Inma Nicolau (1948) - El carro de heno





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Oil on canvas titled El carro de heno by Inma Nicolau (1948), a hand-signed original edition from 2000–2010, measuring 68 cm high by 77 cm wide and sold with a frame, originating from Spain and offered by Galería.
Description from the seller
Pictura Galeria presents this magnificent artwork belonging to Inma Nicolau, depicting several peasants harvesting with the aid of draft animals under a stormy sky, as a symbol of effort, cooperation, and the deep bond between human beings and the land. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Frame dimensions: 68x77x7 cm.
· Artwork dimensions: 40x50 cm.
· Oil on canvas hand-signed by the artist in the lower-right corner, Inma Nicolau.
· The piece is in good conservation condition.
· The work is sold with a beautiful frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in a mockup is indicative; there may be differences from the real article in color, scale, and details.
The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
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This painting presents a broad rural scene devoted to the harvest, developed in an open field under a vast sky laden with clouds. The composition captures one of those essential moments of peasant life in which people, animals, and landscape participate together in a task marked by effort, cooperation, and the rhythm of the seasons. On the right, several workers cluster around a cart piled high with hay, accompanied by two sturdy draft animals, while another figure advances from the center of the field toward them. In the distance, rural buildings and a long line of trees complete a scene filled with quiet, diligence, and a deep connection to the land.
The terrain occupies the entire lower half of the image and is covered with a wide range of ochre, golden, brown, subdued green, and cream tones. These variations suggest a field that has already been mowed and where remnants of straw, piles of dry grass, furrows, and small irregularities remain. The surface is not smooth or uniform but marked by color shifts and small vegetal fragments that convey the sense of recently worked land. Each area seems to retain the imprint of the day’s activity.
In the foreground, several piles of grain or hay are distributed irregularly. Some rise like compact small sheaves, while others lie spread on the ground. These elements create depth and guide the eye from the bottom toward the main group on the right. They also reinforce the idea that the work is in full swing and that there is still work to do before the harvest is finished.
The warm tones of the field contrast powerfully with the gray and purplish sky. This opposition between the golden earth and the cool atmosphere creates a visual tension that dominates the scene. The landscape seems to be in a moment of transition, perhaps shortly before a rain or after a storm has passed. The light that still lights the ground suggests the sun managing to filter through the clouds, granting the workers a final interval to continue their tasks.
The main group concentrates around a large hay cart. The load rises to form a rounded, abundant mass, made up of innumerable fibers and dry branches. Its size conveys the day’s productivity and symbolizes the fruit of prolonged effort. The hay takes on yellows, creams, browns, and reddish tones that stand out against the dark background of the trees and make the cart one of the brighter centers of the composition.
On the top of the load, there seems to be a figure tasked with organizing or securing the hay. Its small silhouette is partly integrated among the vegetal forms but introduces a note of movement and risk. The height of the cart makes one imagine the effort needed to lift, distribute, and compact all the material. This person appears to collaborate with those on the ground, showing an organized task in which each worker plays a specific role.
Next to the cart are other figures dressed in light garments. One appears at the far right, leaning or resting near the load, while another seems behind the animals. Their postures convey fatigue, concentration, and experience. Although faces are not clearly discernible, the body positions suggest they are fully dedicated to the work and used to coordinating their movements with the animals and the rest of the group.
The two draft animals occupy a central position within the right-hand cluster. Their dark bodies, marked by white and gray reflections, contrast with the clarity of the field and hay. They remain tied to the cart, motionless for an instant, as if awaiting the command to move forward. Their presence adds strength and stability to the scene, as well as reminding us of the importance of animals in traditional agricultural work.
The animals seem calm and patient, accustomed to the weight of the cart and the repetitive movement across the fields. Their bulk conveys resilience, while their heads slightly tilted suggest repose or concentration. They are not secondary elements but essential participants in the activity. The relationship between them and the farmers reflects a form of work based on direct collaboration between humans and nature.
In the center of the composition, a figure moves away from the cart, with a backward-leaning posture and arms positioned as if carrying a tool, dragging a sheaf, or picking up the last remnants of cereal. This person serves as a link between the foreground and the group of workers, guiding the eye across the field. Their momentary isolation also allows us to perceive the vastness of the terrain and the physical hardness of the day.
