Carles Compte (1944) - Regreso al hogar

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Original oil painting by Carles Compte (1944), titled Regreso al hogar, an unfenced landscape captured in oil on canvas, signed by hand, dating from 1970–1980, framed and measuring 52 x 42 cm while the artwork itself is 40 x 30 cm.

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Description from the seller

Pictura Galeria presents this magnificent work of art belonging to Compte, depicting a solitary rural path flanked by two trees and leading toward an old house, as a symbol of the passage of time, memory, and returning home. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Frame dimensions: 52x42x6 cm.
· Artwork dimensions: 40x30 cm.
· Oil on canvas hand-signed by the artist in the lower right corner, Compte.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be via Correos or GLS with tracking. International shipping available.

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This painting presents a silent, melancholic rural landscape, organized around a road that begins in the foreground and gradually narrows as it moves toward the horizon, passing between two tall trees and a small cluster of buildings. The scene is enveloped by a gray, cool atmosphere, dominated by a overcast sky that occupies much of the composition. On the left rises a country house with light-colored walls and a dark roof, while in the center two slender trunks rise like guardians of the path. The absence of human figures reinforces the sense of stillness and makes the landscape deeply contemplative.

The road constitutes the main axis of the composition. It starts at the bottom with notable breadth and progressively narrows as it advances toward the horizon, creating a strong sense of depth. Its surface is formed by shades of gray, brown, ochre, and beige, arranged irregularly. This variety suggests damp earth worn by the constant passage of carts, animals, or walkers.

Two deep ruts run along the road from the foreground to the distance. Their dark lines create an upward movement that directly guides the gaze toward the trees and buildings. The ruts are not perfectly straight but curve and approach each other as they progress. This irregularity conveys the sense of an ancient path slowly formed by daily use and adapted to the natural features of the terrain.

Between the ruts stretches a central lighter band, marked by grays, soft browns, and earthy tones. On both sides appear darker areas that could correspond to mud, moisture, shadows, or small depressions. The road seems recently washed by rain, though no clearly defined puddles are visible. Its surface conveys a feeling of freshness and heaviness, as if the ground still holds the water from a cloudy day.

Along the edges of the path appear low, light structures that could be small walls, lime-washed stones, or elements indicating the passage. These side lines accompany the course and reinforce perspective. Their white-gray color contrasts with the dark earth and subtly adds order to the scene. At the same time, they seem to separate the road from the fields and vegetation on either side.

The two central trees have an especially powerful presence. Their tall, dark, slightly irregular trunks rise vertically to reach the top of the frame. Although they retain some leaves, their canopies appear sparse and fragmented, suggesting late autumn, early winter, or recent pruning. Their bare, resilient appearance intensifies the sense of solitude in the landscape.

The tree on the left is thicker and denser. Its sturdy trunk splits into several branches supporting small masses of grayish, dark-green, and brown foliage. Some branches appear cut or suddenly stopped, giving the tree an old silhouette stamped by time. Its position close to the house establishes a visual relationship between architecture and nature.

The tree on the right has a thinner trunk and a much more open crown. Its branches extend sideways with almost fragile delicacy, bearing small clusters of ochre and grayish leaves. The top rises toward the sky as a thin, dark line, while one branch extends horizontally to the right. Its silhouette conveys strength, yet also vulnerability against the wide sky.

The different shapes of the two trees provide balance and avoid rigid symmetry. The more robust one offers stability, while the thinner one introduces lightness and movement. Together they frame the end of the path and form a kind of natural gate into the interior of the landscape. The viewer can imagine that, by passing between them, they would access the fields and structures beyond.

To the left is a humble, old rural house. Its light walls contrast with the dark roof and surrounding vegetation. The façade shows small openings, a door, and some shadowed areas suggesting a silent interior. Although there are no direct signs of activity, its presence prevents the landscape from appearing completely uninhabited.

The roof of the house is composed of browns, reddish-browns, grays, and blacks. Its slope and its slightly irregular appearance convey antiquity and adaptation to the surroundings. Near the top, a small vertical element can be distinguished that could be a chimney, reinforcing the idea of a rural home. The possibility of a fire lit inside introduces a subtle sense of refuge against the external weather.

