a single clearly visible point. It is distributed through the sky, the slopes, the trees, and the ground through color variations that make some areas advance and others recede into the distance. The warm tones on the right and in the foreground provide a sense of closeness and vitality, while the bluish areas in the background generate serenity and coolness. This coexistence of different temperatures gives the landscape a rich and deeply expressive atmosphere.

The work invites a slow, observational stroll, starting with the illuminated foreground fields, moving toward the small houses, and then climbing up the slopes to reach the sky. This visual journey turns contemplation into a kind of imaginary walk through the landscape. Each zone has its own personality, but all remain connected through color, light, and natural forms. The scene does not merely represent a concrete place, but also the emotion of standing before a wide, silent, and beauty-filled environment.

The landscape conveys a mix of serenity and vitality. The mountain provides stability and permanence, while the changing sky and colored trees introduce the idea of the passage of time. The fields and houses remind us of the discreet presence of rural life, and the autumn colors suggest a moment of transformation. Nature appears as a living organism that constantly renews itself, combining the calm of the eternal with the energy of what changes.

Overall, this painting constitutes a luminous and deeply emotive celebration of the rural landscape, where the mountain, the sky, the fields, the trees, and the small constructions come together in a harmonious composition. The richness of colors allows us to perceive both the freshness of distance and the warmth of nearby vegetation, while the scale of the setting awakens a sense of freedom and tranquility. The work conveys the charm of a natural environment undergoing seasonal transformation and recalls the simple beauty of places where human presence coexists discreetly with the grandeur of nature."} } } }}}```

Details

Artist
Jordi Jové (1937)
Sold with frame
No
Sold by
Gallery
Edition
Original
Title of artwork
Armonía de otoño
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
50 cm
Width
61 cm
Style
Post-Impressionism
Period
2010-2020
SpainVerified
1982
Objects sold
99.14%
protop

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