The central figure introduces a sense of slow movement. They seem to walk with determination, yet also with the fatigue of many hours of effort. Their light clothing stands out against the golden ground and becomes a visual focal point. Through them, the viewer can imagine the sequence of repeated tasks: cut, gather, load, transport, and begin again until the whole field is harvested.
On the left side lie two humble-looking rural buildings. The nearer one has a sloped roof and a long light-toned body, while the second stretches horizontally behind it. Their simple, low forms blend perfectly with the terrain. They could be stables, barns, stores, or dwellings connected to the farm.
These structures impart a sense of home and continuity. Although they are distant from the main group, they hint at where the workers will return after the day ends and where part of the harvest may be stored. Their light walls stand out against the dark tree line and offer a small visual resting point. At the same time, they remind us that rural life is not limited to work but also encompasses a community, a family, and a shared memory.
Behind the buildings rises a dense line of dark trees that stretches across almost the entire horizon. Their vertical silhouettes form a natural barrier between the field and the sky. The trees appear enveloped in a moist, somber atmosphere, enhancing the sense of depth. Their presence protects the buildings and defines the cultivated space, as if the field opens up in a clearing surrounded by a vast forest.
The background vegetation takes on black, brown, deep greens, and purples. In some areas the trees are more defined, while in others they seem to fade under the fog. This atmospheric transition creates the impression of considerable distance, making the landscape extend beyond what is visible. The dark mass also helps to highlight the brightness of the buildings and the hay load.
The sky is one of the most dramatic elements of the scene. Large clouds in gray, white, and purplish tones stretch across the top, occupying a space even larger than the terrain. Some areas are very dark and dense, while others open toward a diffused brightness. The atmosphere seems in constant transformation, as if the weather could change from one moment to the next.
The clouds introduce a sense of urgency to the farmers’ activity. The possibility of rain makes hay gathering a task that must be completed before bad weather arrives. Thus, the sky functions not only as a background but actively participates in the narrative. Its silent threat explains the group’s concentration and adds tension to what might seem a tranquil scene.
Despite the density of the clouds, a soft light extends over the field, keeping the earthly golds visible. This clarity seems to arise from the horizon and creates a glowing band behind the figures. The contrast between the low light and the dark sky provides an atmosphere of great emotional intensity. It could be the last hours of the afternoon, when the day begins to fade and work must end.
The scene powerfully conveys the harshness of rural labor, but also its dignity. The peasants appear small in the face of the vast field and sky, reminding us of the fragility of humans before nature. Yet their coordinated effort, the presence of the animals, and the abundance of the cart demonstrate their ability to adapt, cooperate, and derive sustenance from the land. The painting does not idealize rural life entirely but shows its beauty alongside its demands.
The absence of modern elements is also significant. Draft animals, the hay cart, and simple buildings frame the scene in a traditional reality, tied to a form of work passed down through generations. The landscape seems to preserve the memory of a world in which harvest depended directly on physical strength, knowledge of the land, and constant observation of the weather. This dimension makes the work a memory of rural life.
The composition carefully balances open spaces and narrative elements. The wide emptiness of the field and sky gives the scene room to breathe, while the group on the right concentrates the action. The left buildings visually balance the cart and animals, creating a harmonious relationship between both ends. The central figure unites the two zones and completes the viewer’s gaze path.
The painting invites us to imagine the sounds of the moment: the creak of hay, the footsteps of the animals, the rubbing of tools, the workers’ voices, and the wind signaling weather change. It also allows us to feel symbolically the weight of the humid air and the smell of dry earth. This ability to awaken sensations makes the scene feel intimate and deeply human, even when it depicts a way of life far from current times.
Harvest takes on a meaning beyond agricultural work. It represents the culmination of a cycle, the reward after months of waiting, and the need to seize the right moment. The cart full symbolizes abundance and survival, while the clouds remind us that every outcome depends on a fragile balance. The work thus speaks of effort, time, and the inseparable relationship between people and their environment.
Overall, this painting offers a deeply evocative representation of a harvest day under an threatening sky, showing the collaboration between peasants and animals amid a wide, silent landscape. The hay cart symbolizes the fruit of effort, the background buildings provide a sense of home, and the expansive field preserves the traces of the work done. The grandeur of the clouds recalls the unpredictable force of nature, while the figures’ determination conveys perseverance, cooperation, and dignity. The scene celebrates the memory of rural life and the ancestral connection of humans with the land and its cycles.