Next to the main building, other smaller structures are glimpsed, partially hidden by trees and distance. Their dark roofs and low shapes blend into the horizon line. They could be sheds, barns, stables, or annexes related to agricultural work. These structures suggest a small rural nucleus developed around the path.

The house is surrounded by trees, shrubs, and vegetated areas in grayish tones, muted greens, browns, and ochres. The plants are not lush but contained and adapted to a cold season. Some canopies merge with the sky, while others create dark patches next to the walls. This integration makes the architecture seem part of the landscape for a long time.

On the right is a wide area of fields and scrubland. The vegetation appears low and scattered, with dominant grays, muted greens, and browns. In the distance, an irregular line of shrubs and small trees marks the boundary. This open area visually balances the weight of the house on the opposite side.

The fields convey a sense of seasonal rest. There are no crops growing or agricultural tasks in progress, which could indicate a period after harvest or before new sowing. The land seems to wait quietly for activity to return. This natural pause contributes to the contemplative tone of the work.

The sky occupies more than half of the composition and presents an expansive surface of grays, whites, bluish tones, and subtle violets. The clouds are distributed diffusely, without clearly defined edges. Some areas are brighter and more luminous, while others take on a darker density suggesting moisture and cold. The atmosphere seems to foretell rain, fog, or a change in weather.

The most intense clarity concentrates roughly in the central zone of the sky, behind the trees. This diffused light allows the trunks to be sharply outlined and become the main silhouettes. There is no visible sun, but the light passes through the clouds and gently spreads over the ground. The resulting effect is serene and slightly mysterious.

The restrained tones reinforce the unity of the landscape. The grays of the sky correspond to the road, the trunks, and the house walls; the browns appear in the earth, the roof, and the vegetation; the muted greens provide small notes of life. This chromatic harmony creates a sober, balanced, and deeply atmospheric image.

The vertical composition emphasizes the height of the trees and the vastness of the sky. The ascending road divides the lower part and leads toward the central vertical forms, creating a very clear continuity. The house sits to one side, without interrupting the main path, while the open fields allow the eye to expand toward the horizon.

The absence of people or animals makes the road an invitation. The viewer can imagine moving along it, hearing the sound of their own footsteps on the damp earth and feeling the cold air. The scene arouses curiosity about what lies beyond the trees and who might inhabit the house. This narrative openness allows each person to build their own story.

The landscape conveys solitude, but not necessarily abandonment. The house, the marked path, and the worked fields reveal a human presence that is momentarily out of sight. It seems to be a pause within daily life, perhaps early in the morning or at the end of a workday. The silence thus takes on a character of recollection and waiting.

The trees can be interpreted symbolically as resilient figures that stand tall against the passage of time and the seasons. Their sparse branches reveal the traces of change, but their trunks remain firm and deeply rooted. Placed on both sides of the path, they seem to accompany and protect anyone who enters the landscape. They represent permanence, memory, and strength.

The path, for its part, can be understood as a metaphor for the journey, the passage of life, or the return home. Its tracks show that others have walked it before and that it will continue to be used in the future. The direction toward the house and toward the horizon suggests a search for refuge, belonging, or continuity. The path connects the near space with the unknown.

The scene possesses a quiet beauty that does not rely on intense colors or dramatic events. Its strength lies in the atmosphere, in the proportions, and in the dialogue between the trees, the path, the house, and the sky. Everything seems held in a moment of deep calm. The painting invites valuing those humble landscapes that preserve the memory of those who have inhabited them.

Overall, this painting offers a silent and deeply evocative vision of a rural path that progresses between two trees toward an old country house. The marks on the earth, the contained vegetation, and the cloud-covered sky create a cold, melancholic, and serene atmosphere. The house provides a sense of refuge, the trees symbolize resilience, and the path represents the passage of time and the continuity of life. The work invites mentally to walk through this solitary landscape and to discover in its quietness an intimate beauty linked to memory, home, and nature.

