Leandro Olano - Éxtasis





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Leandro Olano, Éxtasis, 2026, acrylic painting on canvas, 24.5 × 25 cm, original unique work signed by hand and accompanied by an artist's certificate of authenticity.
Description from the seller
Leandro Olano
Éxtasis, 2026
Oil on canvas
24.5 × 25 cm
Signed
Original unique work, fully handmade
Comes with certificate of authenticity from the artist
Shipped without stretcher (rolled for controlled safety in transport)
The composition almost square shows a close-up of a female face in a strong low-angle view, head thrown back, eyes closed and lips slightly open. The neck and jaw extend in a tense curve. The volume is built with saturated color planes (yellows, oranges, reds, greens and blues) that fragment the anatomy without realistic shading. The background is a dense blue-black that isolates the figure and intensifies the chromatic contrast.
The brushstroke is thick and gestural; the impasto prioritizes the materiality and color vibration over any descriptive detail. The result is an image of abandonment or inner ecstasy, more emotional than narrative.
It remains within the same line as previous works: contemporary figuration of expressionist-fauvist root. The color is the real protagonist; the head-tilted-back pose adds a clearer emotional charge (abandonment, pleasure, or simply a moment of intense inward reflection) than previous frontal portraits.
Seller's Story
Leandro Olano
Éxtasis, 2026
Oil on canvas
24.5 × 25 cm
Signed
Original unique work, fully handmade
Comes with certificate of authenticity from the artist
Shipped without stretcher (rolled for controlled safety in transport)
The composition almost square shows a close-up of a female face in a strong low-angle view, head thrown back, eyes closed and lips slightly open. The neck and jaw extend in a tense curve. The volume is built with saturated color planes (yellows, oranges, reds, greens and blues) that fragment the anatomy without realistic shading. The background is a dense blue-black that isolates the figure and intensifies the chromatic contrast.
The brushstroke is thick and gestural; the impasto prioritizes the materiality and color vibration over any descriptive detail. The result is an image of abandonment or inner ecstasy, more emotional than narrative.
It remains within the same line as previous works: contemporary figuration of expressionist-fauvist root. The color is the real protagonist; the head-tilted-back pose adds a clearer emotional charge (abandonment, pleasure, or simply a moment of intense inward reflection) than previous frontal portraits.