Pictura Galeria presents this magnificent artwork belonging to Inma Nicolau, depicting several peasants harvesting with the aid of draft animals under a stormy sky, as a symbol of effort, cooperation, and the deep bond between human beings and the land. The painting stands out for its excellent technique and the high pictorial quality it conveys.
· Frame dimensions: 68x77x7 cm.
· Artwork dimensions: 40x50 cm.
· Oil on canvas hand-signed by the artist in the lower-right corner, Inma Nicolau.
· The piece is in good conservation condition.
· The work is sold with a beautiful frame (included in the auction as a gift).
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description. Digital representation in a mockup is indicative; there may be differences from the real article in color, scale, and details.
The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting presents a broad rural scene devoted to the harvest, developed in an open field under a vast sky laden with clouds. The composition captures one of those essential moments of peasant life in which people, animals, and landscape participate together in a task marked by effort, cooperation, and the rhythm of the seasons. On the right, several workers cluster around a cart piled high with hay, accompanied by two sturdy draft animals, while another figure advances from the center of the field toward them. In the distance, rural buildings and a long line of trees complete a scene filled with quiet, diligence, and a deep connection to the land.
The terrain occupies the entire lower half of the image and is covered with a wide range of ochre, golden, brown, subdued green, and cream tones. These variations suggest a field that has already been mowed and where remnants of straw, piles of dry grass, furrows, and small irregularities remain. The surface is not smooth or uniform but marked by color shifts and small vegetal fragments that convey the sense of recently worked land. Each area seems to retain the imprint of the day’s activity.
In the foreground, several piles of grain or hay are distributed irregularly. Some rise like compact small sheaves, while others lie spread on the ground. These elements create depth and guide the eye from the bottom toward the main group on the right. They also reinforce the idea that the work is in full swing and that there is still work to do before the harvest is finished.
The warm tones of the field contrast powerfully with the gray and purplish sky. This opposition between the golden earth and the cool atmosphere creates a visual tension that dominates the scene. The landscape seems to be in a moment of transition, perhaps shortly before a rain or after a storm has passed. The light that still lights the ground suggests the sun managing to filter through the clouds, granting the workers a final interval to continue their tasks.
The main group concentrates around a large hay cart. The load rises to form a rounded, abundant mass, made up of innumerable fibers and dry branches. Its size conveys the day’s productivity and symbolizes the fruit of prolonged effort. The hay takes on yellows, creams, browns, and reddish tones that stand out against the dark background of the trees and make the cart one of the brighter centers of the composition.
On the top of the load, there seems to be a figure tasked with organizing or securing the hay. Its small silhouette is partly integrated among the vegetal forms but introduces a note of movement and risk. The height of the cart makes one imagine the effort needed to lift, distribute, and compact all the material. This person appears to collaborate with those on the ground, showing an organized task in which each worker plays a specific role.
Next to the cart are other figures dressed in light garments. One appears at the far right, leaning or resting near the load, while another seems behind the animals. Their postures convey fatigue, concentration, and experience. Although faces are not clearly discernible, the body positions suggest they are fully dedicated to the work and used to coordinating their movements with the animals and the rest of the group.
The two draft animals occupy a central position within the right-hand cluster. Their dark bodies, marked by white and gray reflections, contrast with the clarity of the field and hay. They remain tied to the cart, motionless for an instant, as if awaiting the command to move forward. Their presence adds strength and stability to the scene, as well as reminding us of the importance of animals in traditional agricultural work.
The animals seem calm and patient, accustomed to the weight of the cart and the repetitive movement across the fields. Their bulk conveys resilience, while their heads slightly tilted suggest repose or concentration. They are not secondary elements but essential participants in the activity. The relationship between them and the farmers reflects a form of work based on direct collaboration between humans and nature.
In the center of the composition, a figure moves away from the cart, with a backward-leaning posture and arms positioned as if carrying a tool, dragging a sheaf, or picking up the last remnants of cereal. This person serves as a link between the foreground and the group of workers, guiding the eye across the field. Their momentary isolation also allows us to perceive the vastness of the terrain and the physical hardness of the day.