Pictura Galeria presents this magnificent work of art belonging to Compte, depicting a solitary rural path flanked by two trees and leading toward an old house, as a symbol of the passage of time, memory, and returning home. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Frame dimensions: 52x42x6 cm.
· Artwork dimensions: 40x30 cm.
· Oil on canvas hand-signed by the artist in the lower right corner, Compte.
· The piece is in good conservation condition.
· The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The artwork will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to guarantee protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be via Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a silent, melancholic rural landscape, organized around a road that begins in the foreground and gradually narrows as it moves toward the horizon, passing between two tall trees and a small cluster of buildings. The scene is enveloped by a gray, cool atmosphere, dominated by a overcast sky that occupies much of the composition. On the left rises a country house with light-colored walls and a dark roof, while in the center two slender trunks rise like guardians of the path. The absence of human figures reinforces the sense of stillness and makes the landscape deeply contemplative.

The road constitutes the main axis of the composition. It starts at the bottom with notable breadth and progressively narrows as it advances toward the horizon, creating a strong sense of depth. Its surface is formed by shades of gray, brown, ochre, and beige, arranged irregularly. This variety suggests damp earth worn by the constant passage of carts, animals, or walkers.

Two deep ruts run along the road from the foreground to the distance. Their dark lines create an upward movement that directly guides the gaze toward the trees and buildings. The ruts are not perfectly straight but curve and approach each other as they progress. This irregularity conveys the sense of an ancient path slowly formed by daily use and adapted to the natural features of the terrain.

Between the ruts stretches a central lighter band, marked by grays, soft browns, and earthy tones. On both sides appear darker areas that could correspond to mud, moisture, shadows, or small depressions. The road seems recently washed by rain, though no clearly defined puddles are visible. Its surface conveys a feeling of freshness and heaviness, as if the ground still holds the water from a cloudy day.

Along the edges of the path appear low, light structures that could be small walls, lime-washed stones, or elements indicating the passage. These side lines accompany the course and reinforce perspective. Their white-gray color contrasts with the dark earth and subtly adds order to the scene. At the same time, they seem to separate the road from the fields and vegetation on either side.

The two central trees have an especially powerful presence. Their tall, dark, slightly irregular trunks rise vertically to reach the top of the frame. Although they retain some leaves, their canopies appear sparse and fragmented, suggesting late autumn, early winter, or recent pruning. Their bare, resilient appearance intensifies the sense of solitude in the landscape.

The tree on the left is thicker and denser. Its sturdy trunk splits into several branches supporting small masses of grayish, dark-green, and brown foliage. Some branches appear cut or suddenly stopped, giving the tree an old silhouette stamped by time. Its position close to the house establishes a visual relationship between architecture and nature.

The tree on the right has a thinner trunk and a much more open crown. Its branches extend sideways with almost fragile delicacy, bearing small clusters of ochre and grayish leaves. The top rises toward the sky as a thin, dark line, while one branch extends horizontally to the right. Its silhouette conveys strength, yet also vulnerability against the wide sky.

The different shapes of the two trees provide balance and avoid rigid symmetry. The more robust one offers stability, while the thinner one introduces lightness and movement. Together they frame the end of the path and form a kind of natural gate into the interior of the landscape. The viewer can imagine that, by passing between them, they would access the fields and structures beyond.

To the left is a humble, old rural house. Its light walls contrast with the dark roof and surrounding vegetation. The façade shows small openings, a door, and some shadowed areas suggesting a silent interior. Although there are no direct signs of activity, its presence prevents the landscape from appearing completely uninhabited.

The roof of the house is composed of browns, reddish-browns, grays, and blacks. Its slope and its slightly irregular appearance convey antiquity and adaptation to the surroundings. Near the top, a small vertical element can be distinguished that could be a chimney, reinforcing the idea of a rural home. The possibility of a fire lit inside introduces a subtle sense of refuge against the external weather.

Next to the main building, other smaller structures are glimpsed, partially hidden by trees and distance. Their dark roofs and low shapes blend into the horizon line. They could be sheds, barns, stables, or annexes related to agricultural work. These structures suggest a small rural nucleus developed around the path.

The house is surrounded by trees, shrubs, and vegetated areas in grayish tones, muted greens, browns, and ochres. The plants are not lush but contained and adapted to a cold season. Some canopies merge with the sky, while others create dark patches next to the walls. This integration makes the architecture seem part of the landscape for a long time.

On the right is a wide area of fields and scrubland. The vegetation appears low and scattered, with dominant grays, muted greens, and browns. In the distance, an irregular line of shrubs and small trees marks the boundary. This open area visually balances the weight of the house on the opposite side.

The fields convey a sense of seasonal rest. There are no crops growing or agricultural tasks in progress, which could indicate a period after harvest or before new sowing. The land seems to wait quietly for activity to return. This natural pause contributes to the contemplative tone of the work.

The sky occupies more than half of the composition and presents an expansive surface of grays, whites, bluish tones, and subtle violets. The clouds are distributed diffusely, without clearly defined edges. Some areas are brighter and more luminous, while others take on a darker density suggesting moisture and cold. The atmosphere seems to foretell rain, fog, or a change in weather.

The most intense clarity concentrates roughly in the central zone of the sky, behind the trees. This diffused light allows the trunks to be sharply outlined and become the main silhouettes. There is no visible sun, but the light passes through the clouds and gently spreads over the ground. The resulting effect is serene and slightly mysterious.

The restrained tones reinforce the unity of the landscape. The grays of the sky correspond to the road, the trunks, and the house walls; the browns appear in the earth, the roof, and the vegetation; the muted greens provide small notes of life. This chromatic harmony creates a sober, balanced, and deeply atmospheric image.

The vertical composition emphasizes the height of the trees and the vastness of the sky. The ascending road divides the lower part and leads toward the central vertical forms, creating a very clear continuity. The house sits to one side, without interrupting the main path, while the open fields allow the eye to expand toward the horizon.

The absence of people or animals makes the road an invitation. The viewer can imagine moving along it, hearing the sound of their own footsteps on the damp earth and feeling the cold air. The scene arouses curiosity about what lies beyond the trees and who might inhabit the house. This narrative openness allows each person to build their own story.

The landscape conveys solitude, but not necessarily abandonment. The house, the marked path, and the worked fields reveal a human presence that is momentarily out of sight. It seems to be a pause within daily life, perhaps early in the morning or at the end of a workday. The silence thus takes on a character of recollection and waiting.

The trees can be interpreted symbolically as resilient figures that stand tall against the passage of time and the seasons. Their sparse branches reveal the traces of change, but their trunks remain firm and deeply rooted. Placed on both sides of the path, they seem to accompany and protect anyone who enters the landscape. They represent permanence, memory, and strength.

The path, for its part, can be understood as a metaphor for the journey, the passage of life, or the return home. Its tracks show that others have walked it before and that it will continue to be used in the future. The direction toward the house and toward the horizon suggests a search for refuge, belonging, or continuity. The path connects the near space with the unknown.

The scene possesses a quiet beauty that does not rely on intense colors or dramatic events. Its strength lies in the atmosphere, in the proportions, and in the dialogue between the trees, the path, the house, and the sky. Everything seems held in a moment of deep calm. The painting invites valuing those humble landscapes that preserve the memory of those who have inhabited them.

Overall, this painting offers a silent and deeply evocative vision of a rural path that progresses between two trees toward an old country house. The marks on the earth, the contained vegetation, and the cloud-covered sky create a cold, melancholic, and serene atmosphere. The house provides a sense of refuge, the trees symbolize resilience, and the path represents the passage of time and the continuity of life. The work invites mentally to walk through this solitary landscape and to discover in its quietness an intimate beauty linked to memory, home, and nature.

Details

Artist
Carles Compte (1944)
Sold with frame
No
Sold by
Gallery
Edition
Original
Title of artwork
Regreso al hogar
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Good condition
Height
52 cm
Width
42 cm
Depiction/theme
Nude
Style
Impressionism
Period
1970-1980
SpainVerified
1982
Objects sold
100%
protop

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