The central figure introduces a sense of slow movement. They seem to walk with determination, yet also with the fatigue of many hours of effort. Their light clothing stands out against the golden ground and becomes a visual focal point. Through them, the viewer can imagine the sequence of repeated tasks: cut, gather, load, transport, and begin again until the whole field is harvested.
On the left side lie two humble-looking rural buildings. The nearer one has a sloped roof and a long light-toned body, while the second stretches horizontally behind it. Their simple, low forms blend perfectly with the terrain. They could be stables, barns, stores, or dwellings connected to the farm.
These structures impart a sense of home and continuity. Although they are distant from the main group, they hint at where the workers will return after the day ends and where part of the harvest may be stored. Their light walls stand out against the dark tree line and offer a small visual resting point. At the same time, they remind us that rural life is not limited to work but also encompasses a community, a family, and a shared memory.
Behind the buildings rises a dense line of dark trees that stretches across almost the entire horizon. Their vertical silhouettes form a natural barrier between the field and the sky. The trees appear enveloped in a moist, somber atmosphere, enhancing the sense of depth. Their presence protects the buildings and defines the cultivated space, as if the field opens up in a clearing surrounded by a vast forest.
The background vegetation takes on black, brown, deep greens, and purples. In some areas the trees are more defined, while in others they seem to fade under the fog. This atmospheric transition creates the impression of considerable distance, making the landscape extend beyond what is visible. The dark mass also helps to highlight the brightness of the buildings and the hay load.
The sky is one of the most dramatic elements of the scene. Large clouds in gray, white, and purplish tones stretch across the top, occupying a space even larger than the terrain. Some areas are very dark and dense, while others open toward a diffused brightness. The atmosphere seems in constant transformation, as if the weather could change from one moment to the next.
The clouds introduce a sense of urgency to the farmers’ activity. The possibility of rain makes hay gathering a task that must be completed before bad weather arrives. Thus, the sky functions not only as a background but actively participates in the narrative. Its silent threat explains the group’s concentration and adds tension to what might seem a tranquil scene.
Despite the density of the clouds, a soft light extends over the field, keeping the earthly golds visible. This clarity seems to arise from the horizon and creates a glowing band behind the figures. The contrast between the low light and the dark sky provides an atmosphere of great emotional intensity. It could be the last hours of the afternoon, when the day begins to fade and work must end.
The scene powerfully conveys the harshness of rural labor, but also its dignity. The peasants appear small in the face of the vast field and sky, reminding us of the fragility of humans before nature. Yet their coordinated effort, the presence of the animals, and the abundance of the cart demonstrate their ability to adapt, cooperate, and derive sustenance from the land. The painting does not idealize rural life entirely but shows its beauty alongside its demands.
The absence of modern elements is also significant. Draft animals, the hay cart, and simple buildings frame the scene in a traditional reality, tied to a form of work passed down through generations. The landscape seems to preserve the memory of a world in which harvest depended directly on physical strength, knowledge of the land, and constant observation of the weather. This dimension makes the work a memory of rural life.
The composition carefully balances open spaces and narrative elements. The wide emptiness of the field and sky gives the scene room to breathe, while the group on the right concentrates the action. The left buildings visually balance the cart and animals, creating a harmonious relationship between both ends. The central figure unites the two zones and completes the viewer’s gaze path.
The painting invites us to imagine the sounds of the moment: the creak of hay, the footsteps of the animals, the rubbing of tools, the workers’ voices, and the wind signaling weather change. It also allows us to feel symbolically the weight of the humid air and the smell of dry earth. This ability to awaken sensations makes the scene feel intimate and deeply human, even when it depicts a way of life far from current times.
Harvest takes on a meaning beyond agricultural work. It represents the culmination of a cycle, the reward after months of waiting, and the need to seize the right moment. The cart full symbolizes abundance and survival, while the clouds remind us that every outcome depends on a fragile balance. The work thus speaks of effort, time, and the inseparable relationship between people and their environment.
Overall, this painting offers a deeply evocative representation of a harvest day under an threatening sky, showing the collaboration between peasants and animals amid a wide, silent landscape. The hay cart symbolizes the fruit of effort, the background buildings provide a sense of home, and the expansive field preserves the traces of the work done. The grandeur of the clouds recalls the unpredictable force of nature, while the figures’ determination conveys perseverance, cooperation, and dignity. The scene celebrates the memory of rural life and the ancestral connection of humans with the land and its cycles.

